DELETED! see comments...
Here's one for Sunday. The Yosuke Yamashita Trio with Akira Sakata. See also Riccardo's post from 6th November for another fine recording with Akira Sakata!
YOSUKE YAMASHITA TRIO "GHOSTS by Albert Ayler"
Yosuke Yamashita,p
Akira Sakata,as
Shoichi Koyama,dr
1. Chiasma (Yosuke Yamashita) 16:30
2. Ghosts (Albert Ayler) 35:30
Recorded : May 23, 1977 at "Jazz in der Kammer", Deutsches Theater, Berlin, Germany.
I hope this is still inedited for the Blogland.
Rec. live at "100 Club", London, England, on March 5, 1979
(mics recording)
Elton Dean,alto sax,saxello
Alan Skidmore,tenor & soprano sax
Mark Charig,trumpet,tenor horn
Harry Beckett,trumpet,flugelhorn
Radu Malfatti,trombone
Nick Evans,trombone
Keith Tippett,piano
Harry Miller,bass
Louis Moholo,drums
+
Jim Dvorak,trumpet (2nd set only)
1st set :
1. Oasis_139 (35:22)
2. Sweet F.A._Seven For Lee (32:04)
2nd set :
1. Nicrotto_Mark's_First Born_Bounce (58:09)
Total Time 2:05:36
This post is an addendum to the german thread.
Humorous - Gentle - Assertive - Realistic - Dadaistic - Social - Individual - Accurate - Fuzzy ....
BERGISCH-BRANDENBURGISCHES QUARTETT
Ernst-Ludwig Petrowsky, as(1,2,6), bs(3), cl(4,5,6,7), harmonica(2), ratchet(1)
Rüdiger Carl, ts(1,2,3,6), accordion(2,4,5), cl(7), voc(5)
Hans Reichel, g, v(1), cigarbox(1), radio(5)
Sven-Åke Johansson, dr, perc, voc(2,4,5,7), telephone books(5), etc
A1. Ohne Telefonbücher 04:18
A2. Empfindungen und Nachempfindungen 03:49
A3. Eskapaden 09:30
A4. Die Kuh mit den zehn Litern 04:52
B1. Kalldautzki 06:41
B2. Neapolitanische Schwermut 09:28
B3. Blues Skies In The Background 01:49
Recorded on March 1, 1982 at Haus der Jungen Talente, Berlin.
AMIGA 8 56 031
(lp-rip)
Here's something which is more related to experimental or contemporary classics than to Free Jazz/Improvisation. But it is improvised as well...
Takehisa Kosugi was later co-founding the "Taj Mahal Travellers" and since 1978 he served as the musical director of the Merce Cunningham Dance Company..
He, Yasunao Tone and Chieko Shiomi were also associated with the Fluxus movement.
More information on Takehisa Kosugi > http://en.wikipedia.org/wiki/Takehisa_Kosugi &
http://www.lovely.com/bios/kosugi.html & http://www.artpool.hu/Fluxus/Kosugi.html
Yasunao Tone > http://en.wikipedia.org/wiki/Yasunao_Tone
&
http://www.lovely.com/bios/tone.html & http://www.thewire.co.uk/articles/208/
also > http://www.shukomizuno.net/
and
http://www.fluxus-east.eu/index.php?item=exhib&lang=en&sub=shiomi
GROUP ONGAKU
Track 1 & 2:
performed by
Takehisa Kosugi, Chieko Shiomi,Yumiko Tanno, Yasunao Tone, Shukou Mizuno
Track 3:
Takehisa Kosugi,v,sax,tape
Chieko Shiomi,p
Mikio Tojima,vc
Yasunao Tone,sax,tape
Genichi Tsuge,g
Shukou Mizuno,vc,dr,tape
1. Automatism
2. Object
3. Metaplasm 9 - 15
Recorded :
Track 1 & 2 on May 8, 1960 at Mituno's House.
Track 3 on September 15, 1961 at Sogetsu Kaikan Hall, Tokyo
O.M.C.I. is the acronym for "Organico di Musica Creativa e Improvvisata"
one of the seminal groups for the Italian creative-music in the seventies.
"Contro" is the first album to which will follow "Free Rococò" (OLP 10011-1977) and "Happy Days" (OLP 10018-1979) : all unfortunately OOP!
About R.Geremia : Born in Venice in 1930, he graduated in violin at the
Santa Cecilia Music Conservatory in Rome. He immediately chose to
set out on an adventurous career that led him to play in night club
orchestras and jazz bands,with Stephane Grappelli and Armando
Trovajoli, as well as in recording studios and in concert halls.
In 1951 Bruno Maderna heard his playing and invited him to record
as a soloist on tenor and alto sax and violin for a movie soundtrack.
He had retired from extensive concert activity and was living a quiet
life just performing locally when Guido Mazzon and Tony Rusconi
insisted on him participating in the improvising group O.M.C.I. .
His talent as a poly-instrumentalist and improviser is extraordinary
as will be apparent in his appearances with the Italian Instabile
Orchestra (till 2003) and as a violinist in the Italian String Trio.
He has recorded with The Unrepentant Ones, the ICP Orchestra
and Misha Mengelberg, and with O.M.C.I.. Among his records
currently available are the outstanding Italian String Trio CD
"From Groningen To Mulhouse" (SPLASC(H) Records 416.2-1994)
with Paolo Damiani and Bruno Tommaso, and "Blue Memories"
(Splasc(h) Records 449.2-1995) a trio with Mario Schiano and
Joelle Leandre.
Rec. at "Studio Ariston", San Giuliano Milanese (MI), Italy,
on September 9, 1975
Renato Geremia,tenor & soprano sax,flute,violin,piano
Mauro Periotto,bass
Tony Rusconi,drums
A1 Contro (05:33)
A2 Ballad For Teresa (07:27)
A3 Ex S.Chiara (07:07)
B1 Itinerari (20:01)
Total Time 40:10
All compositions by R.Geremia
Here's some more Traditional Korean Music as an accompaniement to Onx's great Sinawi lp upload.
A- Mystery Casette of Korean traditional music , bought in a grocery shop that made damned fine Kimchi , sadly he place is long gone.
Asia record co-ALC 1026
this is a beauty , even if it requires some tolerance of saturated recording levels in spots .... the first Track sounds like 80's hardcore band Steel Pole Bathtub , at double speed through a lead pipe!!!
(its a processional percussion ensemble piece)
After that the rest is recorded at high but clear levels.... the whole tape has a beautiful grainy quality i like a lot.
Side a .. features Flute , and Piri solos, and court music for ensemble
Side b, features , mostly Kayagum with a bit of percussion.
perhaps some korean speaker/reader can help clarify what's actually present ..
enjoy!!!
Here's an exuberant early Session by three Artists who have become stalwarts of the European Free scene.
Michel Doneda is by now almost a household name as a free improvisor considered by some one of the greatest living saxophonists.
Lazro and Ninh le Quan , seem almost unjustly neglected by comparison.
Le Quan in particular is one of the most inventive percussionists in the music.. his playing on this album seemingly rooted in the traditions of East Asia...
the whole alternates between folk tinged free jazz , with a few more severly austere processional sounding improvs,consisting of interlocking textures born of extreme Timbral contrasts.
My favourites though are probably the 2 very free treatments of traditional tunes .. Thillana by Carnatic & Hindustani musician, T.V. Gopalkrishnan, and the joyous Macedonian folk tune Prespansko,the sort of thing played by street brass bands accompanied by huge Tapan drums, after the consumption of the 80 proof ,plum Brandy known as Slivovitz.
Concert Public- Van D'oevre lp8903,1988
This was reissued on CD in 1990 on In Situ, (In Situ 37) but is no longer available.
Michel Doneda (soprano saxophone), Daunik Lazro (alto saxophone), Lê Quan Ninh (percussion)
Thillana (1:10), Paradi, parada, jelenia polska (4:50), Le chien à trois têtes (5:27), Eos III (14:50), Lune de quatre heures (7:40), Prespansko (4:22), Le souverain jaune (9:26), Hydrelerne (6:45)
Recorded on January 26, 1988 at Vandoeuvre-les-Nancy
Lp ripped at 48Hz-24bit then downsampled To 44hz-16 bit, and converted to Flac
http://www.lequanninh.net/?v=bio&lang=en
http://puffskydd.free.fr/neda/
An adventurous trio...
Rec. live at "Teatro Tenda", Florence, Italy, on July 8, 1978
(mics recording)
Andrea Centazzo,percussion
Alvin Curran,piano,synth
Evan Parker,tenor & soprano sax
1. Improvisation (44:34)
Here's the final batch of this Harry Beckett mini series. These are three different sessions done for the BBC's Jazz Club, the oldest from 1975 and the newest from 1982.
The first session was with Joy Unlimited and featuring a line-up which nearly matches that of the 1975 album we posted here earlier.
(1) Harry Beckett's Joy Unlimited
BBC Jazz Club session
Broadcast 27 July 1975
Harry Beckett (tp, flgl horn)
Brian Miller (el p)
Ray Russell (g)
Steve Cook (bg)
John Webb (dr)
Robin Jones (perc)
1. Green Stripes on Red 07:08
2. announcer 00:42
3. Not for Tomorrow, for to Now 10:07
4. announcer 00:30
5. Rings within Rings 7:59
The only difference is that Steve Cook is on bass guitar for this session, while Daryl Runswick takes care of bass duties on the "Memories" lp. Another nice difference is that none of the three selections here is on the actual lp, giving us three bonus pieces, which can't be bad, eh? The music is delightful, as expected, in the fusionist latinist mode of the two Joy Unlimited albums posted here before. Ample room for Beckett and Russell soloing on these pieces.
The next session is from sometime in 1981/82 with a fully different lineup:
(2) Harry Beckett Quintet
BBC Jazz Club session
1981 / 1982(?)
Harry Beckett (tp, flgl horn)
Elton Dean (as, saxello)
Martin Blackwell (p, el p)
Paul Rogers (b)
Tony Marsh (d)
1. Images of Clarity 07:53
2. announcer 00:52
3. Pictures of You 08:25
4. announcer 00:20
5. Time of Day 07:51
No clear indications of the date, though there is a brief mention of "last time" in the presentation which might be taken to mean that the quintet has guested on Jazz Club before. Highlights here; some very vital bass work from up-and-coming bass maestro Paul Rogers; a ballad solo from Elton Dean on the saxello (not quite what one might expect from that quarter).
(3) Harry Beckett Quintet
BBC Jazz Club session
Broadcast 14 Feb 1982
Harry Beckett (tp, flgl horn)
Elton Dean (saxello, as)
Michael Garrick (el p, p)
Paul Rogers (b)
Tony Marsh (d)
1. Symbols 09:12
2. announcer 00:58
3. Chandeliers and Mirrors 13:18
4. announcer 00:35
5. Chase me no more 07:15
Almost the same lineup here, except Michael Garrick has stepped in for Mr. Blackwell, not a bad substitute by any stretch. Highlights here; a Dean right-in-your-face outburst right at the beginning which sounds more like the venerable Peter Brötzmann than Mr. Dean himself; dramatic piano on the middle, slow, tune from Garrick (the second piece is always a slow one on these three sessions).
Astounding good sound quality on these sessions; only a little FM static in the background. I've no idea whether these sessions have been preserved in the BBC archives or whether the tapes have been wiped or deleted or whatever has happened. In any case, kudos to the preservationist ethos of whoever recorded this and whoever made it more widely available through the Dime network. I'm merely passing it on to the open domain, which is where it should be.
All three sessions hosted by legendary BBC jazz presenter Peter Clayton who, alas, is no longer with us.
Two recordings from Masahiko Togashi's "Guild for Human Music".
MASAHIKO TOGASHI "GUILD FOR HUMAN MUSIC"
Shigeo Suzuki,woodwinds
Hideo Miyata,woodwinds
Masami Nakagawa,woodwinds
Masahiko Sato,keyboard[1]
Keiki Midorikawa,vc,b[2]
Yoshio Ikeda,b
Yoshisaburo Toyozumi,perc
Tatsuji Yokoyama,perc
Masahiko Togashi,dr,perc
1. First expression (TOGASHI) [2] 07:59
2. Second expression (TOGASHI) [2] 04:20
3. Third expression (TOGASHI) [2] 08:10
4. Fourth expression (TOGASHI) [1] 06:38
5. Fifth expression (TOGASHI) [2] 02:44
6. Sixth expression (TOGASHI) [1] 10:21
May, 23-24, 26-27, 1976 : Nippon Columbia 1st Studio, Tokyo
Denon Jazz/Nippon Columbia YX-7504-ND
MASAHIKO TOGASHI's Guild for Human Music "ESSENCE"
Masami Nakagawa,Shigeo Suzuki,fl / Masahiko Sato,p
Yoshisaburo Toyozumi,marimba / Tatsuji Yokoyama,perc
Masahiko Togashi,dr,perc
1. Turning point 09:29
Masahiko Sato,p / Yoshisaburo Toyozumi,Tatsuji Yokoyama,perc
Masahiko Togashi,dr,perc
2. Miror 03:46
Masami Nakagawa,Shigeo Suzuki,ss / Keiki Midorikawa,vc
Masahiko Togashi,dr,perc
3. Anecdote 05:57
Masami Nakagawa,fl / Masahiko Togashi,dr,perc
4. Essence 06:11
Masahiko Sato, Yoshisaburo Toyozumi, Tatsuji Yokoyama,perc
Mieko Togashi,wine-glass / Masahiko Togashi,dr,perc
5. Direction of the wind 03:57
Masami Nakagawa,as / Masahiko Sato,p
Yoshisaburo Toyozumi,Tatsuji Yokoyama,perc
Masahiko Togashi,dr,perc
6. Bonfire 05:49
All music by M.Togashi
November 3-6, 1976 : Nippon Columbia 1st Studio, Tokyo
Denon Jazz/Nippon Columbia YX-7513-ND
Recorded in a deconsecrated church (Santa Maria Gualtieri)
without amplification.
Rec. live at "Santa Maria Gualtieri", Pavia, Italy,
on March 14, 2010 (mics recording)
Han Bennink,drums
Daniele D'Agaro,tenor sax,clarinet
1. Duo #1 (13:01)
2. Duo #2 (07:45)
3. Duo #3 (13:44)
4. Duo #4 (14:14)
5. Duo #5 (05:20)
6. Duo #6 (08:08)
7. Duo #7 (04:48)
Total Time 1:07:03
Here's more from Masahiko Togashi. Three duos and a solo piece. My favourite track is "Fairy Tale" a duo with Masahiko Sato.
MASAHIKO TOGASHI "SONG FOR MYSELF"
Masahiko Togashi,dr,perc
Sadao Watanabe,fl (tr.1)
Masahiko Satoh,p (tr.2)
Masabumi Kikuchi,p (tr.4)
1. Haze 09:53
2. Fairy Tale 10:51
3. Song For Myself 08:09
4. Song For My Friends 11:38
Recorded at Victor Studios, Tokyo
October 10, 1974 (tr.1)
September 23, 1974 (tr.2)
September 30, 1974 (tr.3)
July 25, 1974 (tr.4)
EAST WIND / Nippon Phonogram EW-8006
According to the official program of the festival, the rhythmic-section
had to be M.Waldron/C.Brown/C.Persip...
but even with more modest partners Shepp played wonderfully.
Rec. live at "Belvedere S.Croce", Alassio, Italy,
on September 2, 1977 (mics recording)
Archie Shepp,tenor & soprano saxophone
Siegfried Kessler,piano
Saheb Sarbib,bass
Noel McGee,drums
1. Things Have Got To Change [C.Massey] (28:25)
2. Straight Street [J.Coltrane] (18:11)
3. Sophisticated Lady [D.Ellington] (09:51)
4. Sonny's Back [G.Moncur III] (07:47)
5. New Africa [G.Moncur III] (25:01)
6. In A Sentimental Mood [D.Ellington] (05:45)
7. U-Jaama [A.Shepp]/Body And Soul [E.Heyman]/
52nd Street Theme [T.Monk] (29:38)
Total Time 2:04:41
"The world is a great place to live in if you can throw off the blues every so often. It is with this thought in mind that we have set out to create joyful music using styles of jazz rock and Latin American rhytms and voicings to help us achieve our aim. We have enjoyed creating this music. We hope it has the desired effect and that you, the listener, are that bit happier for hearing it." So said Harry Beckett in the sleeve notes to "Memories of Bacares".
"A generous and open-hearted man and one of the most popular characters on the British jazz scene, you get the impression that if it hadn't occured to Harry Beckett to call his band "Joy Unlimited", his fans would have come up with the idea anyway. It has the atmosphere of a steel band, or a calypso group or something that happened along at a Mexican wedding; an infectious chuckle, like the sound of Harry's trumpet". Those are the words of UK jazz critic John Fordham in the liner notes to "Got It Made."
The above quotations might have given you an idea about what these two albums are about: Groovable, memorable tunes with a fat layer of jazz expertise on top to give you that uplifting vibe. For this project, Beckett recruited a solid bunch of fellows; Ray Russell, Roy Babbington, Alan Jackson and others with one foot in jazz and beyond and the other in rock and musicals. The result is accessible, but never facile, slick or cliched. "Memories" is live, "Got it made" is studio, so the live one gives the crew a chance to go a little further while the studio one is sharp, tightly arranged and executed, yet never sterile. These are not your typical Ogun releases, to the extent that term applies at all to that exquisite record label. The non-applicability of the word "typical" is a definite plus in my book.
Basic facts:
Harry Beckett's Joy Unlimited - Memories of Bacares
Ogun OG 800
Side One
The Dew At Dawn
Dreams Come And Go
Side Two
Crystals
Can't Think About Now
Harry Beckett - Trumpet, Flugelhorn
Ray Russell - Guitar
Brian Miller - Electric Piano
Daryl Runswick - Bass Guitar
Robin Jones - Percussion
John Webb - Drums
Recorded at a Hackney Jazz date at the Sussex, Culford Road, London, N.1 on 25 November 1975 by Keith Beal
All music composed by Harry Beckett
Harry Beckett's Joy Unlimited - Got It Made
Ogun OG 020
Side one
Got It Made
Moon Dancer
Time Again
Side Two
Jungle wild
Spiral Image
Getting It Right
Harry Beckett - trumpet, flugelhorn
Ray Russell - guitar
Pete Lemer - Keyboards
Roy Babbington - bass, bass guitar
Martyn David - percussion
Alan Jackson - drums
Recorded 13 July 1977
All music composed by Harry Beckett
To be enjoyed standing up or leaping about in an approximately rhythmic manner.
Before posting more japanese OOP - here are two recordings from (South) Korea.
The first is from Kang Tae Hwan - saxophonist extraordinaire! - with the first recording of Free Jazz (Music) from this divided country. Both LP and CD are sadly deleted.
In an article some months ago in the magazine "The Wire" the german saxophonist Alfred Harth said that Kang Tae Hwan, Choi Sun Bae and Kim Dae Hwan (rip!) are content with playing their music without thinking about posteriority. Therefore one can only find few recordings with these astounding musicians.
Midori Takada is a musician which plays prominently in "Contemporary Classic" context.
And Evan Parker I do not need to introduce. In fact I became aware of Kang Tae Hean through an interview with Evan Parker, where he mentioned him.
Some CDs can be obtained here: http://www.afterhours.co.kr/product/korea_list.asp?
The second is "Sinawi Music from Korea" and goes back several hundreds years at least.
This music from the south of Korea comes from its shamanistic tradition and it sounds sometimes like a wondrous kind of Free Music. It was used (maybe still is) during healing ceremonies. This is an "art" version but nonetheless more than captivating.
KANG TAE HWAN "KOREAN FREE MUSIC"
Kang Tae Hwan,as
Kim Dae Hwan,perc (only tr.1)
Choi Sun Bae,tp (only tr.1)
Midori Takada,perc (only tr.2)
Evan Parker,ss (only tr.3)
1. Seoul Free Music Trio 11:24
2. Duo I 13:28
3. Duo II 15:09
4. Solo 07:23
Track 1 & 4 recorded on June 23, 1988 at Tokyo FM Hall, Tokyo
Track 2 recorded on July 3, 1988 at Suntory Hall, Tokyo
Track 3 recorded on September 14, 1988 at Yeh Eum Hall, Seoul
YEH EUM Records YPDL 8004 (released: South Korea, 30 Nov. 1989)
and
SINAWI MUSIC of KOREA
1. Sinawi Ensemble (13:43)
2. Heagum-sanjo (11:40)
3. Piri-sinawi (08:01)
4. Poong-mool nori & taepyongso sinawi (14:40)
Kim Kwangbok,piri (tr.1) & taepyongso (tr.4)
Choe Sanghwa,taegum (tr.1)
Choe Taehyon,heagum (tr.1,2)
Kim Mugil,ajaeng (tr.1)
Kang Jongsuk,kayagum,kuum (tr.1)
Im Sukcha,komungo (tr.1)
Chang Dokhwa,changgo (tr.1 - 4)
No Jongak,ching (tr.1,3,4)
Pak Pomhun,piri (tr.3) & puk (tr.4)
Nam Kiun,kwaenggwari (tr.4)
Recorded: 12 March 1984, KING RECORD #2 STUDIO, Tokyo
King Records KICC 5163
Maybe someone knows more about Kang Tae Hwan or Sinawi Music and is willing to share his knowledge?!
Enjoy.
A short addition at the recent wave of Japanese free-jazz.
Rec. live at "The 10th Moers Festival", Moers, Germany,
on June 6, 1981 (mics recording)
Akira Sakata,alto sax,clarinet,vocal
Hiroshi Yoshino,bass
Nobuo Fujii,drums
1. Track #1 (17:49)
2. Track #2 (13:42)
Total Time 31:32
Probably this recording has been already blogged and/or seeded, but
perhaps, for someone could still be an addition at the ICP Orchestra
knowledge.
Rec. live at "Piazze del Nuraghe", Sant'Anna Arresi, Italy,
on September 5, 2004 (radio broadcast)
Thomas Heberer,trumpet
Wolter Wierbos,trombone
Ab Baars/Michael Moore/Tobias Delius,reeds
Misha Mengelberg,piano
Mary Oliver,violin and viola
Tristan Honsinger,cello
Ernst Glerum,bass
Han Bennink,drums
1. Track #1 (08:47)
2. Track #2 (19:41)
3. Track #3 (04:21)
4. Track #4 (22:15)
5. Track #5 (07:46)
Total Time 1:02:52
Here is a radio broadcast of the Penguin Cafe Orchestra from Adelaide in Australia in 1992. The Orchestra dates back to the 1970s and made their record debut for Brian Eno's Obscure label. It's an orchestra incredibly hard to classify in any coherent way, so instead of trying in vain, maybe just a few quotes from Simon Jeffes will do, taken from the official PCO web site:
The music can be broadly regarded as " a very big yes to the survival of the heart in a time when the heart is under attack from the forces of coldness, darkness and repression." More precisely, as "imaginary folklore" and "modern semi-acoustic chamber music."
"What sort of music is it? Ideally I suppose it's the sort of music you want to hear, music that will lift your spirit. It's the sort of music played by imagined wild, free, mountain people creating sounds of a subtle dreamlike quality. It is cafe music, but café in the sense of a place where people's spirits communicate and mingle, a place where music is played that often touches the heart of the listener."
Jeffes himself died in 1997, but the PCO lives on and gives concerts up to the present date. On this particular concert, they were joined by Annie Whitehead, whom we have posted before as a member of the Brotherhood of Breath, strongly involved in the preparation for the Banlieues Bleues concert with Archie Shepp. Here she adds a touch of brass to the proceedings and I believe she may still be with the Orchestra.
PENGUIN CAFE ORCHESTRA
Date: March 1992
City: Adelaide, Australia
Venue: Adelaide Town Hall
Simon Jeffes - conductor, piano
Helen Liebmann - cello
Peter McGowan - violin
Barbara Bolte - ukulele
Julio Segovia - percussion
Geoffrey Richardson - bass
Steven Fletcher - keyboards
Annie Whitehead - trombone
Tracks:
01 Numbers 1-4
02 Perpetuum Mobile
03 Telephone And Rubber Band
04 Bean Fields
05 White Mischief
06 Surface Tension > Oscar Tango > Music For A Found Harmonium
07 Isle Of View (Music For Helicopter Pilots)
08 Pythagoras’s Trousers
09 Scherzo and Trio
10 (orchestra introduction by Simon Jeffes)
11 Salty Bean Fumble
12 Giles Farnaby’s Dream
Joyful music with a meditative core, so enjoy in repose!
These two marvelous recordings are coming to you in one post. The reason is more trivial - I do not own this LPs - and it seems to be impossible to find the cover-art or even more than a few photographs from Togashi himself in the net.
(Finally I've found also the second cover - in February 2015)
The music itself is percussion heavy with gorgeous results. Hope it will enchant you as it does to me!
MASAHIKO TOGASHI "STORY OF WIND BEHIND LEFT"
Masahiko Togashi, percussion
Mototeru Takagi, soprano saxophone, percussion
Yoshisaburo Toyozumi, percussion
Yoshio Ikeda, bass, percussion
Keiki Midorikawa, bass, cello
1. Premonition Of Wind's Coming 04:21
2. Reunion 12:17
3. And then 02:11
4. Life Story Of Wind 09:27
5. Those Passing Things 07:13
6. Things That Will Come Again 05:04
Nippon Columbia 1st Studio, Tokyo on September 2-3,5,1975
Columbia YQ-7515-N
Note: Unknown recording staff also play bells on tr.6
(vinyl rip)
------------------- --------------------- ----------------- -----------------
Although I already knew some recordings from japanese creative Jazz - this is the music which ingnited my interest seriously.
ITARU OKI "SHIRASAGI"
Itaru Oki,tp,indian-fl,perc
Syohji Ukaji,bs
Takashi Tokuhiro,b
Tatsuya Nakamura,perc
Joe Mizuki,perc (only tr.2)
1. Shirasagi (20:04)
2. You Don't Know What Love Is ~ October Revolution (25:09)
Recorded live at Akasaha Sohgetsu Hall,Tokyo(?), June 7, 1974
No more words - decide for yourself.
Before moving back to the currently ,recently established fascinating threads .
i thought Id introduce another great passion (sneak in) .. one of the Best recordings by the Great Carnatic master of the Vina ,S.Balachander
This is such an extraordinary performance.
Balachander is a master Improviser who in this long raga, pushes the Harmonic boundaries of this genre.
At times the tunings seem deliberately flat ,and ragged ,defying convention and the listeners expectations.
Seat of the pants stuff that will rivet the open minded,from first to last.
Anyone interested in Improvisation , should hear this genuinely challenging gem.
Guaranteed to broaden the horizon of even the most steadfast Jazz-a-centric,Ethno-phobe!
La Vina-De S.Balchander- ESP 165510-LP 1978
RAGA MAYAMALAVGAULA
A-ALAPANA ET THANAM
B-kRITI MERUSAMANA ADITALA
S.Balachander-Vina
Krishnamurthy-Mridangam
Joanne-tanpura
This is long out of print as are most items on the late lamented Other Esp label, a few have been reissued elsewhere.
Heres a link to a great 4 part documentary about Balachander on you-tube
A real pity that this music is often caricatured as the provenance of Hippies , or new age aural wallpaper.
There was a great interest for a previous OAND post, so i've thought
to digitalize even this concert.
Rec. live at "The 9th Moers Festival", Moers, Germany,
on May 23, 1980 (mics recording)
Dewey Redman,tenor saxophone
Don Cherry,pocket trumpet,piano
Charlie Haden,bass
Eddie Blackwell,drums
1. Happy House [O.Coleman] (07:01)
2. Lonely Woman [O.Coleman] (13:26)
3. Rushour [D.Redman] (04:44)
4. Mopti [D.Cherry] (12:04)
5. Togo [E.Blackwell] (05:36)
6. Open Or Close [O.Coleman] (07:13)
7. Song For The Whales [C.Haden] (08:06)
Total Time 58:13
As I'm now running short of german OOP I will continue mostly with japanese recordings.
On this recording still one german musician is participating - Michel Pilz.
Itaru Oki started playing Free-Jazz in the late sixties. In 1969 he joined the experimental unit
"ESSG" of Masahiko Togashi and Masahiko Sato(h).
After he finished his first tour in Europe as member of the group "Kanno" he formed the Itaru Oki trio which later become a quartet.
In 1974 he moved to Paris where he still resides (to my knowledge)
With Noah Howard he gave a concert in Berlin and recorded "Schizophrenic Blues" for FMP in 1977.
He also founded a trio with Buschi Niebergall and Michel Pilz with whom he still plays.
With Michel Pilz he recorded at least three other recordings. "Jamabiko" to be found on the blog of your confidence:
http://inconstantsol.blogspot.com/2008/10/michel-pilz-celeste-1978trion3901-lp.html
and "One Year - Afternoon & Evening" for FMP as well - plus later "Melu-Sina" on Drops Records.
ITARU OKI QUARTET "PARIS - OHRAI"
Itaru Oki, trumpet
Michel Pilz, bassclarinet
Alan Silva, bass
Sunny Murray, drums
1. West I,II 08:15
2. Tilly's Eye 08:36
3. Silken Rain on the Lotus Blossom 12:37
4. Sakura 10:14
5. Un peu de goût d'ail 06:02
6. Soon 11:18
7. Tempête 04:03
8. Météore 06:03
Reccorded at Cave Abdu, Paris, France on 12th May 2001
Here is - at last - Michael Sell. For more information about him see the post with "Free Jazz Group Wiesbaden".
Please note : there is obviously a bug on the cover. Namek Aclan is a tuba player - alas he's not listed on the back-cover. But apparently he does play on the album. See also the comment from October 7, 2015.
(Frank Köllges does play during the whole album and not as I have written in the info file only on one piece - sorry.)
Michael Sell has still some older LPs and CDs - not to mention he more recent output.
You can get them here > http://www.michael-sell.de/cd.html
My favourite LPs are "Jugoslawische Quartette" with Buschi Niebergall and the double LP
"Emanationen" with its extended piece(s).
Enjoy and support the artists as long as they live!
This was a request by Intempestif some months ago.
Sabu Toyozumi should be known enough - playing and recording with Peter Brötzmann frequently. Yoshisaburo (Sabu) Toyozumi was/is a member of the AACM - as far as I know the only foreign member of this splendid organisation.
Here they play music from Roscoe Mitchell and Malachi Favors.
Even if with some delay, this is my tribute to the great M.Brown.
Rec. live in Wiesen, Austria, on July 21, 1979
(mics recording)
Marion Brown,alto sax
1. Angel Eyes/Hurry Sundown (9:49)
2. Angel Eyes Reprise (9:31)
3. Unknown (5:29)
4. La Placita (4:30)
5. Unknown (5:28)
6. Bahamian Street Dance (3:05)
7. Unknown (8:59)
8. Unknown (3:23)
Total Time 50:17
Before I'll go on with some german OOP - here a recording from Hungary.
György Szabados is the "father" of hungarian Freejazz. His duo with Anthony Braxton is his most famous recording. This deleted cd captures him in a kind of "Third Stream" setting.
A fine introduction you'll find here:
http://en.wikipedia.org/wiki/Gy%C3%B6rgy_Szabados
An excellent trio date with Anthony Braxton and Vladimir Tarasov is available from Leo Records:
http://www.leorecords.com/?m=select&id=CD_LR_416
His first recording "The Wedding" (Az esküvő) from 1975 is a masterwork.
The title "Homoki Zene" means "Sand Music" and refers to Puszta (hungarian savannah).
Not really clear to me what this is about - but the music!!!
Link in comment.
Enjoy.
In the music (Jazz) of the DDR there was always a less broken rapport with german Folkmusic than in the west. There are exceptions - Ekkehard Jost comes to my mind.
But especially Ulrich Gumpert was and is the foremost exponent of a creative approach towards a modern kind of "Freefolk" - albeit for a minority.
The subtitle of the lp in my loose translation: "From german countryside - a suite made from german folksongs by Ulrich Gumpert".
ULRICH GUMPERT "RETROSPEKTIVE - 100 x Jazz in der Kammer"
(Aus Teutschen Landen - SUITE aus Motiven deutscher Volkslieder)
von Ulrich Gumpert
Helmut Forsthoff,ts
Manfred Schulze,bs
Uli Gumpert,p
Gerd Lübke,b
Christof Niemann,b
Günter Sommer,dr
Wolfgang Winkler,dr
Jochen Gleichmann,tb
KLaus Richter,tb
Conny Bauer,tb
Sieghardt Schubert,tb
Ernst-Ludwig Petrowky,ss
Manfred Hering,as
1. Es fiel ein Reif in der Frühlingsnacht
2. Tanz mir nicht mit meiner Jungfer Käthen
3. Der Maie, der Maie
4. Es saß ein schneeweiß Vögelein
5. Kommt ihr Gespielen
(Photo is by Detlev Schilke)
Link in comments.
Dance and sing.
.jpg)
