Keith Jarrett - Live in Rome '83
The most capricious of jazz stars in one of his typical concert:
interrupted after the third song for too ambient noise...
(Ilario's tape)
Rec. live at "Piazza del Campidoglio", Rome, Italy,
on July 16, 1983 (mics recording)
Keith Jarrett,piano
1. Track #1 (09:25)
2. Track #2 (24:40)
3. Over The Rainbow (05:12)
Total Time 39:18
Over The Rainbow
.jpg)
8 comments:
mp3 (88 MB)
flac (170 MB)
Thank you Riccardo.
Thank you for Keith Jarret
Capricous but capable of great performances, especially in those years, so a huge thank you!
a genius! i'm very grateful for this music.
Not only is Jarret capricious but also is the italian audience one of must loud of the world :-)Thanks for this recording.
riccardo, could you re-post this, please?
Dear webmaster,
I found this note in the SWR2 newsletter today.
I don't know where to place this message in a meaningful way.
Taken from the SWR2 JazzNews-PDF:
WED 12.07. 23:30 – 24:00
ARD RADIO FESTIVAL. JAZZ
SOLO ART
KEITH JARRETT IN THE BREMER BROADCASTING ROOM 1973
BY TILL LORENZEN
On July 12, 1973, Keith Jarrett played one of his first piano solo concerts in the Bremen broadcasting hall. Plagued by back pain, he still shone in his two sets. Listen to the ECM release »Concerts Bremen / Lausanne«. But not completely, because the second half of the first set is still dormant in the archive. There, Jarrett shifts the brooding and romantic tone into an improvisation based on boogie-woogie rhythms. On the occasion of the 50th anniversary of this concert, it's time for these tones of Keith Jarrett's that few have heard before.
Am 12. Juli 1973 spielte Keith Jarrett eines seiner ersten Klaviersolokonzerte im Bremer Sende-saal. Von Rückenschmerzen geplagt, brillierte er trotz allem in seinen zwei Sets. Nachzuhören auf der ECM-Veröffentlichung »Concerts Bremen / Lausanne«. Allerdings nicht komplett, denn die zweite Hälfte des ersten Sets schlummert bis heute im Archiv. Dort wandelt Jarrett den grüblerischen und romantischen Ton zu einer auf Boogiewoogie-Rhythmen basierenden Improvisation. Anlässlich des 50. Jubiläums dieses Konzerts ist es Zeit für diese bisher nur von wenigen gehörten Töne Keith Jarretts.
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