17 December 2010

Bali- divertissment Musicaux et danses de transe-Ocora 72, lp 1971





































Here's an LP of grainy field recordings from Bali ,
made by French radio in 1971...on the magnificent Ocora label

These recordings remain, as yet unissued on CD

from the liners
"Balinese daily life would be as unthinkable without music as it would without incense flowers and offerings.

Music and its body of Dances and entertainments, is the agent which most obviously welds the different aspects of social activity (both profane and sacred) into a single tradition.

This record presents the extreme poles of the Magico-ludic axis about which musical activity resolves ,by bringing together entertainment music (side -A) and the songs whicxh accompany trance danses (side-B)

the recordings were made in august 1971 in and around Denpasar, notably in Pliatan"


Side A- Divertissement Musicaux
1-Geng gong- kupuarum
2-Geng Gong -pendet
3-Ngo
4-Flute Solo
5-Gamelan Semar Peguligan-Sekar Gadung
6- Gamelan Semar Peguligan- Pengawak lasem.

Side-B- Danses de transes
1- Transes Sanghyang Dedari ,et Sangyang Djaran.

 covers included in the files
Flac -44hz -16 bit downsampled from 48 hz-24 bit.

Enjoy!

16 December 2010

BOMBAY SISTERS "OOTHUKADU - Venkata Subbier's Songs on Lord Krishna"



This cassette is the only souvenir which I have from my trip to Singapur. I bought it while visiting a tiny music shop in the indian quarter.
I stepped into the shop and immediately heard this music from a pair of somewhat beaten-up speakers.
It was a small epiphany - two indian ladies in saris were in the shop together with the owner and the music struck me like a thunderbolt...
I bought the tape and have heard it the following years at least 250 times. Nowadays I return occasionally to it.

The tape is a rip from an older lp - made from the shop-owner himself.
There is a drop-out for the second half of track 6. And the recording level is a bit overdriven but for me it fits - heavy grooving percussion, strings and these two enchanting voices in unison.
This is a kind of devotion I can approve.


The Bombay Sisters are part of the trend of duo singing in Carnatic music, which started in the 1950s, with performers like Radha Jayalakshmi, and Soolamangalam Sisters, they have been singing since 1963 when they started with light classical music, subsequently progressing to classical music; they sing in multiple languages including Tamil, Telugu, Malayalam, Kannada, Sanskrit, Hindi and Marathi. They are also known for promoting young musicians through endowments and scholarships.
More information > http://bombaysisters.com/


BOMBAY SISTERS "OOTHUKADU - Venkata Subbier's Songs on Lord Krishna"

C. Saroja and C. Lalitha, vocals

(other musicians not named on the tape's cover)


01. Thaye yasode 07:07
02. Asainthadum Mayil 05:21
03. Aad aadhu Asangathu 04:09
04. Vanthathuvum Ponathuvum 03:25
05. Paal Vadiyium Mugham 04:35
06. Maninoopura Dhari 06:17
07. Kuzhaloothi manamellam 05:12
08. Enna Punniyam 05:44
09. Parvai Onru Podume 03:44
10. Pullai Piravi 05:11
11. Madhananga Mohana 03:25
12. Alaipayuthe 07:54

(no recording location or date on the cover - I purchased the tape in May 1993)

For Sotise

SOMMER - JOST - MANDERSCHEID "CAMINO FATAL" (FISH MUSIC,1990)



...and another one from Germany.


SOMMER - JOST - MANDERSCHEID "CAMINO FATAL"


Ekkehard Jost,bs,sops,bcl,cbcl
Dieter Manderscheid,b
Günter Sommer,dr,perc


01. Das Grosse Rad (S/J/M) 04:18
02. Murphy (J) 06:50
03. Tris (M) 05:37
04. Oh Hangelstein (J) 03:50
05. Die Reise Zu Georg-Philipp Gaga (J/M/S) 02:52
06. Die Ungelösten Fragen Der Sippe Valdez (J) 04:30
07. Deep Steezle Kick (J/S/M) 04:13
08. Nymphaea Alba (Kuchenbuch) 03:45
09. French Tour (M) 04:04
10. Camino Fatal (M/S/J) 05:38


Recorded in Giessen, Germany on August 16./17., 1990

FISH MUSIC FM003

AKIRA SAKATA TRIO "DANCE" (ENJA,1981)



Here is a trio from Japan...



Akira Sakata, alto clarinet, alto saxophone, vocals
Hiroshi Yoshino, bass
Nobuo Fujii, drums

1. Right Frankenstein in Saigne-Legier 13:45
2. Strange Island 07:49
3. Comme A La Radio 11:02
4. Inanaki,2nd 09:48

Recorded: "Live" at the Vielharmonie, Munich on 11th June, 1981.

ENJA 4002 (vinyl rip)

15 December 2010

Shibusashirazu Orchestra live on NHK, Japan, 2006



With the blog on a Japanese roll lately, I can't help but add to it with the mighty, wild and wacky Shibusashirazu. I had the opportunity and good luck to see them back in 2K, and as anyone who has seen them can confirm, hearing them is only half the sensory experience. No, make that less than half the sensory experience.

What's here are two one-hour programmes off NHK, Japanese public radio, broadcast 1 and 8 March 2006. Taken from the same concert, but split into two separate broadcasts for radio convenience sake.

A little background:

Kinetic, theatrical and spectacular - Shibusa Shirazu's electrifying shows are an experience like no other. The large-scale Japanese jazz act comprises 20-30 musicians, singers, female dancers, butoh dancers, artists and actors, all perform together to bring genre-defying shows propelled by powerful dance beats.

Audience at Glastonbury Festival 2002, Moers New Jazz Festival and many other venues during their four European tours were wowed at the exciting spectacle of music, dance, live painting, anime screening and stunning stage props, which include a huge flying balloon dragon and even fireworks. Their flexible line-up is capable of bringing the same degree of excitement to venues of any size, from concert halls to clubs.

Dazzling line-up of top-rated performers Shibusa Shirazu was started in 1988 by bassist Daisuke Fuwa with Japan's top-rated musicians. It is now a flexible outfit of 20 to 30 musicians, including wind and brass instruments such as saxes, trumpets and a flute; string instruments such as violin, guitar, bass and biwa (a traditional Japanese instrument); drummers and percussionists; keyboards and more. Singers, white-body-painted, half-naked butoh dancers, female dancers in flashy costumes and stage prop artists augment the musicians.

Spectacular performance, flexible formation Shibusa Shirazu's large-scale production has proven apt for major music festivals, as attested by enthusiastic audiences, many of whom caught off guard, at Glastonbury Festival 2002 and Moers New Jazz Festival. A lesser known fact is that it is a flexible outfit that doesn't discriminate venues, from out-door events, concert halls, clubs to even streets.

Shibusa Shirazu (SHEE-BOO-SAH SHEE-RAH-ZOO) is a Japanese phrase meaning "Never be cool". As the name says, the band doesn't stay within the "cool" frame of jazz big bands. Although based on jazz featuring improvisation, its music reaches over into romantic Japanese "kayo" songs, rock, funk, ska, Latin, trance and Balkan beats.

"It's always a pleasure for us to visit new places and meet people. Come and see us next time we are in your country. We are in tip-top shape and are itching to strut our stuff." Daisuke Fuwa (band leader)"

The basic data:

Shibusashirazu Orchestra
NHK 505 Studio, Shibuya, Tokyo
Feb 9th, 2006

Daisuke Fuwa (dandorist, vo)
Han Sato (ts)
Keiko Komori (as, ss)
Yoshiyuki Kawaguchi (as, hca)
Akira Kitou (bs)
Yoichiro Kita (tp)
Mitsuhide Tatsumi (tp)
Daisuke Takaoka (tuba)
Aya Murodate (fl, vo)
Alata Suzuki (EWI)
Kazuhisa Uchihashi (g)[right]
Ryoichi "Shacho" Saito (g)[left]
Atsushi Tanaka (g)
Yuji Katsui (el-vln)
Dairo Suga (p)
Sachiko Nakajima (key)
Hiroshi Higo (el-b)
Futoshi Okamura (dr)
Hitoshi Kuramochi (dr)
Jun Isobe (dr)
Takayuki Matsumura (perc)
Mari Sekine (perc, vo)
Shin'ichi Watanabe (MC, vo)
Sayaka & Pero (dance)
To-yo, Shimo, Chie (butoh)
Kohtaro Yokozawa, Ken'ichi Aoyama (VJ)

(60:01)
1. station ID (0:17)
2. DJ intro (1:30)
3. Theme of Inuhime (22:12)
4. Hikouki (11:57)
5. Matatabi (A. Sasaki)(19:34)
6. Lion [fade out, DJ voiceover](4:29)

(60:00)
1. station ID (0:15)
2. DJ intro (0:46)
3. Lion [fade in] / Fishermen's Band / Lion (20:48)
4. Dorokazoku no Uta (4:34)
5. Naadam (E. Hayashi)(21:25)
5. Theme of Honda Komuten (8:14)
6. Senzu (1:05)
7. Sutekichi (0:25)
8. DJ outro (2:25)

All songs by Fuwa except indicated otherwise

Thanks to the taper/uploader. Much appreciated. I do have a little more, including a triple cd I got at the 2K concert here in town. So, if this catches on, there's more ...

Meanwhile, never be cool ...

3 Vilayat Khan LP's,from the late 60's

Here are a few favourites( all out of print as far as i can tell ) by the great Bengali Sitar master Vilayat khan-(1928-2004), someone perhaps unjustly overshadowed in the west by better known more sophisticated peers such as Ravi Shankar , and Nikil Banjeree.
theres a real rawness , and risk taking edge to the playing that i find most congenial . trance and ecstatic euphoria , enjoyably punctuated by moments of ..chaos... which are rare in this music.
the playing goes a long way beyond mere melodic embroidery...



















The Genius of Vilayat Khan- Ealp -1266-(1966)

A-1-Raga Ahir Bhairav
B-1-Raga

Vilayat Khan-Sitar
Mohammad Ahmad-Tabla



















Music from India series- Vilayat Khan-EMI India lp,ASD 2460-(1969)

A- Raga Jaijaiwanti
B- Raga Rageshree

Vilayat Khan-Sitar
Shanta Prasad-Tabla




















.....And best of all!

Vilayat Khan- Music of India HMV /world record Club/lp S/CE 3068

Vilayat Khan-Sitar
Imrat Khan-Surbahar, Sitar
Shanta Prasad-tabla


A-1- Raga Suha Surai
B-1- Raga Thumree Piloo


NB
These were all originally posted (by me) , at SFRP's Classical Indian thread... Not too long ago...

Down sampled from 48 hz-24 BIT , to normal 16 bit Flacs ...
minimal processing used...


ENJOY!!

more info about V.Khan

A Wonderful , rare Jgalbandi lp with Bismillah Khan , can be found here

12 December 2010

HOZAN YAMAMOTO - MASAHIKO TOGASHI - YOSUKE YAMASHITA "BREATH" (DENON, 1984)



A meeting between traditional and modern musicians.
Hozan Yamamoto became famous in the world of Jazz through his collaboration with Tony Scott.
Together they recorded "Music for Zen Meditation". He has worked among others with Ravi Shankar, Gary Peacock and Karl Berger.



HOZAN YAMAMOTO - MASAHIKO TOGASHI - YOSUKE YAMASHITA "BREATH"


Hozan Yamamoto, shakuhachi
Masahiko Togashi, percussion
Yosuke Yamashita, piano

1. Breath Prologue (Togashi) 05:12
2. Joy (Yamamoto) 09:31
3. Bamboo Holyday (Yamamoto) 04:51
4. Eastern Ceremony (Togashi) 07:53
5. Encounter (Togashi - Yamashita) 09:24
6. Basic Flight (Yamashita) 05:32
7. Rainbow (Yamamoto) 08:17
8. Breath Epilogue (Togashi) 02:32

Recorded at Nippon Columbia Studios No.1, Tokyo on 13th April, 1984.

DENON PCM 38C38-7281

11 December 2010

LOKOMOTIV KONKRET (2nd LP - URSPÅR, 1979)



This is the earliest recording with Sten Sandell.
At least the first side sounds more like "Industrial" than Free Jazz/Improvisation.
Dror Feiler - the "leader" of this group is also a well known contemporary composer.
His compositions are mostly harsh and noisy and beautiful.
At least once a group of contemporary musicians refused to play a composition - which was announced only very shortly before the concert. They said that his music were too loud, although the same musicians rehearsed the piece before...
Does nowadays scandals come rather from the musicians than from the public?

Hear for yourself.



LOKOMOTIV KONKRET "LOKOMOTIV KONKRET"


Tommy Björk,dr
Dror Feiler,sops,as,cl,bassett-horn,cbcl,synth
Sören Runolf,vc
Sten Sandell,p

1. Ovation 06:17
2. Fragment 01:10
3. Vakuum 04:36
4. Bön 07:05
5. Siciliansk öppning 03:26
6. Konstruktion 08:01
7. Axiom 03:51
8. Homage 05:05


Recorded at Fasching and Modern Museum,Stockholm, August 1979.


URSPÅR URS 4


(Flac and cover - link in comment)

9 December 2010

TON KLAMI "PARAMGGOD" (CROWN, 1994)




In the year 2002 I heard for the first time Kang Tae Hwan. Some months later I read about the group "Ton Klami". But it lasted until winter 2009 that a japanese acquaintance brought me this deleted CD from Japan.
Share the joy about hearing it for the first time with me...


TON KLAMI "PARAMGGOD"

Masahiko Satoh,p (except 4)
Midori Takada,perc (except 4)
Kang Tae Hwan,as (except 3)

Special Guest:
Ned Rothenberg,as,bcl (except 2,6,7)

1. Bamboo Shoots (Satoh) 04:32
2. Narai (Takada) 12:16
3. Yaagaad (Satoh-Takada-Rothenberg) 08:18
4. Fu-Hak (Kang-Rothenberg) 07:15
5. Paramggod (Satoh-Takada-Kang-Rothenberg) 06:44
6. Element (Satoh) 04:58
7. Zuun Salkhi (Satoh-Takada-Kang) 09:41

Recorded at CRS Studio No.1 on 8th September, 1994

CROWN CRCJ-9125

8 December 2010

MASAHIKO TOGASHI & NEW HERD ORCHESTRA "CANTO OF ARIES" (COLUMBIA JAPAN, 1971)


More Masahiko Togashi - here with a Big Band plus Masahiko Satoh and Sabu Toyozumi.
No Swing - off course? - instead spacious and sinewy soundscapes...



MASAHIKO TOGASHI & NEW HERD ORCHESTRA "CANTO OF ARIES"

Masahiko Sato,p
Masahiko Togashi,dr,perc

Toshiyuki Miyama,conductor & NEW HERD ORCHESTRA

Koji Hatori, Bunji Murata, Kenichi Sano, Kunio Fujisaki,tp
Teruhiko Kataoka, Masamichi Uetaka, Seiichi Tokura,tb
Takeshi Aoki,btb
Hiroshi Takami, Shinji Nakayama,as,fl
Kosuke Ichihara, Shoji Maeda,ts,fl
Shunzo Sunahara,bs,bcl
Yoshinobu Imashiro,p
Kozaburo Yamaki,g
Goro Yamamoto,b
Yoshisaburo Toyozumi,dr

1. Canto I (TOGASHI) 02:01
2. Canto II (TOGASHI) 04:03
3. Canto III (TOGASHI) 09:08
4. Canto IV (TOGASHI) 03:16
5. Canto V (TOGASHI) 13:40

Recorded on January 22, 27, 1971 in Tokyo

Columbia NCB-7012 (LP first edition)

Max Roach & Archie Shepp - Live in Milan '78 [New Links]

Another sax/drums duo...

Rec. live at "Castello Sforzesco", Milan, italy, on July 22,
1978 (mics recording)

Max Roach,drums (-4)
Archie Shepp,tenor sax (-3)

1. Sweet Mao : Le Marche (23:22)
2. Suid Afrika '76 (22:58)
3. J.C.Moses/For Big Sid/Drums Unlimited/Papa Joe (11:58)
4. Lush Life/Steam (15:12)
5. Sweet Mao : Le Commencement (20:22)
6. Moose The Mooche [encore] (08:15)

Total Time 1:42:08

6 December 2010

MASAYUKI TAKAYANAGI "FREE FORM SUITE" (THREE BLIND MICE, 1972)




As my reservoir on Masahiko Togashi (deleted ones) comes almost to an end, I'll continue the japanese series with another great master.
As far as I know most recordings of Masayuki Takayanagi are available. I got this CD from a Company in Hamburg which sells tea. Let's have a mouthful.
"Free Form Suite" is a mixed bag insofar as there is a more "traditional" part - the first three tracks - and than a more powerful part called "Free Form Suite".
Not his most ferocious music - but listen for yourself.


MASAYUKI "JOJO" TAKAYANAGI & NEW DIRECTION FOR THE ARTS
"FREE FORM SUITE"


Masayuki Takayanagi,acoustic, electric & gut guitar
Kenji Mori,cl,fl,ss,as,picc,recorder
Hiroshi Yamazaki,dr,perc
Joe Mizuki,dr,perc
Toshio Saito,time conductor (4,5,6)

1. The Blues 06:07
2. You Don't Know What Love Is 09:47
3. Sun In The East 09:58
4. Free Form Suite
1st Movement 06:46
2nd Movement 06:35
3rd Movement 09:47

Recorded "Live" at Aoi Studio, Tokyo on 19th May, 1972


In Germany there is an idiomatic expression which goes roughly ... "on one foot there is no good standing".

I found the second foot some days ago.

http://avaxhome.ws/music/jazz/Masayuki_Takayanagi_and_New_Direction_Unit_Live_at_Moers_Festival.html

Enjoy!

New Acoustic Swing Duo - live in Essen 1968




Due to requests, here is a live date by the duo of Willem Breuker and Han Bennink, known as the New Acoustic Swing Duo. This date was shortly after the release of their album, the first on the new ICP label, pictured above.


1968-06.00 / BREUKER
NEW ACOUSTIC SWING DUO (Willem Breuker & Han Bennink)
Early June 1968 – Essen (Germany), Jazzclub Podium
Willem Breuker ts/as/bcl/cl/ss; Han Bennink d/kalimba.

First Set
1. TENOR & DRUMS (Breuker/Bennink) – 14:54
2. ALTO & DRUMS (Breuker/Bennink) – 9:31
3. BASSCLARINET & DRUMS (Breuker/Bennink) – 17:57

Second Set
4. CLARINET & DRUMS (Breuker/Bennink) – 10:39
5. SOPRANO & DRUMS (Breuker/Bennink) – 10:48 into
6. BASSCLARINET/TENOR & KALIMBA/DRUMS (Breuker/Bennink) – 14:56

Length: 3t/42'42" + 3t/37'35" = 6t/81'
Source: AUD

Breuker switched instruments between each piece. Two sets in all, just a little over 80 minutes. Hard to say what I prefer, but I've always enjoyed Breuker on the bass clarinet and some may recall the duet with John Surman on the "Gittin' to know y'all" album from the Baden Baden Free Jazz Meeting in 1969.

Here's a little description of the setting:


This is an audience recording I've done together with a friend of mine at a small jazz club called "Podium" in Essen (Germany). I've lost the notice with the exact date, but I'm remembering, that the concert took place on the first or second weekend in June 1968. It was a short time after the first LP of this "NEW ACOUSTIC SWING DUO", the first one of the new ICP Label, was issued.

We asked the two young musicians from Amsterdam and were allowed to record the concert. We did it in stereo, with two stage micros and a Revox tape recorder. Just after this concert I did a mono-copy on my own Grundig tape recorder. The flacs are directly from this reel tape.

I lost my friend from view in 1969 and still I was not able to rediscover him to ask for the master tapes. So at the moment it seems, that my copy is the only known master tape of this fantastic concert.

The model for this new group format of a reeds & drums duo probably were the John Coltrane / Rashied Ali Duos recorded in 1967. But the music of the Breuker/Bennink Duo was quiet different and unique.

ENJOY!

This was uploaded to the Dime site about three years ago by "sammler kk" who supplied more goodies from the late 60s from Dutch and German sources. We may get to them later on. So settle into the cozy chair, put up your feet, pour yourself a Scotch (or other drink of your choice) and get prepared for a little swing time. Yes sirree!

5 December 2010

MICHAEL J. SMITH "ELVIRA MADIGAN...AND OTHER DANCES" (HORO, 1977)



I have heard this double LP for the first time while making the rip.
The LP was still sealed when I got it some weeks before. The pressing is mediocre as mostly with Horo LPs. Still - the music is idiosyncratic and I enjoy it a lot.

Thanks to Sotise who made me aware about M.J.Smith's music through his previous posts on IS.
http://inconstantsol.blogspot.com/2010/10/michaeljsmith-geomusic-3-polskie.html
and
http://inconstantsol.blogspot.com/2008/12/michael-smith-geomusic-polskie-nagrania.html

On this recording you can hear on the first side of LP 1 a solo from M.J.Smith. A solo for piano and computer generated sounds on side b of the second LP and two sides in a duo setting.



MICHAEL J. SMITH "ELVIRA MADIGAN...AND OTHER DANCES"

Michael J. Smith,p
Knut Riisnaes,ss,ts (LP 1 Side B & LP 2 Side A)

LP 1
Side A
1. Ballad Of Elvira Madigan 21:07

Side B
2. Thoughts On A New Found Friend 22:26
a. Forethought
b. Forethought
c. Afterthought

LP 2
Side C
1. Geomusic 3715 11:21
2. A Face In A Mirror (vers.1) 05:38
3. A Face In A Mirror (vers.2) 05:28

Side D
4. Interaction 24:43
(for piano and computer generated sound)

Arne Bendiksen Studio, Oslo on September 9, 1977.

HORO HDP 11-12




4 December 2010

Gunter Hampel & Jeanne Lee - Live in Florence and Pisa '78

All that i recorded of the Hampel/Lee Duo that far summer :
probably not the complete concerts.

Rec. live at "Teatro Tenda", Florence, on July 6 and at "Piazza
dei Cavalieri", Pisa, on July 10, 1978 (mics recording)

Gunter Hampel,vibraphone,bass clarinet,flute
Jeanne Lee,vocal

1. Florence #1 (12:24)
2. Florence #2 (09:34)
3. Florence #3 (11:42)
4. Florence #4 (11:05)
5. Pisa #1 (13:25)
6. Pisa #2 (11:24)
7. Pisa #3 (08:46)

Total Time 1:19:23

2 December 2010

Nicra-Listen, Hear Ogun lp OG 010-1975

















Here's an old favourite ,one of the as yet unreissued gems, from the wonderful OGUN catalog , of which really almost everything is worth having.

Most people have probably heard this via mp3's that have circulated around these parts.. and that was initially the reason i hadn't posted it here ..
Having recently ripped this for my self and given it a few spins i thought id share it anyway .. what a marvelous session it is ... two vintage Freebones firing on all cylinders ,stoked by the unique & refined engine room of Tippett, Niebergall and Ntshoko!!
What a pleasure it would be to see this reissued and restored to full sonic glory in remastered CD form!
I Love this record.. but some of the finer textural detail does tend to get a bit lost in a few slightly muddier denser sections where there is a lot happening .. something digital technology is actually good at remedying.


-Listen/Hear- : Nick Evans, Radu Malfatti (tb) Keith Tippett (p) Buschi Niebergall (b) Makaya Ntshoko (d)
Innsbruck, October 22, 1975
1-Listen Ogun (E)OG010
2-Listen continued -
3-Hear

downsampled from 48HZ 24 BIT to 44-16 Flac .. As is no decrackle , compression , nothing!

enjoy

1 December 2010

ESP-155538-Le Sarangi de Ram Narayan lp 1976

















Another Masterpiece on the Esperance label By the much venerated Legendary Rajasthani musician Ram Narayan ,a master improviser and the man who single handily rescued the Sarangi from the obscurity of mere vocal accompaniment. Originally released on the Swedish Amigo label in 1974 (also briefly on CD) ESP-155538-Le Sarangi de Ram Narayan lp 1976 Raga Puria Kalyan A-Alap B-Gap Ram Narayan-Sarangi Suresh Talwalkar-Tabla Hans Isgren- Tampura ENJOY!!

Here is a short clip from You tube , which has a few great Narayan clips , and much more in the Genre(S).






Giorgio Gaslini Quintet + RAI Orchestra - Live in Milan '80


One of the best line-up ever led by Giorgio Gaslini, officially
documented in the OOP Live at the Public Theater in New York
(Dischi della Quercia - 2Q 28009).

Rec. live at "Conservatorio G.Verdi", Milan, Italy, on February 13,
1980 (radio broadcast)

Giorgio Gaslini,piano,composer,conductor
Gianluigi Trovesi,alto & soprano sax,bass clarinet
Gianni Bedori,tenor & soprano sax
Marco Vaggi,bass
Gianni Cazzola,drums
+
(1-5) RAI Orchestra

1. Afro (06:10)
2. Ellingtoniana [Day Dream/Don't Get Around Much Anymore] (12:54)
3. Parkeriana [Lover Man] (07:13)
4. Jopliniana [Stoptime Rag] (02:22)
5. Monkiana [Ruby, My Dear/'Round Midnight/Let's Call This/
Straight No Chaser] (08:45)
6. Assalto Al Castello (19:55)
7. Swing Low, Sweet Charlie (07:35)
8. Mexico City Free (08:06)

Total Time 1:13:04

30 November 2010

The Thing plus Otomo Yoshihide and Akira Sakata live at Super Deluxe, Tokyo, 2009





Following up this fine series of Japanese improv, here's a more recent collaboration between Scandinavian power trio The Thing and Otomo Yoshihide and Akira Sakata, recorded live at Super Deluxe in Roppongi, Tokyo, Japan on 9 September 2009.

Setlist :
1.? [ 24min 42sec ] The Thing plus Otomo Yoshihide
2.? [ 11min 43sec ] Mads Gustafsson (ts) and Akira Sakata (as)
3.? [ 08min 44sec ] Mads Gustafsson (flutophone) and Akira Sakata (cl)
4.? [ 30min 04sec ] TT, OY and AS
5.? [ 14min 46sec ] TT, OY and AS
-encore-
6.? [ 09min 26sec ] TT, OY and AS


The Band:
Mats Gustafsson(ts, flutophone)
Ingebrigt Haaker Flaten(bass)
Paal Nilssen-Love(drums)
Otomo Yoshihide(guitar)
Akira Sakata(as,cl, voc)

Different combinations here, first with The Thing and Otomo Yoshihide, then a couple of duets with Mads Gustafsson and Akira Sakata and the whole crew in full flight. As I mentioned in a previous post, there is a sense of continuity from the 60s/70s pioneers and up to the younger generation of European and Japanese players with Sakata representing the binding thread in this instance. Gustafsson has professed to be an admirer of Sakata, so this gig presented an opportunity for them to get together and blow out on a couple of duets as part of the set. The Thing has worked with guitarists before, among others Thurston Moore and Terrie Ex and here Otomo Yoshihide provides the right screechy foil to the rhythm section of Haaker Flaten and Nilssen-Love who, by the way, also worked with guitarist Raoul Björkenheim as the Scorch Trio, a name quite appropriate for the music they dished out. No mellowing out here!

Video clips can be found on YouTube:

http://www.youtube.com/watch?v=GY8l_UOS7kk
http://www.youtube.com/watch?v=lOqw5T8g-50

and considering the season we're heading into:

http://www.youtube.com/watch?v=Rf7lRGDxMx0

Yes, Akira Sakata does sing!

Recorded and upped to Dime/YouTube by "fykfyk"who keeps a steady track of musical events in the Tokyo underground. Thanks, mate!

29 November 2010

SABU TOYOZUMI "WATER WEED" (NADJA / TRIO,1975)


Here's more fantastic music from Sabu Toyozumi,Takashi Tokuhiro and Mototeru Takagi.
Although the pieces/themes are written by Takagi the album files under Toyozumi's name.


SABU TOYOZUMI "WATER WEED"

Sabu Toyozumi,perc
Mototeru Takagi,reeds
Takashi Tokuhiro,b


1. Meteor Crowd (Takagi) 22:47
2. Water Weed (Takagi) 16:02


Recorded: The concert "Sabu Toyozumi/The Seven Seas"
Live at Nichifutsu Kaikan Hall, July 2, 1975

NADJA (Trio) PA7113

Carman Moore (feat. Sam Rivers): Four Movements for a Fashionable Five-Toed Dragon (repost)



Due to requests, here is a repost of an album posted last year. The links appear to have been deleted, so new links have been posted.

This one was supplied by inamorata who wrote a little intro to the record. Links in comments.

1 Overture 2:44
02 1st Movement - Pastorale 11:22
03 2nd Movement - Urban Walk 14:58
04 3rd Movement - Colours 14:27
05 4th Movement - Folk Energy 12:47

This is a rather peculiar record, and a strange context for Sam Rivers to appear in. It may not be exactly rare (there is a copy on offer at *bay right now for USD 19.95) but definitely has not left many traces on the WWW. Here's what Rick Lopez in his amazing Sam Rivers Sessionography (http://www.bb10k.com/RIVERS.disc.html) says about it, quoting Anthony B. Rogers (I included the whole entry with the files):

"This is an LP produced by the Hong Kong Trade Development Council and released in celebration of the American Bicentennial. The music was first presented at the 9th Hong Kong Ready-to-Wear Festival... The music was composed by Carman Moore and performed by members of the American Symphony Orchestra with... soloists."

The soloists are Sam Rivers, Elliott Randal, Kenneth Bichel, Richard Davis, and Warren Smith. The score by Carman Moore is played by members of the American Symphony Orchestra conducted by Isaiah Jackson. Although it has a jazzy tinge, it is not at all what one would expect from the list of soloists or, more specifically, the presence of Sam Rivers. I find it strange and fascinating and quite nice, but judge for yourselves.

The LP was recorded on February 29, 1976 (again according to Rick Lopez), right in the middle between what I consider the absolute high points of Sam Rivers prolific oeuvre: the IAI duo sessions with Dave Holland (February 18), and the Quest session with Holland and Altschul (March 12--13), both featuring the most intense and intimate musical communication I can think of.

I was lucky enough to find a well-kept copy and ripped and cleaned it very carefully (all remastering was done in 24bit resolution). I'm glad to share it here with the kind help of kinabalu. To him and to all other contributors here I wish to express my gratitude for the amazing amount of fine and rare music I got from this blog. I am mostly too busy to leave a comment, but this (and , hopefully, some future indirect contributions) is my sincere thank you to all of you.


Kind regards,
inamorata

27 November 2010

MANFRED SCHULZE BLÄSER QUINTETT "CHORAL-KONZERT" (AMIGA, 1988)


Another gem from Manfred Schulze.
An already almost forgotten musician with a highly original vision. Too little recordings were issued and fewer are still available. Hopefully someone will reissue this and other LPs from Amiga. For the time being...



MANFRED SCHULZE BLÄSERQUINTETT "CHORAL-KONZERT"

Johannes Bauer,tb
Manfred Hering,ts
Dietmar Diesner,as
Heiner Reinhardt,ss
Manfred Schulze,bars

1. Choral-Konzert (Part I) (Manfred Schulze) 17:39
2. Choral-Konzert (Part II) (Manfred Schulze) 16:36

Recorded: 8th January, 1988 in Berlin

AMIGA 8 56 356

MASAHIKO TOGASHI & MOTOTERU TAKAGI "ISOLATION" (Take One Records, 1969)


This early japanese Free Jazz LP was originally recorded for a movie by Masao Adachi - "Renzoku Shasatsuma (Ryakusho)".
But it certainly works without the pictures.

A classic recording - not only from Japan - Enjoy!



MASAHIKO TOGASHI + MOTOTERU TAKAGI "ISOLATION"

Mototeru Takagi,ts,bcl,cornpipe
Masahiko Togashi,dr,vib,marimba,tube-bell,tympany

1. Isolation 1 (TOGASHI) 16:45
2. Isolation 2 (TOGASHI) 19:08

Recorded on 19th December, 1969 in Tokyo

Columbia JDX-49 (first edition)

24 November 2010

YOSUKE YAMASHITA TRIO "CONCERT IN NEW JAZZ" (UNION, 1969)


This was the third LP of the Yamashita Trio, still with the original sax player Seiichi Nakamura. It was reissued as CD in 1991 with one piece more. Also some pieces were longer than on the LP.
But both are out of print.

Yosuke Yamashita is in Japan much more famous for his movie acting and his books which are bestsellers - as I was told by a japanese friend.
Sometimes he is marked as the japanese Cecil Taylor - but I think it is obvious that he has a voice all his own. However - C.T. was/is his "hero" - and there was a concert in which both played together. It seems it was filmed - something I would like to watch.

Here again one can notice, as Kinabalu remarked, the extraordinary energy and stamina of the group.


YOSUKE YAMASHITA TRIO "CONCERT IN NEW JAZZ"

Yosuke Yamashita,p
Seiichi Nakamura,ts,ss,cl
Takeo Moriyama,dr

1. Sate (Well) (Moriyama) 13:11
2. Mina's Second Theme (Yamashita) 06:44
3. Mokurin (Nakamura) 11:52
4. Gugan (Yamashita) 07:49

Recorded live at "Sankei Hall", Tokyo on 21st September, 1969

UNION UPS-20115

23 November 2010

The Ethnic Heritage Ensemble - Live in Turin '78

The original EHE lineup three years before the debut album
"Three Gentlemen From Chicago" (Moers Music 01076-1981).

Rec. live at "Auditorium R.A.I.", Turin, Italy,
on November 12, 1978 (mics recording)

Kahil El'Zabar,percussion,flute,vocal
Edward Wilkerson,tenor & alto sax,flute
'Light' Henry Huff,tenor,soprano & alto sax,bass clarinet

1. Unknown (14:16)
2. Unknown (07:54)
3. Unknown (08:02)
4. Unknown (11:38)

Total Time 41:52

Yamashita Trio - Clay




Life's full of coincidence, isn't it? Yesterday I downloaded this album from the blog and listened through it. Today I dropped by a second-hand store and found it to my great surprise. If that wasn't enough, discovering that there was a scanner at work that could accommodate lp size covers was reason enough to make a post out of it. This was slipped into the comments section of the previous Yamashita trio post by pablo who digitised his own copy of the lp. No point in me replicating those worthy efforts.

Basic facts:

Side 1:
Mina's Second Theme (Yosuke Yamashita) 21:15

Side II
Mina's Second Theme (cont.)(Yosuke Yamashita) 7:35
Clay (Dedicated to Muhammad Ali) (Takeo Moriyama) 15:15

Akira Sakata - Clarinet & Altosax
Yosuke Yamashita - Piano
Takeo Moriyama - drums

Recorded June 2, 1974, live at the open-air III. New Jazz Festival in Moers, Germany

Released as Enja 2052.

Listening to this, I'm amazed at the sheer energy and stamina of these three musicians. Keeping it going at full throttle for well over 40 minutes is no mean feat and there is an intensity and an underlying sense of violence which is scenically captured in this You Tube film excerpt:

http://www.youtube.com/watch?v=CD3Q060KI28

Heady stuff in other words and a source of inspiration for a younger generation mixing the in your face attitude of punk and rock with the abandonment of free impro. Perhaps no wonder that Sakata has recently played with the Scandinavian power trio The Thing. Mads Gustafson is a huge admirer, which shouldn't surprise anybody listening to these tracks.

22 November 2010

KAZUTOKI UMEZU "BAMBOO VILLAGE" (WHAT NEXT , 1980)


Another Trio from Japan. Quite different in its attitude.
I was a bit surprised to hear David Friesen in such a musical enviroment.
More probably than not I'm only biased.



KAZUTOKI "KAPPO" UMEZU "BAMBOO VILLAGE"

Kazutoki Umezu,as,ss,bcl
Masahiko Togashi,perc
David Friesen,b

1. Bamboo Village 10:11
2. Jumpin' Sambo 09:32
3. How Are You 14:33
4. Blue Tree 06:53


Recorded March 21, 22, 1980 at Onkio Haus (sic!), Tokyo


NEXT WAVE 25PJ-1003

21 November 2010

YOSUKE YAMASHITA "GHOSTS" (WEST WIND 1977)






DELETED! see comments...



Here's one for Sunday. The Yosuke Yamashita Trio with Akira Sakata. See also Riccardo's post from 6th November for another fine recording with Akira Sakata!



YOSUKE YAMASHITA TRIO "GHOSTS by Albert Ayler"

Yosuke Yamashita,p
Akira Sakata,as
Shoichi Koyama,dr


1. Chiasma (Yosuke Yamashita) 16:30
2. Ghosts (Albert Ayler) 35:30

Recorded : May 23, 1977 at "Jazz in der Kammer", Deutsches Theater, Berlin, Germany.

20 November 2010

Elton Dean's Ninesense - Live in London '79

I hope this is still inedited for the Blogland.

Rec. live at "100 Club", London, England, on March 5, 1979
(mics recording)

Elton Dean,alto sax,saxello
Alan Skidmore,tenor & soprano sax
Mark Charig,trumpet,tenor horn
Harry Beckett,trumpet,flugelhorn
Radu Malfatti,trombone
Nick Evans,trombone
Keith Tippett,piano
Harry Miller,bass
Louis Moholo,drums
+
Jim Dvorak,trumpet (2nd set only)

1st set :

1. Oasis_139 (35:22)

2. Sweet F.A._Seven For Lee (32:04)

2nd set :

1. Nicrotto_Mark's_First Born_Bounce (58:09)

Total Time 2:05:36

BERGISCH - BRANDENBURGISCHES QUARTETT (AMIGA ,1982)






This post is an addendum to the german thread.

Humorous - Gentle - Assertive - Realistic - Dadaistic - Social - Individual - Accurate - Fuzzy ....



BERGISCH-BRANDENBURGISCHES QUARTETT


Ernst-Ludwig Petrowsky, as(1,2,6), bs(3), cl(4,5,6,7), harmonica(2), ratchet(1)
Rüdiger Carl, ts(1,2,3,6), accordion(2,4,5), cl(7), voc(5)
Hans Reichel, g, v(1), cigarbox(1), radio(5)
Sven-Åke Johansson, dr, perc, voc(2,4,5,7), telephone books(5), etc

A1. Ohne Telefonbücher 04:18
A2. Empfindungen und Nachempfindungen 03:49
A3. Eskapaden 09:30
A4. Die Kuh mit den zehn Litern 04:52
B1. Kalldautzki 06:41
B2. Neapolitanische Schwermut 09:28
B3. Blues Skies In The Background 01:49


Recorded on  March 1, 1982 at Haus der Jungen Talente, Berlin.

AMIGA 8 56 031

(lp-rip)




18 November 2010

GROUP ONGAKU (1960/61) HEAR sound art library




Here's something which is more related to experimental or contemporary classics than to Free Jazz/Improvisation. But it is improvised as well...


Takehisa Kosugi was later co-founding the "Taj Mahal Travellers" and since 1978 he served as the musical director of the Merce Cunningham Dance Company..
He, Yasunao Tone and Chieko Shiomi were also associated with the Fluxus movement.

More information on Takehisa Kosugi > http://en.wikipedia.org/wiki/Takehisa_Kosugi &
http://www.lovely.com/bios/kosugi.html & http://www.artpool.hu/Fluxus/Kosugi.html

Yasunao Tone > http://en.wikipedia.org/wiki/Yasunao_Tone
&
http://www.lovely.com/bios/tone.html & http://www.thewire.co.uk/articles/208/

also > http://www.shukomizuno.net/
and
http://www.fluxus-east.eu/index.php?item=exhib&lang=en&sub=shiomi


GROUP ONGAKU

Track 1 & 2:
performed by
Takehisa Kosugi, Chieko Shiomi,Yumiko Tanno, Yasunao Tone, Shukou Mizuno


Track 3:
Takehisa Kosugi,v,sax,tape
Chieko Shiomi,p
Mikio Tojima,vc
Yasunao Tone,sax,tape
Genichi Tsuge,g
Shukou Mizuno,vc,dr,tape

1. Automatism
2. Object
3. Metaplasm 9 - 15

Recorded :
Track 1 & 2 on May 8, 1960 at Mituno's House.
Track 3 on September 15, 1961 at Sogetsu Kaikan Hall, Tokyo

O.M.C.I. - Contro [1975 - L'Orchestra OLP 10004 (LP)]

O.M.C.I. is the acronym for "Organico di Musica Creativa e Improvvisata"
one of the seminal groups for the Italian creative-music in the seventies.
"Contro" is the first album to which will follow "Free Rococò" (OLP 10011-1977) and "Happy Days" (OLP 10018-1979) : all unfortunately OOP!
About R.Geremia : Born in Venice in 1930, he graduated in violin at the
Santa Cecilia Music Conservatory in Rome. He immediately chose to
set out on an adventurous career that led him to play in night club
orchestras and jazz bands,with Stephane Grappelli and Armando
Trovajoli, as well as in recording studios and in concert halls.
In 1951 Bruno Maderna heard his playing and invited him to record
as a soloist on tenor and alto sax and violin for a movie soundtrack.
He had retired from extensive concert activity and was living a quiet
life just performing locally when Guido Mazzon and Tony Rusconi
insisted on him participating in the improvising group O.M.C.I. .
His talent as a poly-instrumentalist and improviser is extraordinary
as will be apparent in his appearances with the Italian Instabile
Orchestra (till 2003) and as a violinist in the Italian String Trio.
He has recorded with The Unrepentant Ones, the ICP Orchestra
and Misha Mengelberg, and with O.M.C.I.. Among his records
currently available are the outstanding Italian String Trio CD
"From Groningen To Mulhouse" (SPLASC(H) Records 416.2-1994)
with Paolo Damiani and Bruno Tommaso, and "Blue Memories"
(Splasc(h) Records 449.2-1995) a trio with Mario Schiano and
Joelle Leandre.


Rec. at "Studio Ariston", San Giuliano Milanese (MI), Italy,
on September 9, 1975

Renato Geremia,tenor & soprano sax,flute,violin,piano
Mauro Periotto,bass
Tony Rusconi,drums

A1 Contro (05:33)
A2 Ballad For Teresa (07:27)
A3 Ex S.Chiara (07:07)
B1 Itinerari (20:01)

Total Time 40:10

All compositions by R.Geremia

17 November 2010

KANG TAE HWAN "ASIAN SPIRITS"



Another gem from Kang Tae Hwan. Here he collaborates with two master musicians from Japan.

This recording was initiated by Teruto Soejima. He's together with Aquirax Aida (1946 - 1978) the most prolific critic and organiser/promoter of the japanese Free Jazz scene.
He also wrote the seminal book about japanese Free Jazz - Nihon Free Jazz-shi [The History of Japanese Free Jazz] - sadly only in japanese language. He has organized such events as the 14-day Free Jazz festival "Inspiration and Power" (in 1974 and 1976) etc.



KANG TAE HWAN "ASIAN SPIRITS"

Kang Tae Hwan,as
Masahiko Satoh,p (tr.2 & 3)
Masahiko Togashi,perc (tr.3)


1. Improvisation 1 (solo) 16:21
2. Improvisation 2 (duo) 15:45
3. Improvisation 3 (trio) 23:23

Recorded : Live on October 10th, 1995 at Pit Inn, Shinjuku, Japan

Artist Co-ordinator : Teruto Soejima

AD.forte CD-9602 (unfortunately deleted - buy other CDs from Kang Tae Hwan!!)

Korean Traditional music Casette-Asia Record co-ALC-1026





Here's some more Traditional Korean Music as an accompaniement to Onx's great Sinawi lp upload.

A- Mystery Casette of Korean traditional music , bought in a grocery shop that made damned fine Kimchi , sadly he place is long gone.

Asia record co-ALC 1026
this is a beauty , even if it requires some tolerance of saturated recording levels in spots .... the first Track sounds like 80's hardcore band Steel Pole Bathtub , at double speed through a lead pipe!!!
(its a processional percussion ensemble piece)

After that the rest is recorded at high but clear levels.... the whole tape has a beautiful grainy quality i like a lot.
Side a .. features Flute , and Piri solos, and court music for ensemble
Side b, features , mostly Kayagum with a bit of percussion.

perhaps some korean speaker/reader can help clarify what's actually present ..

enjoy!!!

16 November 2010

Musiques du Viet-Nam- Disques Bam lp rip (ld 434)Flac



















A georgeous , lp of Vietnamese music on the Defunkt, Parisian Disques Bam ,label

Side one seems to be songs and pieces in the classical "high" or court tradition

performed by the director of Oriental music studies at the centre de la musique orientale in Paris Tran Van khe , and a few otherS , His students perhaps.

side 2 is the real meat ... Raw field recordings made in Hill tribe villages in 1955 , the year after the French got their asses kicked.
those recordings on side 2 feature some quite extreme fades , some tracks fade out after 30seconds .
side b is also quite over recorded , mouth organ and dan tranh garage style!

i havent seperated out the tracks at all .... downsampled from 24-bit 48hz to 16 bit 41 hz..
no editing other than very slight eq , no compression or de crackle



its a short one clocking in at just 28 minutes...

New Link, 10-7-013, see comments

Ninh Le Quan,Michel Doneda & Daunik Lazro-Concert Public, Van D'oeuvre LP 8903, 1988
























Here's an exuberant early Session by three Artists who have become stalwarts of the European Free scene.
Michel Doneda is by now almost a household name as a free improvisor considered by some one of the greatest living saxophonists.
Lazro and Ninh le Quan , seem almost unjustly neglected by comparison.
Le Quan in particular is one of the most inventive percussionists in the music.. his playing on this album seemingly rooted in the traditions of East Asia...
the whole alternates between folk tinged free jazz , with a few more severly austere processional sounding improvs,consisting of interlocking textures born of extreme Timbral contrasts.

My favourites though are probably the 2 very free treatments of traditional tunes .. Thillana by Carnatic & Hindustani musician, T.V. Gopalkrishnan, and the joyous Macedonian folk tune Prespansko,the sort of thing played by street brass bands accompanied by huge Tapan drums, after the consumption of the 80 proof ,plum Brandy known as Slivovitz.

Concert Public- Van D'oevre lp8903,1988
This was reissued on CD in 1990 on In Situ, (In Situ 37) but is no longer available.



Michel Doneda (soprano saxophone), Daunik Lazro (alto saxophone), Lê Quan Ninh (percussion)

Thillana (1:10), Paradi, parada, jelenia polska (4:50), Le chien à trois têtes (5:27), Eos III (14:50), Lune de quatre heures (7:40), Prespansko (4:22), Le souverain jaune (9:26), Hydrelerne (6:45)

Recorded on January 26, 1988 at Vandoeuvre-les-Nancy


Lp ripped at 48Hz-24bit then downsampled To 44hz-16 bit, and converted to Flac


http://www.lequanninh.net/?v=bio&lang=en

http://puffskydd.free.fr/neda/

15 November 2010

Andrea Centazzo/Alvin Curran/Evan Parker - Live in Florence '78

An adventurous trio...

Rec. live at "Teatro Tenda", Florence, Italy, on July 8, 1978
(mics recording)

Andrea Centazzo,percussion
Alvin Curran,piano,synth
Evan Parker,tenor & soprano sax

1. Improvisation (44:34)

Harry Beckett on BBC Jazz Club



Here's the final batch of this Harry Beckett mini series. These are three different sessions done for the BBC's Jazz Club, the oldest from 1975 and the newest from 1982.

The first session was with Joy Unlimited and featuring a line-up which nearly matches that of the 1975 album we posted here earlier.

(1) Harry Beckett's Joy Unlimited

BBC Jazz Club session

Broadcast 27 July 1975

Harry Beckett (tp, flgl horn)
Brian Miller (el p)
Ray Russell (g)
Steve Cook (bg)
John Webb (dr)
Robin Jones (perc)

1. Green Stripes on Red 07:08
2. announcer 00:42
3. Not for Tomorrow, for to Now 10:07
4. announcer 00:30
5. Rings within Rings 7:59

The only difference is that Steve Cook is on bass guitar for this session, while Daryl Runswick takes care of bass duties on the "Memories" lp. Another nice difference is that none of the three selections here is on the actual lp, giving us three bonus pieces, which can't be bad, eh? The music is delightful, as expected, in the fusionist latinist mode of the two Joy Unlimited albums posted here before. Ample room for Beckett and Russell soloing on these pieces.

The next session is from sometime in 1981/82 with a fully different lineup:

(2) Harry Beckett Quintet

BBC Jazz Club session

1981 / 1982(?)

Harry Beckett (tp, flgl horn)
Elton Dean (as, saxello)
Martin Blackwell (p, el p)
Paul Rogers (b)
Tony Marsh (d)

1. Images of Clarity 07:53
2. announcer 00:52
3. Pictures of You 08:25
4. announcer 00:20
5. Time of Day 07:51

No clear indications of the date, though there is a brief mention of "last time" in the presentation which might be taken to mean that the quintet has guested on Jazz Club before. Highlights here; some very vital bass work from up-and-coming bass maestro Paul Rogers; a ballad solo from Elton Dean on the saxello (not quite what one might expect from that quarter).

(3) Harry Beckett Quintet

BBC Jazz Club session

Broadcast 14 Feb 1982

Harry Beckett (tp, flgl horn)
Elton Dean (saxello, as)
Michael Garrick (el p, p)
Paul Rogers (b)
Tony Marsh (d)

1. Symbols 09:12
2. announcer 00:58
3. Chandeliers and Mirrors 13:18
4. announcer 00:35
5. Chase me no more 07:15

Almost the same lineup here, except Michael Garrick has stepped in for Mr. Blackwell, not a bad substitute by any stretch. Highlights here; a Dean right-in-your-face outburst right at the beginning which sounds more like the venerable Peter Brötzmann than Mr. Dean himself; dramatic piano on the middle, slow, tune from Garrick (the second piece is always a slow one on these three sessions).

Astounding good sound quality on these sessions; only a little FM static in the background. I've no idea whether these sessions have been preserved in the BBC archives or whether the tapes have been wiped or deleted or whatever has happened. In any case, kudos to the preservationist ethos of whoever recorded this and whoever made it more widely available through the Dime network. I'm merely passing it on to the open domain, which is where it should be.

All three sessions hosted by legendary BBC jazz presenter Peter Clayton who, alas, is no longer with us.

13 November 2010

MASAHIKO TOGASHI "GUILD FOR HUMAN MUSIC" & "ESSENCE"



Two recordings from Masahiko Togashi's "Guild for Human Music".



MASAHIKO TOGASHI "GUILD FOR HUMAN MUSIC"


Shigeo Suzuki,woodwinds
Hideo Miyata,woodwinds
Masami Nakagawa,woodwinds
Masahiko Sato,keyboard[1]
Keiki Midorikawa,vc,b[2]
Yoshio Ikeda,b
Yoshisaburo Toyozumi,perc
Tatsuji Yokoyama,perc
Masahiko Togashi,dr,perc

1. First expression (TOGASHI) [2] 07:59
2. Second expression (TOGASHI) [2] 04:20
3. Third expression (TOGASHI) [2] 08:10
4. Fourth expression (TOGASHI) [1] 06:38
5. Fifth expression (TOGASHI) [2] 02:44
6. Sixth expression (TOGASHI) [1] 10:21

May, 23-24, 26-27, 1976 : Nippon Columbia 1st Studio, Tokyo

Denon Jazz/Nippon Columbia YX-7504-ND







MASAHIKO TOGASHI's Guild for Human Music "ESSENCE"


Masami Nakagawa,Shigeo Suzuki,fl / Masahiko Sato,p
Yoshisaburo Toyozumi,marimba / Tatsuji Yokoyama,perc
Masahiko Togashi,dr,perc
1. Turning point 09:29

Masahiko Sato,p / Yoshisaburo Toyozumi,Tatsuji Yokoyama,perc
Masahiko Togashi,dr,perc
2. Miror 03:46

Masami Nakagawa,Shigeo Suzuki,ss / Keiki Midorikawa,vc
Masahiko Togashi,dr,perc
3. Anecdote 05:57

Masami Nakagawa,fl / Masahiko Togashi,dr,perc
4. Essence 06:11

Masahiko Sato, Yoshisaburo Toyozumi, Tatsuji Yokoyama,perc
Mieko Togashi,wine-glass / Masahiko Togashi,dr,perc
5. Direction of the wind 03:57

Masami Nakagawa,as / Masahiko Sato,p
Yoshisaburo Toyozumi,Tatsuji Yokoyama,perc
Masahiko Togashi,dr,perc
6. Bonfire 05:49


All music by M.Togashi
November 3-6, 1976 : Nippon Columbia 1st Studio, Tokyo

Denon Jazz/Nippon Columbia YX-7513-ND