EUGENE CHADBOURNE ‎– BLUES (PARACHUTE, 1984)

A1. Mickey

A2. It's Bluestime

A3. Whiter Shade Of Pale

A4. Stardust

B1. Theme From Membrane

B2. Song To The Savior

Eugene Chadbourne, guitar, tapes, voice

Parachute ‎– PA 19

Cassette Rip

Arthur Doyle and Hamid Drake-Your Spirit is calling-QBICO 15, 2003

For Nick ,

this is one of the most accessible, and expansive records by Arthur Doyle the great master Griot. 

Drake is fabulously responsive ....

Would be nice to have an upgrade of the trio on Qbico with Mizutani,and Sabu Toyzumi

if anyone cares to share it!

i'll rip no more crazy women soon...

Enjoy

THE JAZZ EPISTLES "JAZZ EPISTLE VERSE 1" (CONTINENTAL, 1960)

THE JAZZ EPISTLES  "THE JAZZ EPISTLE VERSE 1"



Kippie Moeketsi, alto saxophone
Hugh Masekela, trumpet
Jonas Gwangwa, trombone
Dollar Brand, piano
Johnny Gertze, bass
Makaya Ntshoko, drums

A1. Dolla's Moods (Hugh Masekela)       5:32   
A2. Blues For Hughie (Kippie Moeketsi)       5:58    
A3. Ukujonga Phambili (Dollar Brand)        3:49    
A4. I Remember Billy (Kippie Moeketsi)     6:04    
B1. Vary-Oo-Vum (Dollar Brand)         5:05    
B2. Carol's Drive (Jonas Gwangwa)        5:15    
B3. Gafsa (Dollar Brand)               4:22    
B4. Scullery Department (Kippie Moeketsi)  7:02


Recorded at Gallo Studio, Johannesburg, South-Africa on January 22, 1960.

CONTINENTAL CON-T 14

(this rip from Gallo Record Company CDZAC 56R)

.

HIVE

Interesting alternative to file sharing lockers.


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http://torrentfreak.com/hive-a-bittorrent-enabled-unlimited-cloud-storage-sharing-network-130824/

Baden-Baden Free Jazz Meeting 1970

This scenic picture of downtown Baden-Baden is meant to signal more vintage goodies from the annual free jazz meetings in that town in Southwest Germany. We have posted excerpts from the 1967, 1969 and 1971 meetings before and we will have the 1977 coming up in a little while. So now for the 1970 set which I think is the most complete of the ones we have posted up to now. I had a set which ran to about six hours and thirty minutes, but this set adds another hour and introductions to most of the pieces heard.

This is recorded off radio, medium wave I would think. They are all in mono, though the intros indicate they were also broadcast in stereo. The introductions are by Joachim E. Behrendt most likely, the driving force behind these annual meetings. Occasionally one hears communications bursting in on the radio frequency, but not too often, fortunately.

I've been listening to these recordings over the last few weeks. There's too much in there to be summarised in a few sentences, but suffice it to say that the line-up reads like a who's who of European-based musicians in the impro-free jazz spectrum round about 1970. Most were invited, but some actually came along out of curiosity, like John Surman's Trio, and promptly sat in on several sessions.

These recordings feature all possible combinations, from the full free jazz orchestra to small groups to duos to solo performances. All in all, a treasure trove of what was happening at that particular point in time. The set lists are found with the individual zipped files in the comments section. Seven cdr-equivalents in all, running for about seven hours and thirty minutes. Thanks to Onx and a US-based trading partner for supplying the yummies. On to you, dear folks!

Don Cherry, trumpet, flute
Manfred Schoof, Tomasz Stanko, trumpet
Paul Rutherford, Albert Mangelsdorff, trombone
Steve Lacy, soprano saxophone
John Tchicai, soprano & alto saxophone
Trevor Watts, alto saxophone
Willem Breuker, alto, tenor saxophone, clarinet
Peter Brötzmann, alto, tenor & baritone saxophone
John Surman, baritone saxophone
Derek Bailey, guitar
Gunter Hampel, vibes, bass clarinet
Joachim Kühn, piano, alto saxophone
Irène Aebi, violin, vocals
Dave Holland, bass, cello
Barre Phillips, bass
Johnny Dyani, bass, cello
Peter Warren, bass
John Stevens, drums, percussion, cornet
Han Bennink, drums, percussion, dhung
Stu Martin, drums
Pierre Favre, drums, percussion
Karin Krog, Norma Winstone, vocals
Unknown, announcer

ARTHUR DOYLE ELECTRO-ACOUSTIC ENSEMBLE ‎– PATRIOTIC ACT (QBICO, 2006)

A1. Homo
A2. When The Shit Goes Down
A3. Milk Brain
A4. Butt Call



Ed Wilcox, drums
Nuuj, electronics
Leslie Q, guitar
Arthur Doyle, kinetic sax kaboom, village voice
Vin Paternostro, Roland 505
Dave Cross, turntables



Recorded at the No Fun Fest. March 19 2004, North Six, NYC.

Qbico ‎– QBICO 50

Vinyl Rip

MAARTEN ALTENA - CITIES & STREETS (HAT ART, 1991)

I know someone was looking for this, but lost their request .. anyway, it's another Maarten Altena gem.

1. Prikkel
2. Blauw Beest
3. Rij
4. Slange
5. Triptych
6. Echoes & Shadows
7. Rif


Maarten Altena, double bass
Christel Postma, violin
Marc Charig, trumpet, altohorn
Michael Moore, alto saxophone, clarinet, bass clarinet
Michiel Scheen, piano
Michael Vatcher, percussion
Peter Van Bergen, bass clarinet, tenor saxophone
Wolter Wierbos, trombone


Recorded at Radio DRS, Zürich, Switzerland, on 9 and10 October 1989

Hat ART - hat ART CD 6082

CD Rip

Graham Sparks-Gurus are Fucked- Fringe benefit Cassette 573, 1983

Not much Australian music improvised or otherwise on I.S so far, Here's something by a friend of mine.. who was active on the small experimental, and free improvised music scene in Sydney from roughly 1978-9 to the mid 80's...

A genuine rarity,100 copies released on what was John Rose's LP/and Cassette lable until he sold the enterprise in the mid or late 80's , to someone who has done absolutely nothing with it since..
I met Graham in the late 80's ,just before he pawned his Alto , he had fallen on tough times, and i was close to being on skid row myself...

This album is a mixed bag , as was the experimental scene in the 80's a fertile time during which outside of AM radio,there was lots of cross pollination of genres,one could go to a pub and see 5 completely different sets in one evening with occasional  unrehearsed jams in between...Post Punk bands were experimenting , and improvising extensively , the Slug Fuckers, Mad room and numerous others playing completely unscripted sets, something which just wouldn't happen today.. besides which by the early 90's poker machines, had already killed off all but the most mainstream venues , today there isn't  a  single Jazz club in Sydney where you will see free improvised music of any kind or what most of us think of as free jazz.
where improvised music takes place publicly it tends to be in Art galleries or tiny warehouses, or special festivals one or two weeks a year such as the Now Now.

Stylistically here echoes of Don Cherry are evident in the flute pieces, the group pieces being basically long Jams , AACM influenced ethno freak outs with an electrto acoustic element..the electronics being oscillators built by Graham

For my money the best and most individual pieces are the 3 Alto solos... some startling soulful original playing there....
Graham didn't even have a copy of the tape.and was surprised to see it resurface.. thanks to Juke for lending me his Copy !
which despite Grahams comments is not that bad sounding at all , no worse than many cassette releases of the time.

Here's Graham in his own words on "Gurus are Fucked"  ..

"It was a surprise to hear from my friend Sotise that he'd come across a copy of 'Gurus are fucked'.

I made this recording thirty years ago , most of the work being done in a hall near circular quay.

It is not my best work ,and quite frankly I was glad it was behind me and forgoten ,but there you have it,

All our deeds both good and bad are recorded for eternity in the fabric of the universe.

I was about 24 years of age and this was probably recorded with a Selmer balanced action alto.

The other members of the band were Alan Corne and Paul Huntingford.

Alan is still playing drums but I don't know what Paul is doing.

The recording quality poor because the trashy tape recorder , which I purchased from a pawn shop,had a very heavy compression function and consequently ironed out all of the dynamics ,which really crapped me off because I like to play with a lot of light and shade.

The title 'Gurus Are Fucked', is a rebuke for "spiritual teachers of all flavours who claim to know God and his plans and who perceive that taking money , time ,and energy from their customers is a valid occupation.

So many of my friends were sucked in screwed and ripped off by these charlatans.

Although thirty years has passed I still think that gurus are fucked.,but time has made me more erudite and the manipulation of language in poetry is like a fine telescopic site on a canon.

Although I never found a way to make money from music or art ,and gave up music twenty five or so years ago in order to purchase food and not sleep in squats , I have always managed to assuage my creative urges and have recently purchased a beautiful 1943 Beuscher Big B alto,and have taken up painting again.

Please find attached some poems pertinent to my continued views on gurus.

Thank you"

Graham Sparks.

Marian McPartland (RIP)- Interplay, Halcyon LP 100,1970

Here's a Nice M.McPartland lp , the few,non virtual friends i have who like Jazz dismiss this and her records in general as cocktail tinkling.. there's a lot more to it than that.
... and no to my ears she's no Bill Evans clone..
True this is a mellow affair compared to live at hickory house, and the bassist isn't as interesting or subtle as she...
According to discogs, this is from 1970, and can be purchased for as little as , 2 dollars, her stock is obviously lower than it should be!

Roll a fat one , mellow out  enjoy, and spare a thought for those around the world living in squalor , under the jackboots of oppressive governments, or living in War zones , who can barely feed themselves, let alone accumulate terabytes of music,unlike the majority of us living in a luxury predicated on the very squalor of those oppressed peoples.

NÉBU ‎– NÉBU (LES DISQUES CADENCE, 1978)

A1. Calmos
A2. Carcajou
A3. Jeu De Dame

B1. Comme Un Invitée
B2. La Femme Du Cheikh Souffre De Chromatisme


Claude Simard, contrabass, electric bass
Jean Derome, flute, bass flute, voice
Pierre Saint-Jacques, piano, melodion, percussion, voice


Recorded at Studio Marko, Montréal, October 1978

Les Disques Cadence ‎– CAD-1002

Vinyl Rip

FRED ANDERSON SEXTET "FRANKFURT, 1977"

What a coincidence - it seems that Bozo requested this during the upload...


Bill Brimfield, trumpet
Albert Mangelsdorff, trombone
Fred Anderson, tenor saxophone
Dieter Glawischnig, piano
Ewald Oberleitner, bass
John Preininger, drums

1. Unknown Title     04:45
2. Unknown Title     12:41
3. Unknown Title     04:28
4. Unknown Title     04:58
5. Unknown Title     14:27

Recorded at the Jazz Festival in Frankfurt (unknown location), Germany on February 1, 1977.

Note: The rhythm section are the "Neighbours", three Austrian musicians who played on several occasions with Fred Anderson.
The four recorded the LP "Accents" on the Musicians Record Co. label (1978).

Frank Lowe Orchestra-Lowe and behold., Musicworks 3002,1977

This ones for Aussie Tony, not my favorite Lowe by any means... flawed by the very high standards of ' the Flam', and other magnificent masterpieces ...by F.Lowe who simply was one of the of the greatest period.!

the AACM and more specifically Wadada Leo Smith;s influence is obvious here

My own dessert island selections, apart from 'the Flam' are the ferociously beautiful collaborations with Joe Mcphee on legend streets one and two.... check them out on the Cadence website!

and yeah..Polly Bradfield, is subtly brilliant  here , she should be as famous as John Zorn , who doesn't to my ears sound entirely comfortable.

Enjoy.

LESLI DALABA ‎– TRUMPET SONGS AND DANCES (PARACHUTE, 1979)

A1. Tracks Along The Water
A2. Two Up
A3. Skittles (to Fred Astaire)
A4. Barrytown

B1. Two Down
B2. Suite For Hopalong Cassidy: A Stop In Town / Back On The Trail
B3. Hollows
B4. Tanz Pesen


Lesli Dalaba, trumpet
Polly Bradfield, violin (B2)
Wayne Horvitz, bass (A2)


Barrytown was recorded live at Bard Hall, Annandale, N. Y. June 1978.
Two Down was recorded live at Transpace, Tuscaloosa, Ala. August 1978.
Two Up and Hollows were recorded at WKCR studio, Columbia University, January 1979.
Remaining titles recorded at Studio K, N.Y.C. March 1979.

Parachute ‎– P010

Vinyl Rip

DEREK BAILEY & JOHN STEVENS. 1980

FROM Z-BO'S SHELF

DEREK BAILEY, guitar
JOHN STEVENS, percussion, mini-trumpet

1. 32:59
2. 36:39

Green Man, London.  13 April 1980

MARIAN MCPARTLAND'S PIANO JAZZ WITH CECIL TAYLOR

Marian McPartland died last night.
I dug out an old hissy tape (the sound gets rather wobbly towards the end) and am posting it here in respect.
If anyone has this in better sound....

Just in mp3.

1. Part 1  27:56
2. Part 2  26:12


PLEASE LOOK DOWN THE COMMENTS FOR BVENTURE'S FLAC UPGRADE!!!

Thanks bventure.

THE GLASS ORCHESTRA ‎– TALES FROM SILICONESIA (GLASS ORCHESTRA RECORDS, 1981)

A. Fred's Fable

B. Verrillon 9 (Excerpt)



Marvin Green, glass instruments
Miguel Frasconi, glass instruments
Paul Hodge, glass instruments
V. Eric Cadesky, glass instruments


Glass Orchestra Records ‎– G001 E.P.

Vinyl Rip

GERMAN ALL STARS "DOMICILE, MUNICH - JANUARY 1969"

GERMAN ALL STARS  "DOMICILE, MUNICH - JANUARY 1969"


Manfred Schoof, trumpet
Ack van Rooyen, trumpet
Albert Mangelsdorff, trombone
Rudi Fuesers, trombone
Rolf Kühn, saxophone
Emil Mangelsdorff, saxophone
Heinz Sauer, saxophone
Gerd Dudek, saxophone
Wolfgang Dauner, piano
Günter Lenz, bass
Ralf Hübner, drums


1. Sketch Up And Downer   08:26
2. introducton            00:10
3. Invention For Five     19:33
4. introduction           00:06
5. Run Summer             14:12
6. introduction           00:11
7. Impressionen           08:42
8. Thema Mal Drei         06:13

Recorded at the Domicile, Munich, Germany in January 1969.

THE GREAT 3 – BEGIN THE BEGUINE (AEOLUS, 1994)

1.  Summertime
2.  Skylark
3.  Waltz Step
4.  Misty
5.  My Favourite Things
6.  Kansago-No
7.  Begin The Beguine
8.  Coral Spring
9.  Laura
10. Bley's Triad
11. Home On The Range


Gary Peacock, bass
Masahiko Togashi, percussion
Masabumi Kikuchi, piano

Recorded at Onkio Haus, Tokyo, on 1-2 April 1994.

Aeolus – AJCD-S002, 1994.

CD Rip

GERMAN ALL STARS "DOMICILE, MÜNCHEN, 1971"

GERMAN ALL STARS "DOMICILE, MÜNCHEN, 1971"


Manfred Schoof, trumpet
Ack van Rooyen, trumpet
Albert Mangelsdorff, trombone
Rudi Fuesers, trombone
Michael Pilz, bass clarinet, soprano saxophone
Emil Mangelsdorff, alto saxophone
Heinz Sauer,, soprano & tenor saxophone
Gerd Dudek, tenor saxophone
Wolfgang Dauner, piano, e-piano, synthesizer
Günter Lenz, bass
Ralf Hübner, drums

1. Out Of Rich/Nuggis            15:46
2. Gebäude                       12:14
3. Hammerkopp                    16:00
4. Hornsalut                     13:43
5. Announcement by Werner Götze  00:13

Recorded at the Jazzclub Domicile, Munich (Germany), September 9, 1971.

TOSHI TSUCHITORI ‎– THE EUPHIO (BALCONY RECORDS, 1984)

A. Solo • Trunk Cymbalism

"when an elephant gets to beating the top cymbal with its trunk........."

B. Duo • High-Hat Ratation

"when a rat starts running around in the high-hat........."

Toshi Tsuchitori, drums, voice

Fred Frith, six strings bass guitar, Casiotone, home-made instruments [B]


Recorded live on 17 May (A) and 20 July (B) 1984

Balcony Records ‎– BOYS 2

Vinyl Rip

EMBERS LIVE

JIM DENLEY, flute, piccolo, alto sax, voice
JOHN BUTCHER, tenor and soprano sax
CHRIS BURN, piano, percussion
MARCIO MATTOS, cello, digital sampler

1. Quarrying at the Bim  19:56
2. Nite bites  7:41
3. Breakfast with Vincent  17:25
4. Tenderfoot's haruspicy  10:12

1 & 3 Recorded at the Bimhuis, Amsterdam. 17 Nov 1988
2 Recorded at the Bunker, Rotterdam. 19 Nov 1988.  and (??) Cafe Wilhelmina, Eindhoven. 21 Nov 1988
4 Recorded at Midlands Arts Centre, Birmingham. 25 Oct 1988

ACTA 3.  Cassette only.

HARTMUT GEERKEN / MICHAEL RANTA ‎– THE HELIOPOLAR EGG (QBICO, 2010)

Live in Teheran, Calcutta, Dacca, Manila, Seoul and Osaka in 1976


A. Untitled

C. Untitled
D. Untitled

E. Untitled
F. Untitled

G. Untitled
H. Untitled

I. Untitled
J. Untitled

K1. Excerpt From "Arrangements" (Toshi Ichiyanagi)
K2. Lonely Mountain (Shoko Shida)
L1. Same Trains
L2. Coda


Michael Ranta, mallet instruments, xylophone, marimba, metallophone, vibraphone, tabla, flexatone, castagnets, Japanese oboe, argool, gong, tamtams, short-wave receiver, Chinese violin, er-hu, jung-hu, wood block, echo machine, cup bells, Indian israj, voltage-controlled oscillator, voltage-controlled filter, vocals

Hartmut Geerken, piano, prepared piano, piano strings, Tibetan tingshak, water tingshak, waldteufel, mokkatam pot rattles, bells, water bells, sleigh bells, gongs, water gongs, Tibetan boo-chals, water boo-chals, musical clock, Tibetan horn, singing tube, maracas, wood block, temple block, Peking opera gongs, castagnets, lead camel bell, short-wave receiver, swarmandal, whistles, argool, monkey drum, toy xylophone, lion bell, gopichand, Egyptian cymbals & sagat, waterphone, voice, toy glockenspiele, thumb piano

José "Pepito" Bosch, congas [G,H]

Toshi Ichiyanagi, synthesizer [L2]



LP1 recorded on 25 November 1976 at Baghe Ferdows-Zafaranieh in co-op with Nirt, Teheran, Iran.

LP2 recorded on 3-4 December 1976 at Max Mueller Bhavan, Calcutta, India.

LP3 recorded on 8 December 1976 at the German Cultural Institute in co-op with the Academy of the Arts, Dacca, Bangladesh.

LP4 recorded on 13 December 1976 at Abelardo Inner Green (open air) in co-op with the U.P. College of Music, Manila, Philippines.

LP5 recorded on 15 December 1976 at the Korea Drama Center, Seoul, Korea.

LP 6 recorded on 18 December 1976 at the Goethe-Institute, Osaka, Japan.


Qbico ‎– QBICO 101

Vinyl Rip

PHIL WACHSMANN ‎– WRITING IN WATER (BEAD RECORDS, 1985)

A.  Writing In Water

B.  Water Writing

B1. Prelude
B2. Song
B3. Violin Song
B4. Monody Line With Squeaks And Foot Work In Two Parts
B5. Blurred Edge
B6. Melody

Phil Wachsmann, violin, electronics



A side recorded at the Actual Festival, Bloomsbury Theatre, London, 19 October 1984

B1 recorded at The Cut, 3 October 1984
B2 at the Ufton Centre, 1 April 1985
B3 and B4 at West Square Studio, 15 June and 8 June 1985
B6 in London, 31 August 1985

Bead Records ‎– BEAD 23

Vinyl Rip

CHRIS BURN'S ENSEMBLE on Midnight Oil

Following on from Nick’s posting of the Burn/Butcher album Fonetiks, I dug out this old radio broadcast of Chris Burn’s Ensemble.  I’ve left in all the between-track chat not only because it’s interesting but because it is a joy to hear such well-spoken voices.
Some Ensemble recordings are still available through John Butcher’s website.

CHRIS BURN, piano

JOHN BUTCHER, sop and tenor sax

JIM DENLEY, flute

STEVIE WISHART, violin, hurdy-gurdy

PHIL DURRANT, violin

MARCIO MATTOS, cello, bass

JOHN RUSSELL, guitar

MATT HUTCHINSON, synth, electronics

01. Introduction  0:56

02. Airground glide  4:42

03. Interview 1  3:10

04. Influence and concealment  7:29

05. Interview 2

06. Fun for all  12:51

07. Interview 3  0:41

08. Cordboil and the four dwarves  11:21

09. Interview 4  0:43

10. Interview 5  1:48

11. Slow storm scene  4:33

12. Zip code  7:36

13. Outroduction  0:33 

BBC Radio 3. 'Midnight Oil'.   Broadcast March 1993  (I think)           

URS BLÖCHLINGER ‎– DON'T CALL BACK - WE LET YOU KNOW (UNIT RECORDS, 1987)

A1. Sonny's Back
A2. No Arguments, Please
A3. I Love You - But Later
B1. Der Kungusische Cheftrainer
B2. Let's Take Take And Then The...



Urs Blöchlinger, alto & sopranino saxophone, melodica
Heinz Geisser, guitar
Tomi Hirt, bass
Dieter Ulrich, drums

Tom Varner, french horn (B1)
Dave Taylor, bass tuba (B1)
Jacques Siron, bass (B2)
Jean-Paul Autin, bass clarinet, recorder (B2)
Ives Cerf, tenor saxophone (B2)
Jürg Solothurnmann, alto & tenor saxophone (B2)


Recorded April 10 1987, at ‘Festival Intime’ Radiostudio DRS, Zürich

Unit Records ‎– UTR 4027

Vinyl Rip

TOMASZ STANKO - MICHEL PILZ QUARTET "MOERS, 1996"

TOMASZ STANKO - MICHEL PILZ QUARTET "MOERS, 1996"


Tomasz Stanko, trumpet
Michel Pilz, bass clarinet
Christian Ramond, bass
Klaus Kugel, drums

CD1:
1. Suite (Melusina) 14:53
2. Cecelina 6:53
3. Gaby's Rhapsody 8:46
4. War Song 8:15
5. Sunia 8:19

CD2:
6. Sandrinella 8:08
7. Relais De La Petrusse 6:45
8. Fast Song 7:39
9. Suite 2 12:59

Recorded for the WDR Jazzmeeting at 'Die Röhre', Moers on March 7, 1996.

CHRIS BURN - JOHN BUTCHER ‎– FONETIKS (BEAD RECORDS, 1984)

A1. Subtitles
A2. Punctuate
A3. Cause And Effect (Two Parts)

B1. Phonophilia - Fast
B2. Acute
B3. Inside The Narrative



Chris Burn, piano, percussion, trumpet
John Butcher, soprano & tenor saxophone


Recorded November and December 1984 at Bark Studios, London

Bead Records ‎– BEAD 24

Vinyl Rip

JOHN STEVENS @ Terry Day Benefit 1991

The first SME piece has been issued on the excellent 'Hot and Cold Heroes' (Emanem) as 'One for Terry Day', although with a small section edited out.  If you don't have that cd, I heartily recommend you buy it.

On a side issue, I have only just realised that I've been zipping files rather than a folder of files.  Sorry about that.

Enjoy. 

1. SPONTANEOUS MUSIC ENSEMBLE    14:26

   

    JOHN STEVENS, percussion, mini-trumpet

    NIGEL COOMBES, violin

    ROGER SMITH, guitar 

2. SPONTANEOUS MUSIC ENSEMBLE +    7:50

    JOHN STEVENS, percussion, mini-trumpet

    NIGEL COOMBES, violin

    ROGER SMITH, guitar

    PHIL MINTON, voice

    MAGGIE NICHOLS, voice

3. LARRY STABBINS, tenor sax    17:45  

    PAUL ROGERS, bass

    JOHN STEVENS, drums         

4. JOHN STEVENS - POEM     2:06 

Part of a benefit concert for Terry Day, at the Red Rose, London.      1st December 1991. 

Cassette recording.

Sonny Rollins-Live at Ronnie Scott's London 1968

This one's for Andy ... and anyone else who might enjoy it... musically if not quite sonically this is very fine... a nice if somewhat frustratingly flawed, but very listenable document of Rollins playing with British Legends Oxley and Tracey , whom i understand were virtually the house rhythm section at Ronnie Scott's in the Mid to late 60's, along with a variable array of Bassists including Rick Laird, Jeff Clyne, and Chris Lawrence.

Original Trader/Seeders notes
Sonny Rollins
Ronnie Scott's Club
London, England
1968

Sonny Rollins - Tenor Sax
Ronnie Scott - Tenor Sax*
Stan Tracey - Piano
Tony Oxley - Drums
Rick Laird???       - Bass

Disc 1
01. Bye Bye Blackbird* 18:03
02. The Night Has a Thousand Eyes* 26:38

Disc 2
03. Sonnymoon for Two* 20:36
04. Three Little Words(cut) 22:40
05. My Reverie (cut) 4:02

cassette trade/JVC stand alone cdr burner/CD wave editor/flac/ you

POLLY BRADFIELD ‎– SOLO VIOLIN IMPROVISATIONS (PARACHUTE, 1979)

A.  1
B1. 1
B2. 2
B3. 3

Polly Bradfield, violin

Recorded At – Sorcerer Sound

Parachute ‎– P008

Vinyl Rip

EDDIE PREVOST - JOHN STEVENS DOUBLE TRIO. 1978

Old cassette of radio broadcast transferred by Gus.  Thanks to him.

LOU GARE, tenor sax
MARCIO MATTOS, bass
EDDIE PREVOST, drums
TREVOR WATTS, soprano and alto sax
BARRY GUY, bass
JOHN STEVENS, drums

1. Charles Fox introduction  2:10
2. EARJOB  28:34

Recorded by BBC, London.  2nd August 1978

BBC Radio 3 'Jazz in Britain' broadcast 28th August 1978

MACHI OUL ‎– QUETZALCOATL (PALM, 1976)

A1. Bolerito
A2. Leyendas De Nahuelbuta Part One

B1. Leyendas De Nahuelbuta Part Two
B2. Quetzalcoatl



Francois Mechali, bass
Jean-Louis Mechali, drums
Anna-Maria Villaroel, percussion
Claudio Bertoni, percussion
Keno Speller, percussion
Patricio Villarroel, tablas
Manuel Villarroel, piano
Gérard Coppéré, reeds
Hugh Levick, reeds
Jean Querlier, reeds
Jef Sicard, reeds
Alphonse Leboucher, trombone
Josef Traindl, trombone
Alain Brunet, trumpet



Recorded at PALM Studio, Paris, on 10-14 December 1975.

Palm ‎– PALM 16

Vinyl Rip

BUTCHER. DURRANT. RUSSELL. 18 Oct 1989

This is one of my very favourite of the gigs I recorded.

Big thanks to John Russell who was cool with me uploading it for you lucky people.

The wonderful 'Concert Moves' (Random Acoustics) and 'The Scenic Route' (Emanem) by the trio are available via John Butcher's website.

JOHN BUTCHER, tenor and soprano sax
PHIL DURRANT, violin
JOHN RUSSELL, guitar

PAUL ROGERS , bass - joins the trio on track 4 only.

1.  10:48
2.  8:38
3.  5:24
4.  28:19

Sir Walter Scott pub, Finsbury Park, London

8th October 1989

Paul Rogers also played a lovely bass solo as part of this gig which was issued on Listen (Emanem).

PETER CUSACK AND CLIVE BELL ‎– BIRD JUMPS INTO WOOD (BEAD RECORDS, 1984)

A1. Gust
A2. Fishing For A Thousand Monsters
A3. Spray Paint In The Wind
A4. Red Ochre
A4. Bird Jumps Into Wood

B1. Paradise Style
B2. Searching For The Blue Hare
B3. Slate
B4. One Tongue Speaks As Two
B5. To Them The Cicadas Sing From The Ground
B6. Dontology



Peter Cusack, guitar, prepared guitar, bouzouki, environmental tapes
Clive Bell, flute, Chinese flute, shakuhachi, crumhorn, khene, balloon


Recorded 1983-84 at London Musicians Collective.

Bead Records ‎– BEAD 22

Vinyl Rip

AMM ,Teatro Antonianum,Padova Italy, 3-4-1998, AUD

AMM

Padova, IT

03 April 1998

Teatro Antonianum

Seeder/Tapers notes

"Fine concert of ten years ago by this most classic English improvising ensemble, then in its trio format."

Keith Rowe — guitar, radio

John Tilbury — piano

Eddie Prévost — percussion

sound quality: AUD B+ [59:55](initial few seconds missing)

DAT tape to CDR > EAC > FLAC

checksum file by Trader's Little Helper 

tricko bag o' tricks > august 2008

Thanks to Tricko!

Enjoy !!... and be sure to check out the Matchless Catalogue, again difficult to recommend single AMM albums, its all so good...

my personal favourites are , the complete live at the Crypt, AMM music, the Inexhaustible document, and Newfoundland... an entirely subjective proposition , based on rotation 

,

AMM,venue unknown, London 03.02.1970

03.02.1970
unknown venue, London, UK
unidentified stereo source* > CDR > hard drive (via EAC) > flac (level6) > dime

line-up*(Uncertain)
Lou Gare: sax, violin
Keith Rowe: g,eletr,radio
Cornelius Cardew: p,cello
Eddie Prevost: perc
Christopher Hobbs: perc

1. free improvisation (40:35)
(fades in + cuts out)


Seeder/Tapers-*notes:
- source:
"I received this as "SB", though I'm not sure the overall acoustic ambience of this recording really is the one of a SB-source.
- line-up & instrumentation:
Given above is the line-up the factsheet in "The Crypt"-box lists as the regular one for 1970. At some point in the history of this particular recording, the exact line-up hasn't been passed along, it seems. So this is a little speculative (is there really a second percussionist, Christopher Hobbs, audible?)
The instrumentation above is according to "The Crypt", so maybe not up-to-date for the group's point of development at this time (and I find it hard to clearly identify Gare's contributions)."

JUNJI HIROSE + YOSHIHIDE OTOMO ‎– SILANGANAN INGAY (TANGA-TANGA, 1989)

A1. Noise From Far East
A2. The Time To Live And The Time To Die
A3. 1.2.3.4.
A4. 6 And 14 Wave
A5. Black And Blue
A6. Green Bicycle
A7. Intolerable Fellow

B1. Short Tune
B2. Mob?
B3. For T.T.
B4. Crying Sky
B5. #7
B6. Jalan
B7. Don't Be Late!
B8. Rip


Junji Hirose, self-made instruments, toy rhythm box, toy voice-changer, toys, autoharp, tenor saxophone

Otomo Yoshihide, turntables, cassette tapes, hand-made guitar, small instruments, toys




Recorded live at Space Alta Yokohama, 28. April 1989

Tanga-Tanga ‎– R-001

Vinyl Rip

ALAN TOMLINSON ‎– STILL OUTSIDE (BEAD RECORDS, 1981)

A1. Outside
A2. Still Outside
A3. Syrup Of Figs
A4. Music For The Art Emporium
A5. The End
A6. L.M.S. 44736
A7. Bo-Bo 86213 The Lancashire Witch

B1. No Name No Title No Tune 19:10
B2. Boggart Hole Clough 6:41


Alan Tomlinson, tenor trombone (A1-2, B1-2), prepared tenor trombone (A3-5), bass trombone (A5), alto trombone (A6, B1) prepared alto trombone (A7)

Recorded at various venues in London in 1980.

Bead Records ‎– BEAD 17

Vinyl Rip

AMM. London Lighthouse, 1989

This was the first time I saw AMM and it had a great effect on me. Some of that being a confirmation that sound didn't have to be music as such to convey emotion, and be an uplifting and enlightening experience.  The concert took place in the London Lighthouse, a centre for people affected by HIV and AIDS.  The whole thing was of great sensitivity, beauty and I suppose a touch of melancholy.

Take time to listen.  Let me know what you think.

For Sotise, a big AMM fan.

AMM

LOU GARE, tenor sax, violin
IAN MITCHELL, clarinet, bass clarinet, wood flute, bicycle pump
KEITH ROWE, guitar, electronics, radio
JOHN TILBURY, piano
EDDIE PREVOST, drums, percussion

1. 46:39
2. 46:36

at the London Lighthouse, London.  7th October 1989

MARION BROWN ‎– LIVE (DIW RECORDS, 1983)

A1. November Cotton Flower
A2. La Placita

B1. Angel Eyes ~ Hurry Sundown
B2. Sunshine Road


Marion Brown, alto saxophone
Gon Mizuhashi, bass
Warren Smith, drums
Dave Burrell, piano


Recorded November 8, 1979 at Shiminkaikan Hall, Hirosaki, Japan

DIW Records ‎– DIW-1083 (later reissued as CD, DIW-356, with extra track "Africa").

Vinyl Rip

ORNETTE COLEMAN "THE UNPRECEDENTED MUSIC OF ORNETTE COLEMAN" (LOTUS, 1968)

Although rather difficult to track down now, The Unprecedented Music of Ornette Coleman was actually a generously distributed bootleg....(excerpt of Brandon Burke's review).



ORNETTE COLEMAN  "THE UNPRECEDENTED MUSIC OF ORNETTE COLEMAN"

Ornette Coleman, alto saxophone, trumpet, shanai
Charlie Haden, bass
David Izenzon, bass
Ed Blackwell, drums

1. Lonely Woman
2. Monsieur Le Prince
3. Forgotten Children
4. Buddah Blues


Recorded in Rome, Italy on February 8, 1968.

LOTUS LPPS 11.116 (also PASSPORT LPPS 11.116)

Note: This is a bootleg!

TOM-MIX. @The Others, 2009

TONY MARSH, drums
MARK HANSLIP, tenor sax
OLIE BRICE, bass

1. 28:48
2. 43:12

The Others, Stoke Newington, London.  16th Sept 2009

Please enjoy the fabulous drumming of the late and very great TONY MARSH, with the terrific new tenor on the block MARK HANSLIP and big bad bassman OLLIE BRICE  Very highly recommended.

DON'T MISS THIS.  Let me know what you think, leave a comment.  Thanks.

Check out Mark Hanslip
Check out Olie Brice

PAUL DUNMALL'S 60th BIRTHDAY GIG

Mr Dunmall  has suggested this could be posted for people to enjoy!

Thanks to Dave Tucker (soundman for the evening) who left his recorder going on a table at the front.

SET 1

PAUL DUNMALL, tenor sax
SIMON PICARD, tenor sax
NEIL METCALFE, flute
NICK JURD, bass
JIM BASHFORD, drums

1. First piece  19:22
2. Second piece  14:06
3. Third piece  11:42


SET 2

PAUL DUNMALL, tenor sax
HOWARD COTTLE, tenor sax
GARY CURSON, alto sax
JIM DVORAK, trumpet
PAUL ROGERS, bass
TONY BIANCO, drums

4. Ascension  49:48

Vortex.  London.  28th May 2013

Paul Dunmall and Howard Cottle

Nick Jurd, Paul Dunmall and Simon Picard