22 April 2013

EVAN PARKER - BARRY GUY - PAUL LYTTON "TRACKS" (INCUS, 1983)



...a bit cleaning (manually)....with scans provided by Marten512



EVAN PARKER - BARRY GUY - PAUL LYTTON  "TRACKS"

Evan Parker, soprano & tenor saxophone
Barry Guy, bass
Paul Lytton, percussion


A1. Fire        05:13
A2. Heat        12:34
B1. Light       05:30
B2. Sidetrack   19:17

Recorded in London on January 7, 1983.

'In this set of improvisations Barry Guy and Paul Lytton both use amplification and live electronics to extend the sound of their instruments.'

INCUS 42

(lp rip)

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23 comments:

  1. Ernst Grgo Nebhuth22 April 2013 at 15:54:00 CEST

    This comment has been removed by the author.

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  2. martin (actually)22 April 2013 at 16:32:00 CEST

    Thank you onxidlib.

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  3. Anonymous22 April 2013 at 16:38:00 CEST

    Great posts lately thanks

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  4. SOTISE22 April 2013 at 16:49:00 CEST

    Thanks!! ,and anyone who likes this will love 'hook,drift and shuffle' from the same year, now reissued on psi.

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  5. john22 April 2013 at 20:28:00 CEST

    thank you very much; a great band, and another disc that I didn't know of.

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  6. Nargile5722 April 2013 at 20:36:00 CEST

    Great post, much respect and thanks :)

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  7. BorisBeckham22 April 2013 at 21:44:00 CEST

    Thanks a lot man.
    There's never enough of the EPT.

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  8. Colin Green23 April 2013 at 19:22:00 CEST

    This was the trio’s first recording, which surprisingly, has never made it to CD. I’d have expected to see it in Evan Parker’s Psi label, where other of his Incus recordings have appeared.

    Since I didn’t expect to see the LP on here, I paid £50.00 for a mint copy 6 months ago – oh well.

    I can recommend the trio’s two most recent recordings: as one of the five CDs on Barry Guy’s “Mad Dogs” set (Not Two) and “Live at the Maya Festival” (No Business). Playing of a different order.

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  9. Anonymous28 April 2013 at 19:41:00 CEST

    Thanks for posting this! Also thanks for your blog, which has given me many hours of great enjoyment. Free jazz and free people!

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  10. Bender1 May 2013 at 15:37:00 CEST

    Thanks!

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  11. Quality Radio Productions3 May 2013 at 14:27:00 CEST

    I'd like to echo the sentiments of all those who appreciate your efforts with this blog, bringing us great music we probably wouldn't hear otherwise.

    I have a question for anyone out there who might be able to help. I notice some low level buzz/hum (probably 60Hz or a multiple thereof). This is especially noticeable during segments where Barry's bass is the only instrument heard. I know this kind of buzz is usually the result of a grounding issue with the turntable, but I realise sometimes this can't be helped. So, I was wondering if anyone knew of a program, either freeware or at low cost, that I could use to take the buzz out of the files I downloaded. I host a radio program called Jazz Progressions, where I have lately been featuring tracks I've acquired thanks to this blog. I'd like to feature cuts from this record, but would like to take out the buzzing noise if I can. I don't care about surface noise, but would like to get rid of anything else that doesn't belong before I play it for listeners. If you want to check out the show, you can do so at my blog, http://qualityradioproductions.blogspot.com

    Thanks in advance.

    Jason Longwell

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  12. Ernst Grgo Nebhuth7 May 2013 at 08:40:00 CEST

    HI Jason,

    the rip wasn't my own.

    But I will try to do a new one during the next weeks.

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  13. Colin Green8 May 2013 at 01:10:00 CEST

    The only thing I can hear is vinyl roar/turntable rumble – it’s certainly not an earthing issue. That would be much louder and more prominent. The recording itself is excellent – with a nice ambience that the trio often doesn’t get – having been made by Adam Skeaping using just two microphones.

    I’ve briefly compared this rip to one I’ve made from my own copy of the LP, and this rip does seem rather weighted to the lower frequencies. That might be as the result of the rip being tidied up in a sound editor, or simply reflect the tonal balance of the cartridge/phono stage. I tend to rip through a good quality phono stage, direct to a Sony recorder as a wav file, and transfer that via usb to my PC to insert track breaks, with no compression or filtering. Other than with good quality 180gm pressings, it’s difficult to avoid some vinyl roar (and even then, it’s no guarantee).

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  14. lee20 April 2014 at 17:55:00 CEST

    I keep running into an error message on RS. Any chance this could get reposted on GF or ZS? Thanks in advance!

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  15. Ernst Grgo Nebhuth21 April 2014 at 00:28:00 CEST

    Re-up is in advance - soon!

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  16. Ernst Grgo Nebhuth21 April 2014 at 11:54:00 CEST

    This comment has been removed by the author.

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  17. lee21 April 2014 at 23:56:00 CEST

    Thanks! Been wanting to hear this for a long time. One of many gaps.

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  18. JRAC20 October 2024 at 04:36:00 CEST

    I would really appreciate, if this hasnt been reissued, if it can be reuploded.
    Thanks!

    Sincerily

    JRAC

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  19. Ernst Grgo Nebhuth20 October 2024 at 11:09:00 CEST

    1fichier

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  20. rev.b21 October 2024 at 06:55:00 CEST

    Thanks Ernst. I missed this the first time around

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  21. JRAC21 October 2024 at 15:42:00 CEST

    Thank you very much!
    I reallly appreciate your time and effort.
    Greetings from Costa Rica.

    Sincerely

    JRAC

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  22. pierre d'alai22 October 2024 at 12:45:00 CEST

    I wanted to express my thanks for this one, so here it is:
    "THANKS!!"
    At least two of the tracks are like a precursor, an early manifestation, of EP's Electro-Acoustic Ensemble, or the "Dividuality" record. Great stuff!

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  23. Brewing Luminous11 November 2024 at 19:25:00 CET

    Thank you

    ReplyDelete