tag:blogger.com,1999:blog-8357696082833015704.post3940735976921885273..comments2024-03-27T22:22:06.465+01:00Comments on inconstant sol: Gunter Hampel-(Ballet) sympony#5 and 6(birth lp 03 1971)Nickhttp://www.blogger.com/profile/06541622427963452170noreply@blogger.comBlogger11125tag:blogger.com,1999:blog-8357696082833015704.post-89746456961812326332021-06-06T22:57:00.219+02:002021-06-06T22:57:00.219+02:00Is there any chance someone could re-up this in lo...Is there any chance someone could re-up this in lossless?<br /><br />I don't THINK it's available on Hampel's website, but then again, his website is a mess!<br /><br />Thank you.mikehttps://www.blogger.com/profile/07851646648510763270noreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-34996502630223660072018-01-10T21:43:14.903+01:002018-01-10T21:43:14.903+01:00Gunter Hampel & Jeanne Lee - Live at Jazzbuehn...Gunter Hampel & Jeanne Lee - Live at Jazzbuehne Berlin 1981<br />(mp3) https://1fichier.com/?720i43d85fmew23https://www.blogger.com/profile/09508741570339709312noreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-10179474818954265492010-07-31T15:15:17.734+02:002010-07-31T15:15:17.734+02:00Thank you.
I particularly liked Symphony No 6.
Out...Thank you.<br />I particularly liked Symphony No 6.<br />Out of interest, is 'Michel Waisfisz' the same as 'Michel Waisvisz'?marten512noreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-26916505612343376592009-01-16T03:35:00.000+01:002009-01-16T03:35:00.000+01:00Thank you! This appears to be quite an intriguing...Thank you! <BR/><BR/>This appears to be quite an intriguing recording. It's downloading as I type this. I look forward to hearing it!ghostrancedancehttps://www.blogger.com/profile/16552064137239467309noreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-2475108154546899512009-01-07T16:54:00.000+01:002009-01-07T16:54:00.000+01:00As promised: http://rapidshare.com/files/180735983...As promised: <BR/><BR/>http://rapidshare.com/files/180735983/birth003coverart.zip <BR/><BR/>have fun <BR/><BR/>sambecsambeck2001https://www.blogger.com/profile/18340336458645251809noreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-37427634811470385922009-01-07T16:31:00.000+01:002009-01-07T16:31:00.000+01:00thank you, sotise, for this rip. i am not able, to...thank you, sotise, for this rip. i am not able, to rip it by myself, but i can provide cover art. <BR/><BR/>i appreciate every gunter hampel, i don't know yet about! thanks treibstoff for this performance, i only heard about, but never could catch it. i'm owning only an amiga-lp "jazzbuehne berlin '81" with an excerpt of "that came down on me". so i am happy to find it here. <BR/><BR/>sambecsambeck2001https://www.blogger.com/profile/18340336458645251809noreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-85947080311851872892009-01-06T00:09:00.000+01:002009-01-06T00:09:00.000+01:00I got this here for you - and the megaupload-links...I got this here for you - and the megaupload-links still working - and believe me: it's great!!!<BR/><BR/>GUNTER HAMPEL & JEANNE LEE<BR/>May 9, 1981 – Berlin/GDR, Volksbuehne (Berliner Jazzbuehne '81)<BR/>Jeanne Lee voc; Gunter Hampel vib/fl/bcl.<BR/><BR/>1. SPIELPLATZ (Gunter Hampel) – 10:15 [vib]<BR/>2. FUNKY GET DOWN (Gunter Hampel) – 12:02 [bcl]<BR/>3. FREEDOM OF THE UNIVERSE (Gunter Hampel) – 13:25 [vib]<BR/>4. THAT CAME DOWN ON ME (Gunter Hampel) – 12:02 [vib]<BR/>5. IMPROVISATION (Hampel/Lee) – 8:05 [fl]<BR/><BR/>Length: 5t/56'33"<BR/>Source: rb/ORB, Radio Brandenburg "Jazz Live" 1997 (Aufn. Rundfunk der DDR)<BR/>Lineage: DAT > HD > FLAC > mp3 (320kbs)<BR/><BR/>I found this great Duo today at DIME and my best regards for the original uploader there "SAMMLER_KK" !!!!!!<BR/>This is a diamond!!! And a good Sound Quality!!<BR/><BR/>I just cut out the audience, normalized the sound and removed the backgroundnoise at the last track.....transcoded it back to mp3 lame 320kbs and reupped it....<BR/><BR/>http://sharebee.com/60141e9a<BR/>http://sharebee.com/0284cd29<BR/><BR/>enjoy<BR/>treibstoffAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-29143908560897629002009-01-05T02:40:00.000+01:002009-01-05T02:40:00.000+01:00I'll 2nd the thanks. Any Hampel is much appre...I'll 2nd the thanks. Any Hampel is much appreciated. I haven't seen much of his stuff in the shops, although I did pick up his ESP set a few months back at Dusty Groove. Great record.<BR/><BR/>I was happy to check *Familie* too. Too bad about the sound on that one, but one cool thing about the lo-fidelity is that Braxton, Hampel, & Lee at times become (for me, at least) almost indistinguishable. Like 3 voices, somewhere between "human" & "instrument."1009https://www.blogger.com/profile/16098635681599211009noreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-36518510888310359722009-01-04T17:55:00.000+01:002009-01-04T17:55:00.000+01:00thanks Glmir - will put more rare oop early Hampel...thanks Glmir - will put more rare oop early Hampel up here soon (though it must be said, everyone who enjoyed this should suport him and buy something from his site)Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-16522659815796888352009-01-04T13:36:00.000+01:002009-01-04T13:36:00.000+01:00Thanks, Sotise. For the record, and perhaps for t...Thanks, Sotise. For the record, and perhaps for those who weren't then born, but also perhaps for Americans too, it's worth taking a moment just to step back and ponder the extraordinary length, breadth, height, depth and width of Gunter Hampel's remarkable contribution to improvised music. Some of his earliest moments were, in my opinion, his finest. His early bands, 1964/65, had some then-unknown sidemen named merely Manfred Schoof, Alexander von Schlippenbach, Buschi Niebergall, and Pierre Courbois. He was one of the original members of the Globe Unity Orchestra, and an early collaborator of Willem Breuker. His 1968 band included an unheard-of guitar player named John McLaughlin. His marriage to vocalist Jeanne Lee brought in a black-American consciousness to his music. His extensive Birth label did much to document not only his own path and direction, mostly on vibes and bass-clarinet, but that of a vast number of ad-hoc collaborators from both continents. In short, this fellow is a walking encyclopaedia of one corner of free-jazz and free improvisation. May the gods bless him.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8357696082833015704.post-47110586526951643752009-01-04T00:35:00.000+01:002009-01-04T00:35:00.000+01:00320 kbshttp://www.mediafire.com/?ugyi2wmzfie320 kbs<BR/>http://www.mediafire.com/?ugyi2wmzfieSOTISEhttps://www.blogger.com/profile/05582536180483998639noreply@blogger.com