30 March 2011

FRANCES-MARIE UITTI "THE SECOND BOW" (CRAMPS, 1980)





Two more in the Cramps thread...

This LP has never been reissued - not even in Japan, where almost all other Cramps releases saw the light of the day anew in 2007.

In 1995 Frances-Marie Uitti released a CD "2 Bows" (BvHaast) were she continued to examine the possibilities of playing with two bows at the same time. According her website you can get it from www.jdkproductions.com

If you like this LP you should certainly check it out.

More info and other CDs you can find on her own website > http://www.uitti.org/






FRANCES-MARIE UITTI "THE SECOND BOW"


Frances-Marie Uitti, cello, composition


1. Ukksir 06:22
2. Ieuen 04:07
3. Xantrum 08:51
4. Eoghu 07:21
5. Oaxano 12:27


Full titles of pieces are:
A1: "Ukksir per violoncello solo"
A2: "Ieuen per violoncello preparato a sei corde"
A3: "Xantrum per violoncello solo"
B1: "Eoghu per violoncello a sei corde"
B2: "Oaxano per violoncello solo"

Composition dates: A1: 1978 / A2: 1976 / A3: 1977 / B1: 1979 / B2: 1979.


CRAMPS 5207 307 (Released 1980)
at

19 comments:

  1. Ernst Grgo Nebhuth30 March 2011 at 13:03:00 CEST

    This comment has been removed by the author.

    ReplyDelete
  2. øשlqæda30 March 2011 at 14:29:00 CEST

    onx yer drops of late are manna from heaven. this haushold is deeply in yer debt. blessings be upon ya

    ReplyDelete
  3. wightdj31 March 2011 at 00:55:00 CEST

    Wonderful, thanks.

    ReplyDelete
  4. rechab1 April 2011 at 11:25:00 CEST

    thanks a lot, I'd got one from F M Uitti

    ( works for cello solo by Giacinto Scelsi)

    ReplyDelete
  5. roberto t.5 April 2011 at 15:56:00 CEST

    My worn out LP can take a rest, thank you, one of my favourite records!

    ReplyDelete
  6. Love Letters Journal10 April 2011 at 21:48:00 CEST

    You are a granter of wishes, and I send a million thanks to you

    ReplyDelete
  7. Francesco Martinelli29 August 2014 at 01:06:00 CEST

    i cant get to the file...why do not use some other repository without Ilivid?

    ReplyDelete
  8. Paczkipipco11 March 2017 at 12:58:00 CET

    I'd love a re-up of this, if possible! Frances-Marie is a real innovator and a lovely person. I asked her about this record, and she couldn't come up with a copy of it, so I come here!

    ReplyDelete
  9. Ernst Grgo Nebhuth11 March 2017 at 19:31:00 CET

    Hi Thaddeus Milne - sorry but I do not find it at the moment.
    Maybe someone else is able to help....

    ReplyDelete
  10. Andy11 March 2017 at 23:08:00 CET

    New Link
    http://www3.zippyshare.com/v/keQsXZu6/file.html

    ReplyDelete
  11. Ernst Grgo Nebhuth11 March 2017 at 23:54:00 CET

    Thank you, Andy for your help!

    ReplyDelete
  12. dogon ad12 March 2017 at 04:29:00 CET

    Thanks Andy for the music & in zippy!!!!

    ReplyDelete
  13. francisco santos12 March 2017 at 22:04:00 CET

    BIG THX!...

    ReplyDelete
  14. Solomon13 March 2017 at 05:33:00 CET

    Thank you!

    ReplyDelete
  15. DW16 March 2017 at 06:30:00 CET

    Andy, thank you!!!

    ReplyDelete
  16. Vanusian5 May 2017 at 08:15:00 CEST

    thanks - is it just my ignorance or has the majority of new music since the '60s been favouring strings rather than woodwind or brass? percussion doesn't seem to do too badly. at one time i thought this was a good thing, but of late i've been longing to hear contemporary brass and would appreciate some recommendations i can track down. i hope i am wrong as reductionism of instrumentation seems limiting unless self-imposed for artistic reasons.
    anyway, despite this, many thanks for the share which i am sure is a great listen!

    ReplyDelete
  17. Paczkipipco3 June 2017 at 08:08:00 CEST

    Thanks much, guys! Just made it back here and found this! Vanusian: I think you have a point. As a composer myself, I find it easier to compose "contemporary sounding" music for strings, because the "contemporary tecniques" for strings are a bit more straightforward. Using the bow to scrape the strings, bounce the wood of the bow, use extra bow pressure to make a scratch tone, etc, etc are fairly easy to communicate. As a clarinetist, I can say that if a composer asks for a specific type of unusual sound, it can be quite hard to produce well. There are all manner of complicated breathing, tonguing, and multiphonic and microtonal fingerings available, to be sure, but one has to be a bit of a specialist to do most of those things at all well.

    ReplyDelete
  18. fest27 December 2018 at 18:48:00 CET

    can someone reupload this? been looking this forever

    ReplyDelete
  19. Ernst Grgo Nebhuth28 December 2018 at 16:18:00 CET

    1fichier

    ReplyDelete