22 December 2011

MANFRED SCHOOF QUINTET "JAZZ JAMBOREE '67 VOL.2" (MUZA, 1967)









I wish you all a merry x-mas - instead of all the crazyness which sometimes seems to overwhelm us...

Enjoy yourself and the music!






MANFRED SCHOOF QUINTET "JAZZ JAMBOREE '67 VOL.2"


Manfred Schoof, trumpet
Evan Parker, tenor saxophone
Alexander von Schlippenbach, piano
Buschi Niebergall, bass
Han Bennink, drums


1. Oleo (Sonny Rollins) 10:07


Recorded October 1967 at the Jazzfestival "Jazz Jamboree", Warsaw, Poland.

MUZA XL 0444

(lp rip)


Note: Mats Gustafsson got the line-up info from Evan Parker.

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20 comments:

  1. Ernst Grgo Nebhuth22 December 2011 at 13:10:00 CET

    This comment has been removed by the author.

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  2. glmlr22 December 2011 at 18:32:00 CET

    Classic roots! Thank you. Happy Christmas!

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  3. 100922 December 2011 at 18:52:00 CET

    What an interesting set this is. I love this period of these guys' work. So much to explore...

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  4. Nick23 December 2011 at 02:18:00 CET

    That was great. I wonder if anyone kept a tape of the whole set (wishful).

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  5. Unknown23 December 2011 at 16:34:00 CET

    Was this the only track on the album or is it a 45 rpm record

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  6. the jazzstronaut23 December 2011 at 17:53:00 CET

    Thanks and a merry Christmas to you.

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  7. Ernst Grgo Nebhuth23 December 2011 at 20:52:00 CET

    This was the only track from the Manfred Schoof Quintet on the LP - Side A is completely devoted to the Red Onion Jazz Band and the first two pieces on side B are reserved for Georgie Fame. So far only ten minutes with this great group...

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  8. Anonymous26 December 2011 at 21:07:00 CET

    Many thanks folks,

    is this the earliest Evan Parker on record? his first bit already sounds so mature and then the ayler bit later on. fascinating.

    anadarko

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  9. Ernst Grgo Nebhuth26 December 2011 at 22:57:00 CET

    There are at least three CDs available with earlier recordings of Evan Parker:

    1. One track on SME "Challenge" Emanem 4053 (22 April 1967)

    2. SME "Withdrawal" Emanem 4020 (September/October 1966 and March 1967)

    and 3. SME [Parker - Stevens - Kowald] "Summer 1967".

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  10. Anonymous27 December 2011 at 15:53:00 CET

    onxidlib,

    thx for the info. continued gratitude (Sotise etal.) for the great blog.

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  11. Ernst Grgo Nebhuth23 February 2012 at 11:34:00 CET

    This comment has been removed by the author.

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  12. Anonymous12 February 2015 at 07:50:00 CET

    Please fix links. Thank you so much. Great site !!!

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  13. Ernst Grgo Nebhuth12 February 2015 at 15:21:00 CET

    1fichier

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  14. -Otto-12 February 2015 at 17:40:00 CET

    Thanks, onxidlib, for the repeated re-ups.

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  15. QPjr12 February 2015 at 19:33:00 CET

    DITTO OTTO!!!

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  16. Solomon13 February 2015 at 17:58:00 CET

    Thank you.

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  17. Acezo19 February 2015 at 01:15:00 CET

    I have an shellac disc of Evan jamming with Charlie Parker, recorded when EP was only 10years old.Bird was on a secret trip to the UK to undergo an experimental treatment for painkiller addiction. Rumour has it that the cure involved drinking carrot juice while driving backwards on the wrong side of the road.

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  18. QPjr19 February 2015 at 07:30:00 CET

    Pannonica enabled this trip. And none other than Dean Benedetti made a last pilgrimage up from Italy, made that inferior shellac using her hair products for fixative. Keep it away from flame. And probably body temperature. I wouldn't pick it up probably.

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  19. Anonymous5 March 2015 at 12:26:00 CET

    I don't care what Evan Parker & Mats Gustafsson say. It's definitely not Han Bennink on drums. And call me crazy, but the presence of Parker himself is debatable as well.

    For the drums my guess would be either Sven-Ake Johansson or Jaki Liebezeit. I first thought especially the drums solo suggests SAJ, but Liebezeit's solo in Axiom sounds similar too. Anyway much of the other playing has that "spastic" or disruptive nature of Liebezeit's drumming on earlier Schoof recordings (on the 67/68 Brötzmann recordings, SAJ has a different flow). Hard to tell - but my vote goes to Liebezeit. Bennink definitely sounded completely different in those days! (just check out ICP 000 & 001)

    Saxophone... Parker has that interrupted tongueing thing down already by this time (check out his tenor playing with Kowald & Stevens from 1967); none of that very personal tone articulation is audible here, not in one single moment! On the other hand, I don't hear anything in this recording, in particular in terms of saxophone tone and motivic work, that clashes with Dudek's esthetics from 1967. So what to make out of that?

    In the end this is possibly the "classical" Schoof quintet, although the fantasy line-up provided by Mats Gustafsson sure would be exciting to hear as well.

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  20. Anonymous7 July 2015 at 14:39:00 CEST

    This is a fascinating discussion and I cannot wait to hear the music, but for now I would just note that the on-line B. Niebergall discography (http://jazzlab.iwarp.com/discographies.htm/niebergall.htm/niebergall%20discography.htm) has the following entry:
    Jazz Jamboree 67
    Muxa XL0444

    recorded 1967: Warsaw, Poland
    Dudek, Gerd (ts ss cl), Liebezeit, Jaki (drm fl), Niebergall, Buschi (ab),
    Schoof, Manfred (tr flug corn), Von Schlippenbach, Alexander (ap perc glock).

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