Phil Wachsmann, violin, electronics
Günter Christmann, trombone, cello
Fred Van Hove, piano, accordion
Joëlle Léandre, double bass
01. unknown title 12:52
02. unknown title 12:26
03. unknown title 09:25
04. unknown title 10:38
Recorded in Leverkusen, Germany on January 29, 2001
(FM)
Leroy Jenkins, violin
Sirone, double bass, trombone
Jerome Cooper, drums, piano, balaphon
1. unknown title 11:36
2. unknown title 11:08
3. unknown title 9:03
4. unknown title 19:58
Recorded at Kino Lupe, Köln on September 2, 1977
Raphe Malik, trumpet
Glen Spearman, tenor saxophone
Jay Oliver, double bass
Stephen McCraven, drums
1. Life Without Lloyd, Part 1 (40:49)
2. Life Without Lloyd, Part 2 (11:30)
3. Life Without Lloyd, Part 3 (29:47)
4. Life Without Lloyd, Part 4 (06:57)
Recorded on October 10, 1979 in Unna, Germany.
John Fischer, piano
Willem Van Manen, trombone
George Steinmann, guitar
Peter Kowald, double bass
1. Poor Piano 8:50
2. Improvisation I 18:29
3. Bielefeld Suite 22:38
Recorded on March 12, 1987 at Ravensburger Spinnerei, Bielefeld, Germany.
This is especially for Nick.
Michael Snow, trumpet, piano
Nobuo Kubota, saxophone, percussion
Casey Sokol, keyboards, electronics
Peter Anson(?), guitar
Al Mattes, bass, bass-guitar, electronics
John Kamevaar, drums
1. No.1 (41:49)
2. No.2 (38:53)
3. No.3 (16:53)
Recorded on January 18, 1983 in Köln at the WDR Studio.
Excellent music by Ekkehard Jost and his comrades. "Palestrinas Reise nach Cadiz" is one of my favourite tunes from him which he has recorded at least twice.
Another version and other clichè-free music can be found here.
http://www.jazzhausmusik.de/pages/catalog_by_id.php?label_id=11
I would like to recommend three CDs:
"Deep" with - among others - Tony Oxley and "Some Other Tapes" with different line-ups (including the second version of "Palestrinas Reise nach Cadiz").
And "Wintertango" with his working group.
Herbert Hellhund, tp, flh, zither
Dirk Huelst, ts, roll shuter
Ekkehard Jost, bs, bass-sax, zither, perc
Georg Wolf, b
Joe Bonica, dr, perc
1. Mobibobi 06:56
2. Lonely Langgöns 07:01
3. Kleine Serenade für HeHe 04:38
4. Tangenten 12 & 13 06:39
5. Stieselkick & Dat Walzerle 04:34
6. Palestrinas Reise nach Cadiz 05:56
7. Omega Jive 04:21
8. Saint Malo 04:46
9. Haste Gesagt 06:21
Recorded at Amman Boutz Studio, Giessen, Germany; on September 11th - 14th, 1983. (all pieces by E.Jost except tr.8 by H.Hellhund) View VS 0028/Jazz series
This is one of the rare appearances of Dietmar Diesner on LP/CD. He's not very eager to do recordings at all and his opinion is that (freely) improvised music is better appreciated in a live setting (... he might have a point ...). And the last of his few recordings he seemingly made approximately 1997/98 - and that's it.
... who weren't at the location when the music happened ....
Dietmar Diesner, all instruments, etc.
1. Permanence 8805032224 (21:15)
alto saxophone, electronics
2. Verweigerung des Unplötzlichen (10:06)
soprano saxophone, Marmor (marble), Stahltür (steel-door), ein blauer Eimer (blue bucket)
3. Rondo 4A (5:56)
alto saxophone, electronics
4. Entzeitigung (5:36)
alto saxophone, electronics, feedback-effects
Recorded May 3 to 5, 1988 at AMIGA-Studio, Berlin
AMIGA 8 56 377
(vinyl rip)
BTW: "Verweigerung des Unplötzlichen" means something like "refusal of the un-sudden". And "Entzeitigung" means that something (or everything) is 'removed' from the influence of time on all (or some) things existing.
The Malombo Jazz Men
This is a "special" post for two reasons : it's n°600 from the beginning
of I.S. and, most of all, this is the recording that documents the last live
performance of the legendary Revolutionary Ensemble.
Exactly six months after the Warsaw performance documented by the
Mutable Music's record "Beyond the Boundary of Time", the Three were
invited to Genoa for a single concert : here is the report of that historical
evening. In the folders you'll find also some photos taken at the concert.
Rec. live at "Teatro Gustavo Modena", Genoa, Italy,
on November 25, 2005 (mix recording)
Leroy Jenkins,violin
Norris Jones "Sirone",bass
Jerome Cooper,drums,keyboards,ballaphone,wood flute
1. Value Forfillment [Sirone] (11:20)
2. Configuration [Sirone] (06:54)
3. Pick [J.Cooper] (16:14)
4. Rumi Tales [L.Jenkins] (06:57)
5. Berlin Erfarhung [Sirone] (06:36)
6. Usami [L.Jenkins] (06:51)
7. Improvisation [Revolutionary Ensemble] (05:11)
Total Time 1:00:04
Juhani Aaltonen, tenor saxophone, flute
Reggie Workman, double bass
Edward Vesala, drums
A1. Saxax 4:47
A2. Moon Triangle 3:46
A3. Prana 2:36
A4. Journey Within 12:04
B1. Oasis 4:57
B2. Waves Through The Mind 3:55
B3. Conclusion 14:06
Composed by Aaltonen, Vesala (A4, B3) and Workman (A4, B3)
Recorded live at Groovy, Helsinki, August 2, 1981.
Leo Records - LEO 013
(vinyl rip)
BBC Radio 3 Jazz in Britain, Broadcast 2nd October 1978, Introduced by Charles Fox
Dudu Pukwana - alto sax
Evan Parker - tenor sax
Marc Charig - trumpet
Nick Evans, Rudu Malfatti - trombones
Keith Tippett - piano
Harry Miller - bass
Louis Moholo - drums
1. Amaxesha Osizi (Majola) 6:52
2. Wedding Hymn (Machakusa) 10:19
3. Khanya Apho Ukona (Moholo):26
4. You Ain’t Gonna Know Me ‘Cos You Think You Know Me (Feza) 2:25 (fade out)
From the Philippe Renaud Collection, shared in fb group Who love Louis Tebugo Moholo & The Blue Notes by David Spiers
mp3@190 only, but sounds good.
Gijs Hendriks (sax alto, soprano, tenor)
Charles Loos (piano)
Bert Van Erk (contrabass)
Beaver Harris (drums)
01 - In A Friendly Way
02 - Brasilian Song
03 - Groovin'on
04 - Tribute To Michael
05 - Esbres
06 - Deeboojah
all compositions by Gijs Hendriks
Recorded at Studio 44, Monster, Holland, March 1986
YVP Music 1986
"Il nudo" consists of four fragments. Alongside Liliana Poli, fragment one features piano and string quartet, two and three feature string quartet, and on four Poli is the sole performer. "Phrase à trois" is for string trio.
il nudo–4 frammenti da torso
für sopran, klavier und streichquartett
1. frammento 1 3.36
2. frammento 2 5.17
3. frammento 3 4.55
4. frammento 4 9.41
–liliana poli sopran (1,2,4)
–società cameristica italiana
klavier (1)
streichquartett (1-3)
5. phrase à trois 5.51
für streichtrio
6. ancora odono i colli 6.54
für gemischtes vokalsextett
7. rara (eco sierologico) 6.55
für cello solo
il nudo phrase à trois
–liliana poli sopran (1,2,4) –società cameristica italiana
–società cameristica italiana ancora odono i colli
klavier (1) –schola cantorum
streichquartett (1-3) clytus gottwald
rara (eco sierologico)
–horst hornung cello
il nudo & phrase à trois september 1969
ancora odono i colli oktober 1969
rara juli 1969
wergo wer 60048
Repost of an old submission. Reverted it to draft some time ago and now I re-adding it - but - alas - all old comments have been discarded by the new blogger configurations....
Horace Tapscott, piano
Everett Brown jr., drums
A1. At The Crossroads 9:55
A2. Middle Age Madness 8:55
B1. Ballad For Window Lee Black 11:50
B2. Marcellus III 9:45
Written by H. Tapscott: A1 to B1
Written by E. Brown jr.: B2
Recorded at the Lobero Theatre in Santa Barbara, California, 1980.
Nimbus West Rcords NS 579 (vinyl rip)
Released 1980
The promo LP from which I've ripped this rare composition by Wolfgang Dauner wasn't in the best condition. Removed several louder clicks 'n' pops manually. Then I've added a very mild filtering. You will still hear some crackling especially in the quieter parts of this work but I'm sure that the music deserves to be heard even with some extra noise.
Two years later in 1976 Dauner composed a jazz opera titled "Der Urschrei des Musikers" for the Berlin Jazz Days; during the performance Dauner had excerpts from contracts with musicians read aloud. The work dealt with the mechanisms in the record industry of that time.
And again in August 2010 in Stuttgart he came back to the topic (BTW: Urschrei means primal scream) with a composition / opera titled 'Second Prelude to the Primal Scream' (Zweiter Auftakt für den Urschrei) [conducted by Dennis Russell Davies] in memory of his Berlin opera.
How much the music offered here is the seed for the latter two compositions I don't know. But it seems rather likely that Dauner had an idea / theme which kept coming back through a good part of his life as musician and composer.
Wolfgang Dauner, piano, synthesizer, composition
Zbigniew Seifert, violin
Adelhard Roidinger, double bass
Ack van Rooyen, flugelhorn
Bronislav Kovacev, drums
Rundfunkorchester Hannover des NDR
Mladen Guteša, conductor
1. Der Urschrei 27:17
Recorded 27.-31.5.1974, Funkhaus Hannover, Germany.
Vinyl rip from the A side of a NDR promo LP "NDR Jazzworkshop '76" (666 796)
Here's another contribution by inamorata. The picture above is from the www and was shot during the concert in Oissach (no name given for the photographer).
Weather Report
3. Internationales Musikforum, Stiftshof
Ossiach
June 27, 1971
Source: FM or SBD
The earliest known live recording of WR
01 Firefish 13:57 >
02 Unidentified 2:01 >
03 Early Minor 8:15
04 Morning Lake 4:37 >
05 Waterfall 6:38
06 Umbrellas 7:22
07 Piano intro (Orange Lady theme) > Eurydice 14:36
08 Seventh Arrow 5:35 >
09 Unidentified 2:34
10 Orange Lady 11:03
Joe Zawinul, piano & keyboards
Wayne Shorter, tenor & soprano sax
Miroslav Vitous, bass
Alphonse Mouzon, drums
Dom Um Romao, percussion & flute
This show is relatively well circulated, but in variable sound quality, often with the sequence of compositions mixed up and/or one track missing (Eurydice was officially released) or otherwise incomplete. The date given for most versions, July 27, is also incorrect.
This new and uncirculated version is remastered from the best of several versions I picked up over the years, a trade CD I received from an Austrian collector. It appears to be fairly close to the original source but has the usual issues coming with several generations of cassette copies (pitch slightly sharp, azimuth errors, clicks and other artifacts). I have corrected all of these and remastered the sound, and I doubt you will find a better version of this historic show.
Considered to be the earliest known live recording of Weather Report, this represents what might be called the 'consolidated' first line-up with Dom um Romao having replaced Airto Moreira (and the other percussionists, Don Alias and Barbara Burton, who also contributed to the eponymous first album but remained uncredited). Alphonse Mouzon was still on board.
The venue was the 'Third International Music Forum Ossiach' in Carinthia, initiated by Friedrich Gulda, which brought together such diverse acts as, among others, Paul and Limpe Fuchs, Tangerine Dream, Arvind Parikh, Le groupe liturgique de Tunis, Pink Floyd, The Trio, and Gulda himself playing Mozart. While the audience sounds rather polite and restrained during the Weather Report show, Ossiach was flooded by enthusiastic hippies when Pink Floyd played on July 1st. The natives were shocked and as a consequence Gulda's festival had to move to Viktring, also in Carinthia, for the next editions. Selected recordings from the festival, made by the Austrian radio and TV network, ORF, were released on a three-LP sampler by BASF under the title Ossiach Live. This includes, as mentioned, Eurydice from the Weather Report set, in a very different mix from what we have here. The 2 CD edition from 2008 appears to be unofficial.
Markus Geiger, soprano & tenor saxophone, bass clarinet, flute
Urs Voerkel, piano
Peter K. Frey, double bass
Herbert Hartmann, drums
1. 45 (7:52)
2. Verusse (10:34)
3. Fryli, Fryli (16:49)
4. Heissi Ohre (3:24)
Recorded 22nd April 1973, Dübendorf / Zürich
Self-released FORM 001 (Switzerland)
(vinyl rip)
Here's a reup of Paul's post - below we have the original text which is still current.
< Max Roach Quartet in Amsterdam 1977 If you ever saw this band, it was a knockout, muscular sax, polyrhythms, always ancient to the future... Baystate LP, vinyl Rip, wav files >
Billy Harper, tenor saxophone
Cecil Bridgewater, trumpet
Reggie Workman, double bass
Max Roach, drums
1. It's Time (Roach) 22:49
2. Call of the Wild & Peacful Heart (Harper) 26:12
Recorded live August 17, 1977 at the "Jazzhaus", Amsterdam, Holland.
Baystate – RVJ-6029
(vinyl rip - 96 khz)
A contribution by Pablo - by request
Billy Harper, tenor saxophone
Cecil Bridgwater, trumpet
Calvin Hill, double bass
Max Roach, drums
1. Confirmation 12:18
2. Giant Steps 8:05
3. The Profit 7:49
4. Sunday Afternoon 7:01
5. Soliloquy 6:17
Recorded 10.6.1978 at the studio Sysmo Records Paris, France.
Fluid Records FLUID 103
(vinyl rip - 96 khz)
Sound taken from video at https://vimeo.com/81384676. Slightly remastered. Thanks to Aymeric Leroy for setlist. One 62 minute file. I am posting itin flac and mp3, although original file from vimeo was mp3Echoes / Footprints (W. Shorter) / Calyx / untitled improvHUGH HOPPER - bass guitarELTON DEAN - alto sax, saxelloKEiTH TiPPETT - piano, elctric pianoJOE GALLiVAN - drums, synthesizer
Billy Harper, tenor saxophone
Cecil Bridgewater, trumpet
Reggie Workman, double bass
Max Roach, drums
1. The Matyr 32:41
2. Six Bits Blues 34:23
Recorded at Mama Dog Studio July 27, 1977 in Rome.
Horo Records HDP 9-10
(high definition vinyl rip)
in flac with pictures from the web
Thanks to Pablo for the rip and the idea of reposting it in the first place.
Here we have a contribution by inamorata (another one will follow)
***
Jormin - Gustafsson - Jormin
December 11, 1997
Umea, Sweden
Anders Jormin, bass
Mats Gustafsson, saxes and clarinet (?) [fluteophone??]
Christian Jormin, drums
01 Broadcast intro 0:53
02 What reason could I give? (Ornette Coleman) 7:42
03 Korpo II (Gustafsson) 11:30
04 Apus Apus (Jormin/Gustafsson/Jormin) 11:47
05 Unidentified 18:19
06 Unidentified 8:24
07 Broadcast outro 0:19
TT 58:54
inamorata second remaster version
This comes from a Swedish radio broadcast of a great
live performance of music from the “Opus Apus” CD (LJ
Records LJCD 5212, 1996). I picked it up on
dimeadozen.org in 2012 and posted a remastered version
there in 2016. In December 2020 I made a new version
which, I think, sounds quite nice given the difficult
source material. For information on the editing and
remastering see the info file.
This is improvised music and I find it difficult to
identify compositions. Except for trach 02, I’m not sure
if I got it right (and if my guess concerning the
Swedish outro is right the announcer disagrees with my
identification of track 03).
The Opus Apus CD may still be available at the JL
Records website (http://www.lj-records.se/).
At any rate, a digital download can be purchased at
Gustafsson’s Bandcamp site (https://matsgustafsson.bandcamp.com/album/opus-apus).
Highly recommended!
***
First is one of the earliest incarnation of the organic music theatre, a live recorded in France in 1972, with Nana, Moki, Christer Bothèn and french saxophonist Doudou Gouirand, the sound seems perfect.
The second double cd is titled « Summer House Session » and it is one of the many jam sessions that Don Cherry organised when he was in Sweden. Here also the sound is incredible and the sound samples reveals a fantastic music. Those two releases foreshadows a very cool summer :)
.jpg)
