16 March 2019

MIYAZAWA AKIRA QUARTET ‎– KISO (VICTOR WORLD GROUP, 1970)



A.  Kiso

B1. Asama
B2. Hakuba
B3. Hida


Yasuo Arakawa, bass
Takeo Moriyama, drums
Masahiko Sato, piano
Akira Miyazawa, tenor saxophone


Recorded at Nippon Victor No. 2 Studio, Tokyo, March 17, 1970

VICTOR WORLD GROUP ‎– SMJX-10090

LP Rip

GÉRARD SIRACUSA - ANDRÉ JAUME- RAYMOND BONI – NOMMO - DANS LE CAPRICE AMER DES SABLES (PALM, 1976)




A.  Dans Le Caprice Amer Des Sables

B.  Avant Propos De L'Écrevisse À Reculons, À Reculons


Gérard Siracusa, percussion
André Jaume, saxophone
Raymond Boni, guitar

Recorded May 1976 at Studio Palm.

Palm Records, PALM 29

LP Rip

12 March 2019

ELTON DEAN'S NiNESENSE - Bracknell Jazz Festival 1978


I got this audience recording in trade from many years ago and I shared it previously in comments to some other Ninesense recording here. Recently I gave it a listen and found it wholly enjoyable and great preformance, thus I tried some equalisation from original mp3@320. In the end it is improvement I think. Setlist is similiar to 100 Club Concert from 1979. Track 5 (including 11 min of great improv) has significantly clearer sound without audience noises (which are quietly enjoyable during quiet passages earlier) and due to possible speaker entry in the fade out, it can come from some broadcast (possibly) from different concert, but I got it together with this Bracknell recording).

ELTON DEAN'S NiNESENSE - Bracknell Jazz Festival 1978

1. Fall in Free > One Three Nine  16.30
2. Nicrotto  12.13
3. Seven For Lee  13.21
4. First Born > Bounce  20.32
5. improv > Three For All (fade-out)  14.28

ELTON DEAN - alto sax, saxello
ALAN SKiDMORE - tenor sax
MARC CHARiG - cornet, tenor horn
HARRY BECKETT - trumpet, flugelhorn
NiCK EVANS - trombone
RADU MALFATTi - trombone
KEiTH TiPPETT - piano
HARRY MiLLER - bass
LOUiS MOHOLO - drums

4th Bracknell Jazz Festival, UK, July 8, 1978.


5 March 2019

SAKIS PAPADIMITRIOU - FLOROS FLORIDIS "IMPROVISING AT BARAKOS" (J.N.D., 1979)


The first Greek recording with free improvised music.
Recorded at the first modern Jazz club in Athen right below the Akropolis.


Floros Floridis, clarinet, soprano & alto saxophone
Sakis Papadimitriou, piano


01. Improvisation A Plus Opening And Closing     14:56
02. Almost Kalamatianos     4:23
03. Wave     7:11
04. Folk Improvisation     10:43
05. F2 Extract     2:30
06. Kj     5:32
07. Alto 0,5     6:23
08. Improvisation C     7:30
09. Intermission     6:47
10. Improvisation D Plus The National Rock'n'Roll     13:03


Recorded at Jazz Club of Barakos in Plaka, Athen, Greece on April 15, 1979.

J.N.D. Records 003 (CD - 2002)
Originally released as 2 x vinyl (LP 901) on the same label in 1979.

WMWM - Live At The BBC 1973

The year 1973 was decisive in Robert Wyatt’s career, more and more attracted by the vocal and taking a distance with the more experimental aspect of the prog, he was already thinking about a solo career when the accident of June 1st which will let him paraplegic rush things. However it is during the first semester of this same year that WMWM was born whose music is exclusively improvised and almost totally instrumental. Apparently this group sounds like a contradiction to the trajectory that Wyatt's career already seemed to take, but in fact we must understand this group as a sort of carelessness, as some moments of the prog have been some years before. If the accident of Robert Wyatt marks the end of an era, the last act of a period of recklessness that will this time have tragic consequences, this accident is probably not the cause of the short existence of this group. Without the fatal date of June 1, WMWM was in any case not promised to have a future as the musical differences seem obvious, especially between Gary Windo and Dave McRae. Yet it's with both that Wyatt wanted to play and this is what makes the group's interest: Windo crazy and uncontrollable, Mc Rae significantly more structured and reinforced in this posture by Ron Mathewson very inventive and sublime . Wyatt meanwhile is a bit like in "The End Of A Ear" alternating construction and demolition of the rhythm.
This post was made possible with the contribution of Propylaen2001 who provided almost all the recording of the performance given for the BBC apparently on April 4, 1973. I added the end that was missing and the first note of the saxophone in the beginning.
There is an improvisation in two parts to which I did not give titles because a complete confusion reigns around the titles of the two parts. First named "Caramus" and "Spiderman", their order appears as such on the album "Anglo American" by Gary Windo which contains edit of the performance, but the two parts have been reversed. On the version provided by Propylaen2001, the first part of the improvisation is named "Toddler" and the second "Caramus".
If you compare the second part of this recording with the version available on the album "Anglo American" you will find that the pitch of this version is a little higher. In fact for reasons of space the officially released version has not only been edited but also accelerated but that it does not get the pitch has been lowered. I preferred to leave the pitch of this version as it is because it is consistent with the first part.
There is another recording from this band where Mathewson is replaced by Richard Sinclair, of course I recommend it.
Obviously the band have also done one concert in trio without Gary Windo
-Robert: Drums, Organ, Voice, echoplex
-Ron: bass
-Dave: piano, electric piano

-Gary: tenor saxophone

4 March 2019

Equal Interest live at Yoshi's, Oakland, California



Equal Interest
Yoshi's
Oakland CA
June 19, 1999 (late show)

1 intro
2
3
4
5
6

total time: 77:35

Joseph Jarman - winds (alto sax, bass flute, flute, shawm), percussion
Leroy Jenkins - violin
Myra Melford - piano, harmonium

acoustic performance (no PA amplifiction used)


Some more Joseph Jarman coming up. This is a trio setting, wholly acoustic, without any backup from bass and regular drums, except the occasional percussion. Leroy Jenkins is a veteran of the AACM, notably for his long engagement with the Revolutionary Ensemble. Myra Melford is a pianist with a diverse background in classical music as well as jazz and blues and as can be heard from this performance, went to India and learnt to play the harmonium.

Together they weave a tapestry of chambre-like intimacy naeatly summarised in this review: The through-composed nature of much of the material along with the spare instrumentation contributes to a delicate chamber-like feel, but it’s balanced by an unusual, folksy strain of tranquillity; equally beautiful, hearty and fragile, all at once. See https://jazztimes.com/reviews/albums/equal-interest-equal-interest.

We'll have some more from this ensemble later on.

SAHEB SARBIB ‎– EVIL SEASON (UN-DEUX-TROIS, 1975)



A1. Evil Season
A2. Spirits
A3. Aziz

B1. Amplified Heart
B2. Arie's Dance
B3. Ascent


Daunik Lazro,alto saxophone, bass clarinet, percussion
Saheb Sarbib, double bass, reeds, flute, percussion
Jonathan Dickinson, drums, percussion
ManuelResende, electric piano, piano, percussion


Recorded at Studio Palm, Nov 1974

Un-Deux-Trois ‎– N° 4

LP Rip

KAORU ABE - 未発表音源+初期音源 (YOUTH INC, 2012)






1. Duo
2. Duo
3. Duo
4. Duo
5. Trio


Kaoru Abe, saxophones, bass clarinet, harmonica
Masayuki Takayanagi, guitar (5)
Hiroshi Yamazaki, drums (5)

Live recordings, early 1970s. Unknown drummer on 1-4.

Youth Inc - YOUTH-165

CD Rip

2 March 2019

KAORU ABE - SOLO 1973 (YOUTH INC, 2012)





1. Solo 1973
2. Solo 1973
3. Solo 1973
4. Solo 1973



Kaoru Abe, saxophone


Youth Inc - YOUTH-142 (1), YOUTH-165 (2-4)

CD Rip

1 March 2019

HELMUT SACHSE - HANNES ZERBE "HELMUT SACHSE - HANNES ZERBE" (AMIGA, 1981)




Manfred Hering, alto saxophone (side A)
Joe Sachse, guitar (side A), flute (A1, A2)
Heiner Reinhardt, tenor saxophone (A3)
Johannes Bauer, trombone (A3)
Christoph Winckel, bass (A3)
Wolfram Dix, drums (A3)


Hannes Zerbe, piano (side B)
Dietrich Unkrodt, tuba (B1)
Manfred Schulze, baritone saxophone (B2)


A1. Weber / Parkweg 1     9:48
A2. Dispersion     5:33
A3. ~ ⊿ unis. ↷ ∞     6:38
B1. Für Sven     6:21
B2. Calvados     14:13

Side A: rec. 19./20. May 1981, Amiga-Studio Berlin
Side B: rec. 26./27. May 1981, Amiga-Studio Berlin


AMIGA 8 55 858  (vinyl rip)



KAORU ABE - LIVE AT PASSE-TAMPS 18 (PASSE-TAMPS'S DISK, 1999)



1. 1977/11/24


Kaoru Abe, saxophone

Recorded live at Jazz Cafe Passe-Tamps, Fukushima on 24 November 1977

Passe-Tamps's Disk - 18-47

CDr Rip

23 February 2019

KAORU ABE - LIVE AT PASSE-TAMPS 17 (PASSE-TAMPS'S DISK, 1999)




1. 1977/11/23


Kaoru Abe, saxophone

Recorded live at Jazz Cafe Passe-Tamps, Fukushima on 23 November 1977

Passe-Tamps's Disk - 17-47

CDr Rip

22 February 2019

SCHIANO - LÉANDRE - KOWALD "TRACKS" (LE PARC, 1993)




Mario Schiano, alto saxophone
Joelle Léandre, double bass, voice (right)
Peter Kowald, double bass, voice (left)


1. Tracks (Part One)     06:41
2. Tracks (Part Two)     20:39
3. Tracks (Part Three)     06:41
4. Tracks (Part Four)     16:04



Excerpts from the concert held at the "Palazzo delle Esposizioni" in Rome - on October 14, 1993.

LE PARC 512-2 (Italy 1993)

21 February 2019

Masahiko Satoh - Pavane Lachrymae - Denon 1978

Several years ago I interviewed Masahiko Satoh, probably for the french magazine "impro jazz". One of my first questions was about the incredible diversity of styles he has been playing since the beginning of his career. He then replied, "I have no particular style, when I started to play to win money, the first band I played with, was a jazz band, if it had been a tango band I will become a tango pianist. Reality or casualness of the answer?

1 From The Highest
2 No nights are dark enough
3 And tears, and sights, and groams
4 My weary days
5 My fortune is thrown
6 And fear, and grief, and pain
7 Let me live for lorn

Masahiko Satoh: piano (steinway), Synthesizer (Korg PS-3100 Polyphonic, EMS Synthi AKS), Electric Piano (Fender), Harpsichord.

Recorded April 19 & 20, 1978

Lp Denon YX-7536-ND

This rip comes from a cd that contains also another lp: magnolia no ki not included in this post because it have been reissued as a single cd some years ago and still available.

19 February 2019

KAORU ABE - LIVE AT PASSE-TAMPS 16 (PASSE-TAMPS'S DISK, 1999)





1. 1976/02/28
2. 1976/08/30


Kaoru Abe, saxophone, harmonica

Recorded live at Jazz Cafe Passe-Tamps, Fukushima on 28 February and 30 August 1976

Passe-Tamps's Disk - 16-47

CDr Rip

16 February 2019

KAORU ABE - LIVE AT PASSE-TAMPS 12 (PASSE-TAMPS'S DISK, 1999)




1. 1976/05/30
2. 1976/05/30
3. 1976/05/30


Kaoru Abe, guitar

Recorded live at Jazz Cafe Passe-Tamps, Fukushima on 30 May 1976

Passe-Tamps's Disk - 12-101

CDr Rip

12 February 2019

BYARD LANCASTER & BILL LEWIS "PENNSYLVANIA UNIVERSITY, 1977"





Bill Lewis, vibraphone
Byard Lancaster, tenor & soprano saxophones
Yusef Yancey, flugelhorn
Don Wilson, alto saxophone
Warren Oree, bass
Douglas Gaines, drums
Art Watson, percussion

1. Medley beginning with My Favorite Things (ends abruptly) 38:36

Recorded on 1st September 1977 at University of Pennsylvania, Philadelphia, USA.
WXPN-FM

11 February 2019

KAORU ABE - LIVE AT PASSE-TAMPS 9 (PASSE-TAMPS'S DISK, 1999)




1. 1976/01/25


Kaoru Abe, guitar

Recorded live at Jazz Cafe Passe-Tamps, Fukushima on 25 January 1976

Passe-Tamps's Disk - 9-101

CDr Rip

10 February 2019

KAORU ABE & SABU TOYOZUMI - OVERHANG PARTY / SENZEI (QBICO, 2004)








A. February 25, 1978 (3rd Set)
B. April 15, 1978 (1st Set)
C. April 15, 1978 (2nd Set)
D. April 30, 1978 (1st Set)





Kaoru Abe, alto saxophone
Sabu Toyozumi, drums, percussion

Recorded live at Gaya, Tokyo

Qbico - Qbico 22/23

LP Rip






9 February 2019

L.S.-F.W. "ELLISPONTOS" (J.N.D., 1985)



Paul Lytton, drums, live electronics
Hans Schneider, double bass
Floros Floridis, clarinet, alto saxophone
Phil Wachsmann, violin, live electronics


1. L.R.I     19:48
2. S.R.III   16:28
3. S.R. IV   07:19


Track 1 (A):
Music created by improvising by L.S.-F.W. during its performance at 4.12.1985 in 2nd Jazz and Improvised music festival in Thessaloniki.
Tracks 2 & 3 (B1, B2):
Music created by improvising by L.S.-F.W. at 5.12.1985 in a studio date.

j.n.d. III-A
(On F.F. website > jnd re-records LP 05)

(lp rip - not my rip)