Brötzmann - Parker - Drake ~ Sant'Anna Arresi ~ 6th September 2016

Peter Brötzmann ~ tenor sax, taratoga
William Parker ~ bass
Hamid Drake ~ drums & percussion

Sant'Anna Arresi ~ 6th September 2016

There are four improvisations, but as they flow into each other, the file has not been edited into separate sections.

YVES BOULIANE / JOHN HEWARD ‎– MASSE AU TIERS CONTRÔLE / MASS³ CONTROL (CIAC, 1985)

A1. 1
A2. 2
A3. 3

B1. 4
B2. 5
B3. 6


Yves Bouliane, bass
John Heward, drums
Robert Lepage, clarinet (B3)

Recorded at Le Studio Utopic, Montréal, on 31 March and 5 April 1985

Centre International d'Art Contemporain de Montréal ‎– no ciac-3301

LP Rip

Ahmed Abdullah Sextet live at Ali's Alley, NY, 1978

Yet another repost, from early 2013, this one with reference to another loft turned performance space in NY, Ali's Alley.

Following on from the former posting of the Group live in 1987, here is an older date from 1978 with some of the same players. As I said in that post, some of the members of the Group emerged during the loft movement in the 1970s. This was a musicians' initiative to create their own spaces for players to express themselves and interact with others. Perhaps the most well-known was Sam Rivers' Studio Rivbea, and another was Ali's Alley, run by Rashied Ali who was the drummer with John Coltrane during his last days, before launching a solo career with his own group. Ali made a duo record with Frank Lowe in the early 70s and the latter can also be heard on this date.

As I said in the former post, both Abdullah and Bang emerged as major players on the loft scene during the 70s and Frank Lowe was very much a part of that scene as well, having cut his debut record for the legendary ESP label, "Black Beings" with, among others, Rashied Sinan on drums who is "coincidentally" also on this date. So it's all interlinked.

Close to two hours in all here with music, though tending towards the free side, that still has a strong rhythmic pulse and melodic core. Lively, propulsive, energetic, thorougly enjoyable. Dig in!

The sonics on this recording may not be the optimal as this clearly is an audience recording, also capturing the ambience of the space in which it was performed. But don't let detract from the joyous and uplifting music on display here!

The facts:


Abdullah Ahmed Sextet

NYC, Ali's Alley

July 12, 1978

Ahmed Abdullah - tp
Frank Lowe - ts
Billy Bang - viol
Jay Hoggard - vb
Jerome Hunter - b
Rashied Sinan - dr

No set list given, so if anyone can help out, it would be appreciated.

Jay Hoggart is here on vibraphone and today teaches music at Wesleyan. Jerome Hunter, the bassist, has played with Sun Ra, among others, another common link.

Abdullah is still active today, educator, curator and musician and writer, though his book on his years with Sun Ra still remains unpublished. He maintains his own web site which can be accessed here:

http://www.ahmedian.com/

His curatorial work in later years has been linked to thia place:

http://sistasplace.org/

which is in the Bedford-Stuyvesant area of Brooklyn, one node in a network of community organising. A place to check out for jazz-loving brooklynites and newyorkers?

There'll be more posts on the NY 70s/80s club scene, so stay tuned!

The Group live in Cambridge, Mass. 1987

I am reposting this one from late 2012 because it very much ties in with the theme of NY loft/club jazz in the 70s, although this specific one was later.

There has been jubilation in jazz circles about the release, after 26 years, of a live recording by the Group at the Jazz Center of New York on 13 September 1986. The tapes had languished in Ahmed Abdullah's possession ever since until the Nobusiness record label out of Vilnius, Lithuania, was told about them and expressed an interest in releasing them. The cd (and an lp) is now out in limited circulation of 1000 copies so readers are advised to rush out and get a copy before it disappears. However, it is not the only recording in circulation. In the course of the short life of the Group, up to the end of 1987, they also gigged around the East Coast, including a date in Cambridge, Mass., on 21 January 1987. This is briefly mentioned in Abdullah's liner notes to the cd release. There is no mention of the gig being recorded, so this is in all likelihood an unofficial audience recording.

Who was the Group? It was a collective composed of five members, some of whom had cut their teeth on the NY free jazz scene in the 60s (Brown, Cyrille) and others who had emerged as part of of the loft scene in the 70s (Bang, Sirone, Abdullah). After the loft scene had pretty much subsided, there was a scramble to look for new opportunities for players on a NY scene less hospitable to innovative jazz than before and to look for new collaborative models to work from. So, in that spirit, there was no leader of the Group and each member was encouraged to contribute their own compositions, even though the repertoire made room for covers of standards. As Abdullah writes, there have been several revivals of the Group, buth with the passing away of Brown, Bang, Sirone and also of Fred Hopkins (who is on the cd, though not on this gig), replacements have become a duty of necessity.

In the pic above (a flyer for their very first appearance, courtesy of the Nobusiness website), all five members are present and these are the five you will hear on this Cambridge date.

The Group
Cambridge, Mass. (USA)
1369 Club
January 21, 1987


Marion Brown as
Ahmed Abdullah tp
Billy Bang violin
Sirone b
Andrew Cyrille dr

1) 16:47 Assunta
2) 08:47 Warm Valley
3) 14:16 Fortified Nucleus
4) 06:21 La Placita – cut -
5) 17:39 cont´d - La Placita
6) 17:18 The Glow Of Awareness
7) 12:13 The Music In Us
8) 08:12 I Remember Clifford
9) 21:43 Restore Africa

This is a historical recording of five great musicians. I'm not going to single out anyone in particular, though I would like to say that anything that has Marion Brown on it is pretty much essential. All five should be familar to followers of the blog (and parenthetically, I should try to find more from Abdullah).

Two hours of goodness for y'all.

Dave Holland Quartet with Sam Rivers, Anthony Braxton and Barry Altschul at Studio Rivbea, 1 December 1972

Getting started with the many live recordings by "orchiddoctor", we might begin with the oldest tape which was recorded at Studio Rivbea in NY in 1972. The place was set up as a performance space by Sam Rivers,  seen above with Joe Daley at Studio Rivbea in 1976. The establishment of this space set the beginning for what was to become known as the NY loft scene.

What we get to hear here is the David Holland Quartet which released a wonderful album entitled Conference of the Birds in 1973. This album was recorded on 30 November, the day before  the concert at Studio Rivbea. Naturally, the repertoire is to a great extent taken from the album. After listening to the album and to this concert, what we hear is the following, first a statement of the theme of See Saw, then Q & A, then Four Winds, then Interception rounding out the first file. The second file starts off with Now Here (Nowhere) and ends with a tune that is not on the album. I invite suggestions as to what it is.

Sam Rivers is on tenor sax and flute, Anthony Braxton on alto (and contrabass clarinet), Dave Holland on bass and Barry Altschul on percussion. It's really great to hear the interplay of Rivers and Braxton and their strongly individual styles of playing. Very recognisable and not to be confused. As it's a concert, the tunes are considerably longer than on the album, and considerably wilder, too, not hemmed in by the atmosphere of a recording studio.

More to come!

Art Ensemble of Chicago live at the Empty Foxhole, Philadelphia, March 1976

This is a repost of a post originally published here in October 2013. The reason for reposting is basically to draw attention to the list of amateur recordings made by "orchiddoctor", mostly in the period 1975-1980. Listed by "carville" in the comments section, this is a huge collection of live concerts by the Art Ensemble of Chicago and various spinoffs as well as other bands active on the loft jazz scene in NY and outside in those years. All together, it provides an invaluable insight to a scene that is not well documented. I have now the entire set, courtesy of carville, and the idea is to post all this material in the weeks and months to come. Needless to say, this is a huge project, but one well worth doing for the historical record.

What follows is the original post with all the comments from then:

This post was inspired by a comment from reader and follower "santos curser" who went to see the AEoC at the Empty Foxhole in Philadelphia in 1980, a performance which was somewhat "interrupted" by a young amateur saxophonist who wanted to play with the band. He was eventually escorted out of the venue. It occured to me that I did have some archive files of the AEoC at the Empty Foxhole in 1976. Two consecutive nights, 12 and 13/14 March. These were recorded by "orchiddoctor" and posted on the Dime torrents site by "carville". There were 67-68 concerts posted in all, basically coverning the 1975-1980 period, many of these recorded in snall clubs in NYC and beyond. For me and other AEoC fans, invaluable historical documents. When it comes to the AEoC, critical faculties are permanently suspended. It's all good.

What we have here are two performances, two sets each, both lasting close to three hours in all. There were some dicussions at the Dime site about the exact location of these two gigs. I can't add anything to it, never been to Philly and certainly not then. Listening to these two performances, it seems obvious to me that they were not recorded in the same place. The acoustics of the 12 March performance sound as if the recording is from a small club, closer, more intimate. The 13 March performance is from a much larger locality, spacy, roomy sound.  So my guess is that the 12 March gig is at Geno's Empty Foxhole, located in the basement of the Saint Mary's Church on the Uinversity of Pennsylvania campus. The 13 March sounds as if it was recorded in the actual Church which would explain the acoustics. Reportedly the band was delayed by a snowstorm, so what we're hearing was performed from four in the morning. Must have been quite atmospheric!

The lo-down:

March 12 1976
Empty Foxhole
Philadelphia, PA

total time 177:21
1st set 88:22
1 improv including Ohnedaruth and Tutankhamen (tape flip) 44:44
2 cont'd 43:38
2nd set 88:59
1 improv including Dreaming of the Master (tape flip) 57:15
2 cont'd 31:43


March 14 1976
Empty Foxhole
Philadelphia, PA

total time 170:51
1st set 88:51
1 improv (tape flip) 61:20
2 cont'd 27:30

2nd set 81:59
1 Reese and the Smooth Ones, Odwalla (tape flip) 39:56
2 cont'd 42:03

Much more from where that's coming from. I estimate my AEoC collection runs to about 200 performances, so I'll sprinkle a little now and then.

Collage c/o the 2nd First Look website.

Enjoy!

The Reform Art Unit - For John Coltrane And Pablo Picasso (Voves 1996)

The Reform Art Unit live at the Museum of 20th Century in Vienna, April 25, 1969. An instant composition in 3 movements by Fritz Novotny.


Fritz Novotny - Flute, Soprano Sax, Percussion
Muhammad Malli  - Drums
Sepp Mitterbauer - Piano, Trumpet
Toni Michlmayr - Double Bass

1 - For John Coltrane And Pablo Picasso: One         13:11
2 - For John Coltrane And Pablo Picasso: Two     16:15
3 - For John Coltrane And Pablo Picasso: Three     12:40

Bonus track: Human Closely
Reform Art Unit Extended, live at the Alte Schmiede in Vienna, 5 January 1995.
featuring Sunny Murray. An instant composition by Paul Fields, Karl W. Krbavac, Sunny Murray, Fritz Novotny

4 - Human Closely            29:14

Paul Fields - Violin, Alto Sax
Karl W. Krbavac - Viola Da Gamba
Sandro Miori - Tenor Sax
Sepp Mitterbauer - Trumpet
Sunny Murray - Drums
Fritz Novotny - Clarinet, Flute, Soprano Sax, Percussion
Mario Rechtern - Sopranino, Alto, Baritone Sax, Oboe, Selfmade Instruments
Reinhard Ziegerhofer - Double Bass
Helmut Schiefer - Percussion

"For John Coltrane and Pablo Picasso" was produced in 1969 as RAU 1002 but released here for the first time.

Voves Productions, Voves CD 90001
 A Reform Art Unit Production , RAU 1002
Austria, 1996

MAX EASTLEY - STEVE BERESFORD - PAUL BURWELL - DAVID TOOP "WHIRLED MUSIC" (QUARTZ!, 1979)

Didn't know that I have this rip (since at least Sep. 2011) but found it several weeks ago.
Thanks to the original uploader.




Performed by David Toop, Max Eastley, Paul Burwell and Steve Beresford

Audience Side
A.     Untitled

No Audience Side
B1.     LMC (a)
B2.     LMC (b)
B3.     LMC (c)
B4.     Butlers Wharf
B5.     Suffolk (a)
B6.     Suffolk (b)
B7.     Tennessee


AUDIENCE SIDE
Recorded live in performance at the Ikon Gallery, Birmingham; 7th October 1979.

NO AUDIENCE SIDE
Tracks B1 to B3 recorded at the London Musicians Collective in 1979 using a stereo UHER reel with 2 AKG 224s.
Track 4 recorded outdoors on a UHER reel with 2 Sennheiser ND441s.
Tracks B5 and B6 recorded outdoors.

Quartz Publications !QUARTZ 005
(vinyl rip)

Lester Bowie, Malachi Favor, Roscoe Mitchell - Live March 31, 1979 Verrona Italy.

Here is a live recording by three totally unknown musicians.

One long improvisation with appearances of some tracks that may be familiar for some of us. Played in the fall of the seventies this music is in fact more close to the early spirit of those musicians at the time when Lester was recording number 1 & 2, at the time when the band’s name was the Roscoe Mitchell Art Ensemble.

March 31, 1979 location unknown to me except Vienna Austria.

4 HORSEMEN - 2 NIGHTS (UNDERWHICH EDITIONS, 1988)

A1-4. Night 1

B1-5. Night 2


Rafael Bareto-Rivera, voice
Paul Dutton, voice
Steve McCaffery, voice, contrabass clarinet
bpNichol, voice


Recorded at The Music Gallery, Toronto, in the "Within Limits" jazz program on 9-10 October 1987.

Underwhich Audiographic Series - No. 37

Cassette Rip

Musica Elettronica Viva - Ferrara, 2002

Here is a recent find from dime - a superb concert from Musica Elettronica Viva in 2002. Many thanks to tricko, durian1 and Owombat for making this available, and also to htakat for the great artwork. 

This music has made a strong impression on me - it unfolds in a series of tableaux, which are quite different in style, with references to several of the group's known themes, and more - at times, it could almost sound like a remix of Luigi Nono. The whole thing is held together through a strong programmatic propulsiveness - the effect is not dissimilar to reading Joyce's Ulysses.

The break about halfway through is to allow the whole piece to fit onto two CDs - if, like me, most of your music is stored on a hard drive and CDs have become more or less redundant, the two pieces can just be joined together.

Musica Elettronica Viva

Ferrara, Italy - 9th June, 2002

Alvin Curran - piano, keyboards, shofar, live electronics

Frederic Rzewski - piano

Richard Teitelbaum - keyboards, live electronics

Garrett List - trombone

Steve Lacy - soprano saxophone

George Lewis - trombone, live electronics

PHIL MINTON QUARTET "UP UMEA" (BLUE TOWER, 1969)

Phil Minton, trumpet, voice
Lars-Göran Ulander, alto saxophone
Lars Gunnar Gunnarson, bass
Sten Öberg, drums


1. Day     8:31
2. Blue Reading I     10:06
3. Wood Song Five     5:00
4. Up Umeå     7:40
5. Blue Reading II     6:41


Recorded in Umeå, January 1969, at the Swedish national TV studios.

Blue Tower Records BTCD 07 (1999)

Exiles - The Only Cure ( 1984)

Zelenka and Mills began their collaboration as part of the Human Art Ensemble.
Since 1979 they have been working as Exiles.
They seems to keep a low profile on the net, I found no many personal info , but they have -or partecipate to- a label :
http://freedoniamusic.org/


Greg Mills - piano, melodica, prcussions, drums
Jay Zelenka - flute, alto sax, vibes, percussions, drums


A-1 Perihelion    
A-2 The Only Cure    
A-3 Burning Bridges Variations I And II    
A-4 Contours    
A-5 Cosmophaney    
A-6 Invocation    
A-7 Invitation    
B-1 Sanctuary    
B-2 Sonaire For The Dawn Of Time    
B-3 Jugalbandi


Esfoma Recordings - ER52
Cassette, 1984

COMPANY. 1991 Broadcast.

DEREK BAILEY - guitar
VANESSA MACKNESS - voice
JOHN BUTCHER - saxophones
PHIL WACHSMANN - violin
LOUIS MOHOLO - drums
THEBE LIPERE - percussion, didgeridoo

1. LM.TL   6:19
2. DB.PW   4:31
3. VM.JB   7:21
4. DB.LM.TL   11:21
5. VM.JB.PW   11:03
6. DB.VM.JB.PW.LM.TL   10:41

BBC Radio 3.  Music in Our Time. March 1991  

A.R. PENCK ‎– CONCERT KÖLN x DRESDEN (MARA RECORDS)

1. Brecht Die Macht Der Tyrannei - Karstatt - World War 2 - Lale, Lale


A.R. Penck, piano
Helge Leiberg, trumpet
Annette Jahns, vocals


Mara Records ‎– 15

CR Rip

MiLAN SVOBODA & PRAGUE BiG BAND - Reminiscences (Supraphon 1980)

 

Similarly to Karel Krautgarter a decade earlier (unfortunately not very well documented on records), Milan Svoboda was relatively interesting presence in a field of big band jazz in former Czechoslovakia during late 70's and early 80's. Born 1951, composer, pianist and graduatee of the Organ class at Prague Conservatory (and a cousin of saxophonist Jiří Stivín), he started first big band in 1974 with his colleagues from jazz rock area on purely enthusiast base. During the next few years, Prague Big Band established itself as main attraction on Czech big band scene, aside of long-standing names as Czechoslovak Radio Jazz Orchestra and Gustav Brom Big Band.
First PBB album "Portarit" was released in 1978, followed by "Reminiscences" in 1980, with leader's compositions exclusively. Last album of original PBB is "Poste Restante" from 1982, reissued on CD by German label Aurophon in 1994. CD of "Reminiscences" was issued by former label Supraphon in 1995, but is OOP for long time now. This rip comes from CD release, while I was trying to enhance the sound slightly and to repair huge bug in the beginning of first track. In the group line-up, Svoboda is credited as leader only, but he plays also piano on track 3 at least. Overall sound is a bit fusion tinged, with occasional use of electric keyboards and bass guitar.

Live footage of Prague Big Band from 1980

Since early 80's, Svoboda leads also his own small groups, mainly quartet sized. During 1984 he studied at Berklee College of Music, where he recorded live album with international big band, consisted of his College schoolmates. Back at home, he did one album of Czech-Polish Big Band, released as Nr.5 in "Interjazz" Supraphon series, and in 1990 he started other big band named Kontraband, with mainly younger jazz players. Aside of his other musical activities, Svoboda leads new version of Prague Big Band (sometimes presented as Milan Svoboda Big Band) since 1995 until now. 

Something more recent from Czech big band scene
 

DAVID UU ‎– VERY SOUND (UNDERWHICH EDITIONS, 1984)

David UU & The Avalettes

A1.   Mountain Air
A2.   Bing's Cherry -- Take 1
A3.   The Celestial Summer Of Doctor Dog -- Resurrected
A4.   Dog Byte
A5.   Whale, In Memoriam John Coltrane
A6.   Stompin' At The Dada Ball
A7.   Bing's Cherry -- Take 2
A8.   Solar Mass
A9.   How I Wrote Certain Of My Books

The Avalettes

Phil Morgan, bass
Gregg Simpson, piano, percussion
Bob Coleman, vocals
Ingrid Harris, vocals
Patricia Garrett, vocals


David UU And Gregg Simpson

A10.  Zen Haul/Western Skies


David UU

B1.1. Variations On Themes 1
B1.2. Variations On Themes 2
B2.   Toronto
B3.   Song For A Beggar
B4.   Auditory Liturgy
B5.   How Can I Touch You Now …
B6.   Try A Little Tenderness
B7.   Songs For A City: 1
B8.1. Vercussion 1
B8.2. Vercussion 2
B9.    Auditory Two
B10.  Red Rose Red Rose …
B11.  Don't Give Up The Ship Ive Got The Oar …
B12.  For D.A. Levy
B13.  Corn Plasters & My Heart
B14.  Breaking Open …
B15.  Salmon River Soliloquy
B16.  Salmon River Soliloquy II
B17.  Portrait
B18.  Is There Blood On Your Finger Yes There Is …
B19.  Cloud Shit Hung Down Fold Over …
B20.  The Glory In The Heavens …
B21.  Rhyme
B22.  Chants From Tas:mania
B23.  Chant From Embalmination
B24.  Song Of Childhood (Memories Of The Baptist Church)


David UU, voice, vocals

Ed Varney, Ingrid Harris, vocals (B23)


Recorded at The Studio, North Vancouver, BC, 1972 (A1-7).
Tape compositions with 'live' content performed & composed at 136 West 1st Street, North Vancouver, BC, 1972 (A8-9).
Live at the Art Gallery of Ontario, 1973 (A10).
Recorded at 141 East 27 Street, North Vancouver, BC, 1983 (B1-24).
Except recorded at Mahon Street, North Vancouver, 1970 (B22).


Underwhich Audiographic Series – No. 18

Cassette Rip

THE WERNER-ROSENGREN SWEDISH JAZZ QUARTET ‎– BOMBASTICA! (JAZZLAND, 1960)

A1. Bombastica
A2. Dancing In A Country Summer House
A3. Living Up To Life
A4. Latin Beat
A5. Sergel

B1. Bombastica (Up-Tempo Version)
B2. Drottningholm Ballad
B3. Too Late
B4. Happiness Beans
B5. Sweet Summer


Torbjörn Hultcrantz, bass
Sune Spångberg, drums
Lars Werner, piano
Bernt Rosengren, tenor saxophone


Recorded in Stockholm, Sweden; June 30, 1960

Jazzland ‎– JLP 926 - this is the mono pressing

LP Rip

HOWARD RILEY TRIO "BBC STUDIOS, LONDON, 1975"

Howard Riley, piano, electronics
Barry Guy, double bass, electronics
Tony Oxley, drums, percussion, electronics

1.    Gambit (H. Riley)     15:04
2.    Introduction (Riley)   00:45
3.    Splinter (H. Riley)     10:30


Recorded at the BBC Studios, London, December 1975.

UPCOMING + RECENT RELEASES VI

 

No Business Records will release five LPs and two CDs in the second half of August.

For me the most anticipated release is Ton-Klami's CD. They did release two recordings in the 90s on Crown Records which are both OOP but worth seeking out.  No Business Records

You might also take a look here. 

For the upcoming Steve Lacy CD on Emanem Nick has already reproduced the label's info in the third comment. (somehow I published this post accidentally before it was ready)

Roger Turner and Fred Van Hove - what a pair - this release scheduled for August 4 on Relative Pitch Records is very high on my want-list. And what a nice 1950s design and typography. Should be amazing...

m
u
s
i
c

PAUL RUTHERFORD "in Backward Times" (1979-2007) Emanem 5045

Four very different concert settings featuring sensational performances by trombonist PAUL RUTHERFORD:
two festival solos - one from 1979 with electronics and the other from 2004 without;
a 1988 duo with PAUL ROGERS (double bass) a few months before their ROGUES CD;
and from 2007 a trio with VERYAN WESTON (piano) and MARCIO MATTOS (cello & electronics)
- a very promising group, except that this turned out to be Rutherford's last public appearnance.
All previously unissued. 76 minutes.

 

The above release of Gruppo Improvvisazione Nuova Consonanza is actually a reissue of a two CD + one DVD release from Italy's 'Die Schachtel' (2007),

Ten years later we'll get 4 CDs or 5 LPs plus a DVD (and a 64p. booklet in LP format) or both.

The DVD contains a German documentary (b/w) on the group. Filmed in 1967 the documentary is an unknown classic. Do they still produce films like this one?

 

I've encountered the above release a month ago.

It's Agustí Fernández, Peter Valsamis and two canadian musicians previously unknown to me (shame on me). Wonderful free improvisation with a saxophonist who according Stuart Broomer might have had Lee Konitz as a role-model. But Yves Charuest and bassist Nicolas Caloia are all their own on this highly recommended CD/download.

The CD "Stir" was also the reason I discovered this 1988 Vancouver recording on  bandcamp - download only.

 

Last year I got an email from ECM. They've 'found' a wealth of LPs from their early catalogue believed to be OOP, in their vaults. Immediately I've ordered about 100 items from several groups/musicians for the shop (Among the treasures was f.e. the first pressing of Jarrett's Köln Concert. I've ordered all remining stock - about a dozen LPs - sold after a few days).
For myself I took 'Endgame' with John Stevens, Barry Guy, Trevor Watts and Howard Riley.
But at home I discovered that the vinyl was beyond repair - so to say. I knew they had only 7 items of this release. Two were sold at our shop, one (mine) was defect and four remained - or were they gone?
After a quick telephone call with ECM the rate of my heart's rythmn dropped considerably.
A few days later I went to ECM's headquarter at the outskirts of Munich. After climbing to the first floor I met Steve Lake. Among other things I asked him wether he's producing "something" new.
He mentioned a Roscoe Mitchell Nonet (or tentet..) - and here it is.
Already on my list for >Best of 2017<.

Marching Song vol. 1 + 2 are a classic of British creative Jazz from the 1960s. This three CD box-set not only offers remastered versions of the two LPs but also sextet/quartet renderings of some themes of the greater line-up.
From 1966 and 1970 with Surman (sextet only) and Mike Osborne. Also added a rare 7" with Norma Winstone and the Concert Band. Includes a very informative booklet.

As the sub-title suggests 'Cappuccini Klang 2' is the previously unreleased second part of a 1992 recording session. It was offered as download only on bandcamp somewhat unnoticed in 2013.
The original CD was edited by Splasc(H) Records which - BTW - is active again.

Some of the above mentioned recordings are not 'Upcoming + Recent' releases. But I do not care as long as the music is as original and revelatory as on the double CD "Retrospective" by the Al Neil Trio.
Al Neil was unknown to me before Nick posted Neil's solo LP on this blog.
Many words but only one necessary step > Get it! Get It! as long as the one time pressing lasts.
My highest recommendation.