EVAN PARKER - BARRY GUY - PAUL LYTTON "TRACKS" (INCUS, 1983)
...a bit cleaning (manually)....with scans provided by Marten512
EVAN PARKER - BARRY GUY - PAUL LYTTON "TRACKS"
Evan Parker, soprano & tenor saxophone
Barry Guy, bass
Paul Lytton, percussion
A1. Fire 05:13
A2. Heat 12:34
B1. Light 05:30
B2. Sidetrack 19:17
Recorded in London on January 7, 1983.
'In this set of improvisations Barry Guy and Paul Lytton both use amplification and live electronics to extend the sound of their instruments.'
INCUS 42
(lp rip)
.
.jpg)
23 comments:
Thank you onxidlib.
Great posts lately thanks
Thanks!! ,and anyone who likes this will love 'hook,drift and shuffle' from the same year, now reissued on psi.
thank you very much; a great band, and another disc that I didn't know of.
Great post, much respect and thanks :)
Thanks a lot man.
There's never enough of the EPT.
This was the trio’s first recording, which surprisingly, has never made it to CD. I’d have expected to see it in Evan Parker’s Psi label, where other of his Incus recordings have appeared.
Since I didn’t expect to see the LP on here, I paid £50.00 for a mint copy 6 months ago – oh well.
I can recommend the trio’s two most recent recordings: as one of the five CDs on Barry Guy’s “Mad Dogs” set (Not Two) and “Live at the Maya Festival” (No Business). Playing of a different order.
Thanks for posting this! Also thanks for your blog, which has given me many hours of great enjoyment. Free jazz and free people!
Thanks!
I'd like to echo the sentiments of all those who appreciate your efforts with this blog, bringing us great music we probably wouldn't hear otherwise.
I have a question for anyone out there who might be able to help. I notice some low level buzz/hum (probably 60Hz or a multiple thereof). This is especially noticeable during segments where Barry's bass is the only instrument heard. I know this kind of buzz is usually the result of a grounding issue with the turntable, but I realise sometimes this can't be helped. So, I was wondering if anyone knew of a program, either freeware or at low cost, that I could use to take the buzz out of the files I downloaded. I host a radio program called Jazz Progressions, where I have lately been featuring tracks I've acquired thanks to this blog. I'd like to feature cuts from this record, but would like to take out the buzzing noise if I can. I don't care about surface noise, but would like to get rid of anything else that doesn't belong before I play it for listeners. If you want to check out the show, you can do so at my blog, http://qualityradioproductions.blogspot.com
Thanks in advance.
Jason Longwell
HI Jason,
the rip wasn't my own.
But I will try to do a new one during the next weeks.
The only thing I can hear is vinyl roar/turntable rumble – it’s certainly not an earthing issue. That would be much louder and more prominent. The recording itself is excellent – with a nice ambience that the trio often doesn’t get – having been made by Adam Skeaping using just two microphones.
I’ve briefly compared this rip to one I’ve made from my own copy of the LP, and this rip does seem rather weighted to the lower frequencies. That might be as the result of the rip being tidied up in a sound editor, or simply reflect the tonal balance of the cartridge/phono stage. I tend to rip through a good quality phono stage, direct to a Sony recorder as a wav file, and transfer that via usb to my PC to insert track breaks, with no compression or filtering. Other than with good quality 180gm pressings, it’s difficult to avoid some vinyl roar (and even then, it’s no guarantee).
I keep running into an error message on RS. Any chance this could get reposted on GF or ZS? Thanks in advance!
Re-up is in advance - soon!
Thanks! Been wanting to hear this for a long time. One of many gaps.
I would really appreciate, if this hasnt been reissued, if it can be reuploded.
Thanks!
Sincerily
JRAC
1fichier
Thanks Ernst. I missed this the first time around
Thank you very much!
I reallly appreciate your time and effort.
Greetings from Costa Rica.
Sincerely
JRAC
I wanted to express my thanks for this one, so here it is:
"THANKS!!"
At least two of the tracks are like a precursor, an early manifestation, of EP's Electro-Acoustic Ensemble, or the "Dividuality" record. Great stuff!
Thank you
Post a Comment