Steve Lacy Three-The Lost Tracks from Capers,1979

I was pretty pissed off years ago when i bought the CD, New York capers and quirks, only to find that almost half the material had been left off including my favourite piece "the crunch" where Ronnie Boykins seems most inventive(and audible), i had given the scratchy old beige soft cover double lp away , because it sounded muddy, and i'd ordered the cd from a shop..
This reissue box edition from 1981 is a huge sonic improvement , on the first edition.
Boykins is not as audible as on the cd versions.. but otherwise the sound is great..
Anyone know why this material hasn't been reissued?

The Crunch is particularly great one of those  sprawling blow out monsters, like the thing, where Lacy stretches his extended technique to the limit.
Dennis Charles Beating out Melodic Martial tattoo like rhythms in unison with Lacy is a Joyous aural feast, a pity this trio didn't record more!
recorded live at soundscape by Peter Kuhn on December 29-1979

HELEN MERRILL with the GARY PEACOCK TRIO "S'POSIN" (VICTOR/STORYVILLE, 1971)

The great Helen Merrill's most challenging, outer worldly record ever, featuring loose, free  highly textured arrangements by Masahiko Sato and Peacock, recorded just 4 months before the epochal "Samadhi' by the trio...
This also features a touching version of Ellington's 'In a sentimental mood' which is so obviously Gary Peacock's very moving tribute to Jimmy Blanton... beautiful oh so beautiful, painfully so..

Only reissued on Cd in Japan and out of print to the best of my knowledge ..
This rip is taken from the early 70's Storyville LP ..

Helen Merrill is as far as i know still recording...and well worth supporting !
she has a website here
ENJOY!!!!

LINK

SPONTANEOUS MUSIC ENSEMBLE "UNRELEASED STUDIO RECORDINGS 1966 - 1968"

Soundwise these recordings are a bit muffled but the music's really excellent IMHO.
Maybe someone has a better version!?

The Double Trio track was recorded about two month before Brötzmann's 'Machine Gun' - makes for an interesting comparison.

Maybe one day it will see a proper release....

1. Juicy (from the unreleased Cul-de-Sac soundtrack) (K. Komeda/2:10/completed track)
Kenny Wheeler, trumpet
Paul Rutherford, trombone
Trevor Watts, alto saxophone, breathing
Jeff Clyne, bass
John Stevens, drums, percussion

Recorded by Eddie Kramer, probably at Olympic Sound Studios, London, April 1966.
The Ensemble was apparently commissioned via Eddie Kramer to record compositions by Krzysztof Komeda for the soundtrack of Roman Polanski’s 1966 film Cul-de-Sac, an offbeat black-comedy set on the island of Lindisfarne.


2. Springboard (and radio announcement) (Stevens/3:56)
Kenny Wheeler, trumpet, fluegelhorn
Paul Rutherford, trombone
Evan Parker, soprano & tenor saxophone
Trevor Watts, alto saxophone, flute, oboe
Derek Bailey, guitar
Barry Guy, bass
John Stevens, drums

Recorded live by BBC Radio at the Paris cinema, London, Mon March 20, 1967;
tr: BBC Radio Light Programme The Jazz Scene (Jazz Club slot), March 26, 1967.


3. Willow Trio - Part 2 (extract 7:59)
Evan Parker, soprano saxophone
Barre Phillips, bass
John Stevens, percussion

Recorded by Eddie Kramer at Olympic Sound Studios, London, October 6, 1967. Willow Trio sessions.


4. Double Trio - Part 1 (32:05)
Evan Parker, soprano saxophone
Trevor Watts, alto saxophone
Dave Holland, bass
Peter Kowald, bass
Rashied Ali, drums, percussion
John Stevens, drums, percussion

Recorded by Eddie Kramer at Olympic Sound Studios, London, March 10, 1968. Unreleased studio session.
 Island (unissued)

MASAHIKO TOGASHI ‎– SCENE (CORNELIUS RECORDS, 1987)

1. Scene
2. Song For Twilight
3. Chromatic Lady & Pentatonic Guy
4. Tears
5. Hoy Hoy
6. Song Of Nothing
7. In The Pot
8. Typhoon
9. Midnight Talking To Me


Masahiko Togashi, percussion


Recorded on 27-29 September 1987 at Studio A, Tokyo.

Cornelius Records - CCD 701

CD Rip

JOE GALLIVAN - BRIAN CUOMO - ELTON DEAN THE ORIGIN OF MAN (1996)

Beautiful.

ROBERT F. POZAR "GOOD GOLLY MISS NANCY" (SAVOY, 1966)

Here's for you to discover....


An interview with Cleve (Robert) Pozar:
http://www.furious.com/perfect/clevepozar.html




ROBERT F. POZAR "GOOD GOLLY MISS NANCY"


Mike Zwerin, bass trumpet, trumpet
Kathy Morris, cello
Jimmy Garrison, bass
Robert Pozar, drums

1. The mechanical answering service of
...Chris and Martha White 03:38
2. Robin Hood 03:05
3. Renfield 09:39
4. Keying in your bank 06:57
5. Sweet little Maia 05:48
6. Good Golly, Miss Nancy 04:35

Recorded in 1966

(produced by Bill Dixon)


SAVOY MG 12189

ED CURRAN QUARTET "ELYSA" (SAVOY, 1967)

Again : will this excellent album ever be reissued?

Do yourself a favour and check it out - the same goes for my previous post > Robert Pozar's "Good Golly, Miss Nancy".

An interview with Ed Curran >
http://blog.wfmu.org/freeform/2009/01/ed-curran-looking-back.html


Without friends a lot of my posts wouldn't be possible...thank you J. , W. , K. , M. and J. from F.!!




ED CURRAN QUARTET "ELYSA"

Marc Levin, cornet, fluegelhorn, mellophone
Ed Curran, alto saxophone, clarinet
Kiyoshi Tokunaga, bass
Robert Pozar, drums

1. Cire 06:16
2. Why 03:47
3. Mid Tempo 03:52
4. Looking Back 05:11
5. Duns 04:12
6. Lady A 04:48
7. Nicole 06:52
8. Drac 03:27


Recorded in New York on March 17th, 1967.

(produced by Bill Dixon)

SAVOY MG 12191

EDWARD VESALA TRIO "NANA" (FLAC)

Again - before I continue with some german Free Jazz - here a fantastic recording from the far north of Europe. On this album all three - Vesala, Andersen and Aaltonen - were at their creative peak. Enjoy!


update march 2014:

Juhani Aaltonen, tenor & soprano saxophone
Arild Andersen, bass
Edward Vesala, drums


1. Alhambra Mood (Aaltonen)         6:35
2. Nana (Aaltonen/Andersen/Vesala)  4:15
3. Joiku (Aaltonen)                 7:10
4. My B (Andersen)                 5:05
5. Gamma (Aaltonen)                 6:00
6. Fill In (Vesala)                 1:25
7. Albatros (Aaltonen)                 4:00

Recorded on August 25, 1970, location not given.

BLUE MASTER BLU-LP 125  (vinyl rip)

SCHIANO - KOWALD - TROVESI - LOVENS - MALFATTI - MINAFRA "BENEFIT CONCERT" (SPLASCH, 1989)

Mario Schiano, alto saxophone
Gianluigi Trovesi, bass clarinet, alto clarinet, piccolo flute
Pino Minafra, trumpet, fluegelhorn, vocals
Radu Malfatti, trombone
Peter Kowald, double bass
Paul Lovens, drums


1. A     05:12
2. B     04:12
3. C     03:03
4. D     07:13
5. E     10:22
6. F     06:14
7. G (Lover Man) 02:56

Recorded on March 10, 1989 at the Colosseo Theatre, Roma, Italy during the International "Controindicazioni 3" Festival.

SPLASC(H) HP 20
SPLASC(H) CDHP 20.2

Note: Benefit concert for the repurchase of the pendulum of Mr. Foucault.

JOËLLE LÉANDRE'S CANVAS TRIO ‎– L'HISTOIRE DE MME. TASCO (HAT ART, 1993)

1. Trio

2. Waspgame

3. Shakuachi # 2

4. L'Histoire De Mme. Tasco

 L'Histoire...

 Prés De Thionville

 Coup D'Oeil

 Morceau Qui Marche

 Endless Waltz

5. To Day And To Morrow

6. L'Âme Profonde

7. Sag Mir Warum

Rüdiger Carl, accordion, clarinet

Joëlle Léandre, bass, voice

Carlos Zíngaro, violin

Recorded March 25 and April 3, 1992 at Stadtgarten Köln and Alte Oper Frankfurt. 

hat ART ‎– hat ART CD 6122

CD Rip

IAN BRIGHTON - A VOICE YOU LEFT BEHIND (SOUNDCLOUD, 2014)

Here is a wonderful piece of news and a treat for us all. Ian Brighton is recording again!

Ian has kindly emailed a few times and I have summarized some of his news.

Hi Nick,

At nearly 70 I have decided to come out of retirement, so to speak, and start recording again: I stopped playing in 1990 after finishing the FMR 001 album, Eleven Years From Yesterday. I could never play full time, as I had a family and required a steady income.  However I kept playing the guitar over the years developing my improvisation forms, but no opportunity to perform in public. Just before I retired from work five years ago, I spoke to Evan Parker, who said something along the lines, "You should come back and start playing again, most of your old friends are still living". After Lol Coxhill passed on, I started listening to our old tapes and realised that my playing has changed so much since those early recordings. Therefore I decided to start recording again and these days it is so much easier with Pro Tools.

I thought you maybe interested that I have released a track called, "A voice you left behind" on my Facebook page Ian Brighton Art and Music.

This is dedicated to Derek Bailey, my mentor and friend. Before the improvisation there is a short section with Derek being interviewed about peoples approach to listening to improvisation. When Derek passed away I felt a tremendous sense of loss, because I always considered him like a distant cousin, who I was close to for a while and thereafter knew I could always call him and it would be just like yesterday. Although he was a massive influence, I never sought out to copy him, as having small hands, I could not stretch my fingers over the fretboard to achieve the same chordal structures.

Next week, I hope to be releasing another one called "Chasing Lol". We played together many times, especially in duet form and it was always a wonderful challenge. In many ways he was a similar player to Sonny Rollins, in as much as his ideas were out of nowhere; sometimes gentle and then with great ferocity; the music being so varied. I will also use as a prelude to the improvisation a comment he made to me on stage at the 1979 Bracknell Jazz Festival, when a man in audience called out for A Night in Tunisia.

These tracks are part of a series of improvisations I will be releasing, where I think of the character as part of the improvisation, instead of just playing a solo performance comprising different aspects of my playing, where I am drawing from my library of sounds. 

Another track will be a conversation with myself, similar to Bill Evans. I am using acoustic and electric guitars in the way that he used acoustic and electric piano but instead of improvising on a particular tune I am using the same approach as per Derek and Lol; to focus on the character.

My son Paul Brighton aka Cuz Beats has recorded and produced the tracks. He is also featured on one of them, when he produces live electronic sound that I use as a background to another improvisation.

If you like the track, please share with other like minded people. It can be downloaded from Soundcloud.

Best regards

Ian


The track is great and more to come!

A very happy 70th birthday to Ian.

MUJICIAN. Half Moon Theatre, London. 1989

KEITH TIPPETT, piano
PAUL ROGERS, bass
PAUL DUNMALL, clarinet, tenor and soprano saxophones
TONY LEVIN, drums

1. 52:12

Half Moon Theatre, London E1.  Jazz Lunarcy Festival. 12th November 1989

L.S.-F.M. "ADONIS 21.10.1983"

This is for Brian and Andy ;-)



Paul Lytton, percussion
Hans Schneider, bass
Floros Floridis, soprano & altosaxophone
Pinguin Moschner, tuba & euphonium


A. Adonis fourth part   [21:21]
B. Adonis second part   [19:27]

Recorded on October 21, 1983 at Theatre Adonis in IH´Dimitria, Greece.

j.n.d.1 CP 962

(lp rip)

My thanks goes to owombat for the original rip.

PLIFF - (1996)

PINGUIN MOSCHNER, tuba
ALAN TOMLINSON, trombone
JOHN EDWARDS, bass

1. Trio 1  4:55
2. Solo Moschner  4:09
3. Solo Tomlinson  3:03
4. Trio 2  6:39
5. Trio 3  5:09
6. Interview with Brian Morton  11:08

BBC Radio 3 'Impressions'.  1996

One for brian.  I missed the Edwards solo (maybe more).

WIEBELFETZER "LIVE" (BAZILLUS, 1971)

Some background to this enigmatic double LP you'll find here.

John Tchicai, alto & soprano saxophone
Jürg Grau, pocket trumpet
Runo Ericksson, bass trombone
Stephan Witiwer, guitar
Irène Schweizer, piano, electric piano
Ole Thilo, organ, piano
Gogoo Thalmann, bass guitar
Peter Warren, bass, bass guitar
Freddy Studer, drums, percussion
Beat Kennel, drums, percussion
Krokodil-Düde Dürst, percussion, congas
Anne Christiansen, voice, percussion

A. Bazillus-Infection (Ole Thilo)  17:37
B. Force Ichha (John Tchicai)      24:31
C. Viodo (Runo Ericksson)          21:31
D. Abrikosmos (Ole Thilo)          21:23

Recorded in concert at "Weisser Wind", Zurich, Switzerland, April 27, 1971.

BAZILLUS ZILL 111/112

(vinyl rip)

PINGUIN MOSCHNER ‎– TUBA LOVE STORY (SOUND ASPECTS RECORDS, 1985)

A1. Love Story (Und Dann Ging's Heiß Her)
A2. Majobiwomo
A3. Sax-Machine
A4. Bouillabaisse (Thanks, Maggie)

B1. Deep Throb
B2. Antarctic Love Song
B3. Der Wüste Lebt
B4. Waterloo



Pinguin Moschner, tuba (F and Bb on B1)


Recorded at IENT Studio, Aachenon 27 April 1984

Sound Aspects Records ‎– SAS 005

Vinyl Rip

BRÖTZMANN & MILLER "LIVE AT SENS" (CORBETT VS. DEMPSEY, 1980)

Peter Brötzmann, alto saxophone, bass clarinet, clarinet
Harry Miller, double bass

1. Song For Che (Charlie Haden) 5:40
2. Short Sweet (Miller/Brötzmann) 2:33
3. Swimming Pool (Miller/Brötzmann) 6:03

Recorded live probably summer 1980 in France.

Corbett Vs. Dempsey – cvsg 0019

Note: Edition of 200, the first 50 came with a signed and numbered (by Peter Brötzmann) 96 page art catalog "Brötzmann Paintings & Objects" which is roughly 9 inch by 7 inch perfect bound volume from Corbett Vs. Dempsey Modern Art & Uncommon Objects.

Made for an exhibit of the art of Peter Brötzmann at Corbett Vs. Dempsey Gallery in Chicago, Illinois, October 26, 2007 - November 30, 2007.

Sadly OOP

DEREK BAILEY and EDDIE PREVOST. 2002

DEREK BAILEY, guitar
EDDIE PREVOST, percussion

1. 35:07

291 Gallery, Hackney, London.  20 August 2002.

Thanks to Gus for this please.

WALLGREN - ERNRYD - NIEBERGALL - SJÖKVIST "BALLADE AN DER RUHR" (DRAGON DRLP 24, 1979)

Wonderful music from three Scandinavians and one German. Conny Sjökvist of 'Mount Everest' fame and the ever astounding Buschi Niebergall. The other two musicians were new to me but especially Bengt Ernryd plays an excellent trumpet. Every piece a gem.

Update:
I've re-upped this treasured LP on re-listening to it after a concert of Mats Gustafsson and Agustí Fernández last Friday.
Mats told me that Swedish Azz is going to release an LP with Bengt Ernryd and Gilbert Holmström (>Mount Everest) this winter - this exciting prospect brought me back to the music posted here in December 2010....




Bengt Ernryd, trumpet, fluegelhorn
Jan Wallgren, piano
Johannes B. Niebergall, double bass
Conny Sjökvist, drums


1. Kugel (Niebergall) 10:07
2. Ballade An Der Ruhr (Ernryd) 08:21
3. Love Song And Dances No.2 (Wallgren) 11:18
4. From The Diary Of A Travelling Salesman (Wallgren) 07:07


Recorded at Tonstudio Burghardt & Sohn,  Schwerte,  Germany on November 27 & 28, 1979.

DRAGON DRLP 24

(vinyl rip)

STEVE BERESFORD ‎– I SHALL BECOME A BAT (QBICO, 2004)

A1. Egyptian Fruit
A2. Tent-Making
A3. Noctule
A4. Mexican Fruit

B.  I Shall Become A Bat


Richard Sanderson, electronics, objects
Steve Beresford, electronics, objects
John Butcher, soprano & tenor saxophone


Side A recorded on April 7 2003 at The Red Rose, Finsbury Park, London.
Side B recorded on August 23 2000 at St. Michael and All Angels Church, Turnham Green, London.

Qbico ‎– QBICO 18

Vinyl Rip

David Murray's -Live at Peace Church, Revisited,.an appeal to Collectors,(and a few Recollections by Dan Serro, its producer)

Recently, in email Conversations with Dan Serro former Kharma label boss and also  producer of David Murray's wonderfully vivid, viscerally exiting, live at the Peace Church, released in 1991, he shared some recollections about the circumstances relating to its creation,
which with his permission i'd like to relay here in edited form...

Before i do that i'll state that i also want to unashamedly ,advertise the fact that D.Serro ,is interested in releasing a couple of very worthwhile projects,on lp, including a duo from the 70's by Byard Lancaster and Yusef Yancy..
a costly exercise that requires a lot of money... i told Dan that we have no hesitation , advertising the fact that he has new Sealed copies of Live at peace church for sale for twenty dollars U.S , about half the price that second hand copies sell for.
My appeal is to Vinyl Aficionados, who might want to buy or are considering buying peace church , to do so directly from Dan Serro, in the knowledge that  you will be helping fund further releases.

i asked Him about the circumstances of its recording and release, saying i felt it was the most vivid aural document he had produced!
here are a few ruminations by him

"It was something that happened by accident.   I had just gotten my recording equipment and a friend told me that i should record this concert at the Peace Church.  I did not know who David was at the time.
 He had just come from California and was new on the scene.   I asked if the musicians would mind and was told no. So i got a truck and took the equipment to the Church and set up.   Just 4 mikes and a small mixer with 4 inputs.
 Many years later i played the tape for a Japanese  custmer who had come in from Japan and was at my place buying records.
 By then David was famous and had a lot of records out.  the guy was a big Murray fan and he wanted me to put out the record.
 I had ran out of money for the records i had pt out on Kharma and told him and he said he would go partners with me on it.
 I contacted David and we made a deal (expensive) and then after paying David and the others i contacted the guy in Japan.
 The Japanese had just had a big stock market loss and he said he couldn't come up with the money.
 Since i had already paid David i could do nothing else but put the record out.
 Limited by contract to 1500 copies.
I agree that it is the best job of recording i ever did....    Don't know if maybe it was the Church that helped or just the way i had miked them but it came out fantastic.

Things happen in strange ways sometimes.   Like the Burton Greene record.   Keshavan was not supposed to be on that record.
He got up on stage while i was recording and i was afraid i would not have enough to put the record out.
It was supposed to be a solo piano record.It is my second favorite record of all of the ones i put out."
Dan Serro

Again,Please consider buying a copy directly from Dan , who is a nice , approachable Man, in the knowledge that you will be helping fund worthwhile projects.
he can be contacted at.
Danola@aol.com


--------------------------------------------------------------------
PS ... hope my confreres here don't mind if this stays at the top of the page for awhile...
We don't go in for paid advertising here on this blog , nor do we use spurious disclaimers about our shares or ask for donations for ourselves  ...,.i'd like to state categorically that neither i or anyone else here is being paid in cash or kind for this !

MUJICIAN - Four Bars Inn, Cardiff 1988

PAUL DUNMALL, tenor and soprano sax
KEITH TIPPETT, piano
PAUL ROGERS, bass
TONY LEVIN, drums

1. First set  38:40
2. Second set (inc)  46:43

Four Bars Inn, Cardiff.  11th July 1988

OK, so the band wasn’t actually called Mujician at this point.  But it soon would be.  Keith Tippett and Paul Dunmall had played a few gigs with Tony Levin and Chris Bolton at Tony’s Jazz Club Friday at the Bartons Arms in Birmingham.  Paul Rogers had played in Tenor Tonic with Dunmall and Levin and the Keith Tippett Sextet but had recently been away in America.  On his return Dunmall arranged some duet gigs and one of them in Cardiff added Tippett and Levin, advertised as the Paul Dunmall/Keith Tippett Quartet.  So this is really Mujician's very first gig and it’s fresh and exciting and utterly magical in its musical coming together.  Luckily Bruce was in Cardiff that night with his tape recorder – so it’s BIG THANKS to him for the opportunity to enjoy an hour or so of history in the making.

Leave a comment.  Thanks.

Mujician on Cuneiform

The Thing live at Kultur-Schranne, Dachau, 2014

I went to see The Thing a week or so back, always keen to catch them whenever they hit town (which isn't that often). Mads Gustafsson ceremonially annouced that they taken an abrupt new turn in music, going from barbecue jazz to Scandinavian avant garde schläger. They still don their Ruby's BBQ tea shirts, though, which has become their regular uniform over the years. If anyone wonders whether that place actually exists, well, it does, right there in Austin, Texas, which also happens to be Ingebright Haaker Flaten's place of residence. The gig coincided with a two-day Blastfest, a metal gathering, so the place was full of long-haired chaps with pointed beards and of chapettes, all dressed up in shades of black. It got me thinking that The Thing ought to fit right into a blastfest, but these metalists tend to be rather strict on genre boundaries. A conservate lot, if you ask me.

The Thing started out as a Don Cheery tribute project and they even did an album and a tour with Neneh Cherry, but from talking to band members, I got the impression that it was a one-off thing and not at all a future course. One may add that The Thing is also a kind of Albert Ayler tribute project, given that Ayler lived in Sweden in the early sixities and had a decisive influence on the early Scandinavian free jazz scene. Bengt "Frippe" Nordström is a link from those days and a player clearly inspiring the much younger Mads. But The Thing have also covered punk and indie bands of newer provenance.

I didn't bring any recording equipment as I don't have any, but searching the Dime site, I came across a live recording at the Kultur-Schranne in Dachau, just out of Munich. Checking the date, I saw it was a little less than a week prior to the gig here, so I suspect the repertoire was quite similar to what I've heard, including covers of Coltrane and Ellington!. They have a new album out called "Boot" which, of course, have quite differing meanings in English and German. As they were offering direct sales of "sheissplatten" (Mads), I picked up a rare one which I might post here in the near future.


The Thing
Kultur-Schranne, Dachau (Germany)
February 15, 2014

Mats Gustafsson - tenorsax, baritonesax
Paal Nilssen-Love - percussion
Ingebrigt Haker-Flaten - double-bass, electric bass, effects

(first set)
01. Intro (1:52)
02. (Titles) incl. Hidegen fujnak a szelek (18:58)
03. (11:42)
04. (4:51)

(second set)
05. Intro (1:02)
06. India (John Coltrane) (10:46)
07. (15:18)
08. Golden Heart (Don Cherry) (8:06)
09. Red River (7:03)

total time (79:38)

Thanks to the taper for capturing this one for posterity.

PAUL DUNMALL OCTET - 'The Great Divide' - Bath. 2002

PAUL DUNMALL, tenor saxophone, bagpipes
SIMON PICARD, tenor saxophone
PAUL RUTHERFORD, trombone
HILARY JEFFERY, trombone
GETHIN LIDDINGTON, trumpet
KEITH TIPPETT, piano
PAUL ROGERS, ALL bass
TONY BIANCO, drums

1. The Great Divide  68:24

Bath Festival.  The Pavilion.  27 May 2002

BBC Radio 3, 'Jazz on 3' broadcast

BRÖTZMANN-MANGELSDORFF-BENNINK + SCHLIPPENBACH "CONCERT FOR A FRIEND" (HAMBURG, 1983)

This recording is part of a concert which was held in honour of Nelson Mandela.


Peter Brötzmann, tenor saxophone
Albert Mangelsdorff, trombone
Han Bennink, drums

1. announcement              00:49
2. collective improvisation  22:06
3. encore                    05:20


Alexander von Schlippenbach, piano

4. improvisation (incompl.?) 17:24


Recorded January 1, 1983 for the NDR in Hamburg, Germany.

Note: A.v.Schlippenbach is already playing during the 'Encore'.

DEDICATION ORCHESTRA - Birmingham. 2003

Louis Moholo - drums
Keith Tippett - piano
Paul Rogers - bass
Evan Parker, Larry Stabbins, Lol Coxhill, Ray Warleigh, Elton Dean, Chris Biscoe - saxes
Neil Metcalfe - flute
Harry Beckett, Henry Lowther, Jim Dvorak, Noel Langley - trumpets
Malcolm Griffiths, Paul Rutherford, Dave Amis, Alan Tomlinson - trombones
Mark Charig - tenor horn
Dave Powell - tuba
Julie Tippetts, Maggie Nicols, Phil Minton, David Serame - voices
Steve Beresford - arranger and conductor

1. 08:43
2. 06:35
3. 11:15
4. 07:16
5. 05:00
6. 07:11
7. 08:55
8. 07:35
9. 10:02
10.02:17

Adrian Boult Hall, Birmingham.  23 March 2003

BBC Radio 3 broadcast.