KONITZ-ZOLLER QUARTET "KÖLN 1968"
Lee Konitz, alto & tenor saxophone, flute
Attila Zoller, guitar
Barre Phillips, double bass
Stu Martin, drums
1. Struwwelpeter (8:25) / 317 East 32nd Street (6:42) / How Deep Is The Ocean (LK-solo) (5:32) / At Twilight (8:20) / Alice's Lullaby (AZ-solo) (3:55) 38:47
Recorded at the Amerika-Haus in Köln during the MPS-Tournee on March 22, 1968.
(pre-FM)
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15 comments:
https://1fichier.com/?vc2mxclzj5jp9piub81d
BIG THX!...
Many thanks
Vince
Many thanks
Thank-you very much
Wow, what a great rarity and interesting combination of talents! Thanks so much.
Thanks, Ernst!
Sounds like a bit of Varitone (a la Stereokonitz) on 317E32nd. Thanks for this.
I'm not seeing it, is there a link?
The link is visible again at the first comment.
is the last tune really Ode to Billy Joe?
I don't think so. This tune was composed by Zoller and recorded officially at least once in a solo setting by himself: https://www.discogs.com/release/5968722-Attila-Zoller-Lasting-Love-Solo-Guitar - but maybe Ode to Billy Joe was an inspiration?
I'm not a talker, I'm a quiet one (un taiseux). Nor do I have your knowledge, guys. But I'm deeply grateful to have had access to the world of Inconstant Sol. Merci, Ernst.
Yes, the last tune is Ode to Billie Joe.
And this is the complete session (from: https://jazzrealities.blogspot.com/search/label/Attila%20Zoller%20Discography):
Jazz in Action 68-0322
March 22, 1968 Amerika-Haus, Köln, D
Lee Konitz as multivider / Attila Zoller g / Barre Phillips b / Stu Martin dr
a. Struwwelpeter (Zoller) 08:17
b. 317East 32nd street (Tristano) 06:40
c. At twighlite (Zoller) 08:18
d. Rumpelstilzchen (Zoller) 12:40
e. Ode to Billie Joe (Gentry) 05:50
f. How deep is the ocean (Berlin) 05:30
g. Alicia’s lullaby (Zoller) 03:55
h. Palo Alto (Konitz) 26:30
i. The theme 10:50
Notes:
f. Lee Konitz only / g. Attila Zoller only
Issues:
Recorded and (partly ?) broadcast by WDR(D) / d.h.i.probably never broadcast
b.c. also on Philology (I) W65-2 (cd) entitled LEE KONITZ FROM NEWPORT TO NICE
Thank you. Looking forward to hearing Konitz with this explosive rhythm section.
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